Péter Lichter

1990, after the fall. A man struggles to survive in the forest, living alone in a small cabin. One day he spots a mysterious child in an abandoned summer camp.

A retelling of Shakespeare's play from within the mind of the protagonist. The psychedelic appeal of the film was created with hand painted and rotten 35 mm and 16 mm celluloid strips.

If this is heaven, bring on the afterlife! The spirits of legendary Hungarian filmmakers Michael Curtiz and Gábor Bódy meet in a metaphysical screening room, while on the screen footage plays of classic twentieth-century films.

The film approaches Orwell's Nineteen Eighty-Four as a speculative archaeology: the visual markers of consumer society and political propaganda emerge through damaged advertisements and printed political materials.

An experimental reinterpretation of Dracula, this film fuses analog and digital decay-from Super 8 to 35mm-into a glitch-infused vision that transforms the novel's gothic eroticism into a haunting new audiovisual experience.

In early 2020, MUTA - International Festival of Audiovisual Appropriation and Cine Íntimo rescued and digitised a Peruvian archive of orphaned 8mm and Super 8 home movies. With the aim of restoring these lost memories, we sent the images around the world. This omnibus film is the result of the intervention of this material, by 14 experimental filmmakers. Fourteen perspectives and ways of experiencing appropriation. Fourteen variations on the intimate.

Collage film built upon the audio of The War of the Worlds, directed and narrated by Orson Welles. Originally broadcast in October 1938 as a Halloween prank, the program famously triggered mass panic across the United States, as its format—presented as a series of live news bulletins—proved uncannily convincing. Absorbing the visual language of the contemporary media environment, W:A:R:O:F:T:H:E:W:O:R:L:D:S constructs a peculiar media-archaeological artifact. AI-generated videos, drone footage, feature films, video games, and online fragments converge with the original radio broadcast, creating a layered and unstable field of perception.

A collage crime movie from the first novel of Agatha Christie.