¿Pero no vas a cambiar nunca, Margarita?

A peculiar walk through the Basque city of San Sebastián along twisting roads never traveled by guidebook users.

Jesús, a runaway from a seminary, attends the auditions to join a pop music band; but he is not finally chosen, along with three other boys. But Alicia, a cheerful and enterprising girl, decides to create her own band with all of them.

With a title that expresses the connection/disagreement of bios (βίος) = life, and graphi (γραφή) = writing, this film of Rentzis has as a subject “the passage from homo universalis to homo industrialis”. Based on a visual material provided by the collage book of the Basque Chumy Chúmez, the film forms, out of cultural deposits of the industrial era, a novative oneirographic discourse, through the audacious and unprecendeded claim of a combinatorial optimization of collage/montage techno-poetics. Viewing the body as historical ideotype ‘the sublime point of reference, a matrix and a refusal of all signs’, Rentzis, dissects the body of film, makes an inter-parody of historical utopias and certainties and moves between animation and expanded cinema in order to reflect on the broader social, political question of our social coexistence condition, the unity and rupture.

A quinceañera pretends to fall in love with David, the singer of the popular group Men G, and chases him to Acapulco. One night, she undresses and pounces on him, while a friend of her makes a few compromising photographs. The publication of these photos in a magazine leads David to pay a large sum and one year in prison, but the rest of the group discovers that Sonia and her friend are going to defraud actor Toni Canto and decide to prepare a trap for them

The life and adventures of Pedro Becerra, a generous-hearted Andalusian bandit, and the account of his troubled love story with the beautiful Margarita…

During a trip to the mountains with their schoolmates, Arturo, who has just turned fifteen, gets thirteen-year-old Paloma pregnant.

Animation film based in some stories of the better illustrators and humorists of Spain during the democratic transition, on seventies: Chumy Chumez, Perich, Oscar, Ja, Fer, Ivà. They are quotidian stories about love, death, sex and violence.

Carmen leaves her husband Julio to go live with an intellectual who has made a career in the United States. While, Julio goes away to live of rent to house of an aristocrat come to less. After meeting several colorful characters, Julio decides to recover Carmen.