La nuit de l'océan

The days leading up to the completion of his most famous painting, A Sunday Afternoon on the Island of La Grande Jatte, Georges Seurat is struggling to make meaningful art and maintaining a relationship with his lover, Dot. Amid the scorn of the artistic community, Seurat's artistic ability thrives while his love diminishes. A century later, Seurat's descendant – named George and also an artist – finds himself burnt out and in search of what artistic path to follow, but he finds the answer to his future in the past.

This seminal work of avant-garde opera from composer Philip Glass and director Robert Wilson arrives full-circle, coming to France, the site of its 1976 Avignon Festival world premiere, at the tail end of this 2014 revival tour for a landmark Theâtre du Châtelet production and a first ever filming by award-winning arts filmmaker Don Kent. Eschewing conventional narrative, the opera revolves loosely around pacifist Einstein’s relationship to the creation of the atomic bomb.

Marie is an executive in an airport. During a rafting trip, she meets Maxime, a parachuting and wingsuit enthusiast. However, she is unaware that Maxime and his gang are looting airport cash-in-transit vehicles and planning a robbery. To ensure Marie's silence, Sofia - leader of the gang - sabotages her parachute during an initiation. Marie falls 2,000 meters but miraculously survives. A year later, handicapped, she took refuge in her parents' house in Gap, her hometown. Until the day Marie meets Sofia, who thinks she is dead and does not recognize her. Marie decides to take revenge by luring them into a new robbery. But Luc Ferraz, a BRI officer looking for the source of the gang's information, is not to be trusted. Marie has the ideal profile. So Luc pretends to be an assistant to her in order to trace the robbers.

Marion is a high-powered cop. Luc is a gentleman thief. He thinks she's a lawyer, she thinks he's in real estate. They're married, with two kids, and are each blissfully ignorant of each other's double life.

Commissioned by the Mariinsky in 2002, 'Cinderella' was the production that launched choreographer Alexei Ratmansky onto the world stage. Filmed in 2013 and now released on DVD and Blu-ray for the first time, the production stars one of the foremost prima ballerinas in the world today, Diana Vishneva. Recently described by The Telegraph as being 'as close to physical and technical perfection as it is possible to be', Vishneva delivers a dazzling performance, and is conducted by leading Prokofiev interpreter, Valery Gergiev. Ratmansky is the world s most influential ballet-maker, credited with revitalising classical dance through a series of highly individual productions. He breathes new life into Prokofiev s ballet, weaving together an array of different styles and echoing the complexities of the composer s score.

A tale of the French Revolution, The Flames of Paris belongs to the pearls of the pure classics of classical dance. This world premiere recording of the production from choreographer Alexei Ratmansky (after Vasily Vaynonenon) and the Bolshoi Ballet, features the standout soloists Natalia Osipova and Ivan Vasiliev. Although set in revolutionary France, The Flames of Paris was intended to serve as an allegory for contemporary events in the Soviet Union. The ballet premiered in 1932 on the anniversary of the October Revolution, and one of its main characters was the population - revolutionary in mood and ready for action. Not surprisingly, The Flames of Paris was quickly included in the ranks of works which were always presented for major anniversaries.The choreographer Alexei Ratmansky has attempted to make maximum use of the preserved fragments of Vasily Vainonen in his new ballet.

In the legendary setting of the Cirque d'hiver Bouglione, a constellation of artists from around the world come together to create a show where virtuosity, humor, and grace combine to revive the enchantment of traditional circus. Artists from all walks of life await the audience, including Régina Bouglione, in a maximini act with her horses and ponies, as well as juggler David Pierre Larible. Filmed at the Cirque d'Hiver Bouglione in Paris's 11th arrondissement.

Nobody is better suited to undertake such a challenge than Valery Gergiev and his Mariinsky Orchestra. Over a period of a year all 15 Symphonies and 6 Concertos have been recorded at Salle Pleyel in Paris. What an adventure for the artists and the big production team! Never before in the history of television has something like this been undertaken including the very first “Ring” for television at Bayreuth. • Dmitri Shostakovich is arguably one of the greatest composers of the 20th century. To understand his music one needs to see it in the context of his life, his social environment, the political situation, the unbelievable brutality with which the Communist Party enforced its ideological credo and the subtle ways with which Shostakovich succeeded in combining his innermost thoughts with the demands of Socialist Realism. He was a man of many faces. And beyond any doubt Dmitri Shostakovich was a musical genius.

Running through Bartók’s disenchanted tale, whose haunting music was initially condemned as unplayable, and the expression of despair in Poulenc’s monologue, the director Krzysztof Warlikowski perceives a shared dramatic thread, a shared feminine consciousness and a shared sense of imprisonment and suffocation: for the woman who penetrates the confines of Bluebeard’s castle and Elle, the woman who clings to a telephone conversation with a man as the only thing worth living for, are condemned to share the same fate. And this man she speaks to, does he really exist? Unless the director has interpreted Cocteau’s words to the letter and the telephone has become a “terrifying weapon that leaves no trace, makes no noise”…