Zimní víla

The honest and a bit naive director of a variety agency, Jožin Petránek, sits on the qualification committee that judges entertainers and performers of all kinds. The man firmly rejects any favouritism. But at work and at home, he's in for nothing but trouble. The rejected "artists" protest, and Jožin's wife Anna would like to promote her friend's daughter into show business. His new secretary Zuzana starts to seduce him. Petranek finally succumbs to the French chansonnier Madelaine. But Zuzana calls Mrs. Petrankova and she drives her husband away from the table and the bed. Eventually, Jozhin loses his position as director and becomes an ordinary stage recruiter. Now the real showbiz hype is just beginning for him...

The relationship between a teenage daughter and her mother is not an easy time in the life of either of them. But for Jana Burešová and her Simona, it means digging deep into their consciences and searching for sensitive places where the past can be revealed and a path to the future can be found. It is at her forty-fifth birthday party that a devastated Jana learns from the police that her daughter has secretly given birth. The next day, she visits her daughter in the maternity ward, but she refuses to talk to her because she cannot forgive her mother's lack of interest, the fault of which is that she did not even know her daughter was pregnant.

Third wine session, this time with a computer. The film was made in direct relation to the audience success of the previous two: "Stormy Wine" and "Ripe Wine". In the comedy-oriented story, the computer is an important actor, around which all the events actually revolve. It is reliable, powerful, but unused. Its future lies in the hands of those who do not yet know how to use it.

In a school somewhere in the border region, a young teacher is trying to integrate Romani children into the classroom. But their families remain suspicious of education. The filmmakers have chosen a largely romantic view that does not penetrate beneath the surface. They have included numerous folklore examples, acting as the most attractive element. The real problems can thus only be imagined.

Our story begins years later. A grand engagement is being planned in the kingdom. The prince has come of age. The time has come for him to marry the daughter of a neighboring country. An ancient royal promise must be fulfilled! However, the prince has little desire to marry. He is more interested in the surrounding forests, the stream, the birds, and above all, freedom, than in court etiquette and his own wedding. The young man does not change his behavior even when the beautiful princess arrives at the king's invitation. However, she soon realizes that she and the prince are not suited to each other. They only agree on one thing—they both want to defy the king's promise. But how?

The staff at the White Cat Inn watch with concern and suspicion as Johan, the postman, pays frequent visits. This dapper, suave gentleman persistently courts Kristýna, the widowed innkeeper, even though he otherwise despises the locals. Kristýna's son Vítek dislikes him. And even more so when Johan tries to drive his pet and protector of the inn, the white cat, out of the house! Vítek, Kristýna's servants, and her friend, the poacher Prokop, are determined to get rid of Johan or at least make his life miserable. And things start to happen at the inn...

Father Holy, a village priest, battles against the state and religious bureaucracies of 1980s Czechoslovakia in his fight to raise money for a new church roof. Permeated by his love for the villagers, his encounters are marked by his good humor. In his losing battle against Church and State, Holy is ordered to be transferred away from his parish and his allies. The Czech-American, Milena Jelinek, adapted this moving story from the the novel The Forgotten Light, by the 1930s Czech writer/poet and Catholic priest Jakub Deml. (1934)

A family purchases a home robot designed to look like a grandmum. Their neighbours immediately buy a more expensivve model as the two families always try to up the other one. Both grandmums start to "terorize" their families because they were set up to ensure the mums exercise, the kids study etc. Apart from that they start causing problems to the other family ... cut ropes with hanging clothes, pierced tires, etc. Once they get to killing each other family's pets the parents get really worried about the safety of their kids. The grannys later destroy each other while fighting and the families decide that they'll be better off without any robots. (It's some time since I saw this so the details may be off.) Mainly thanks to the design of the robots it's rather a comedy than a horror. Unless you are ten. And a rather good comedy!

A tribe of survivors take possession of a large but rundown building, killing all who put up resistance - but they don't know that the building is cursed by some demon god and haunted by a girl in white that seems to know a dark secret.

Fairy tale about young cobbler Jíra, who had fashioned wings from leather in order to rescue princess Jasnenka from the tower of the royal castle, where her father had closed her to to save her from the evil witch and her daughter Cernava.

Vladimír Michálek chose an unconventional adaptation of Franz Kafka's novel for his feature debut. Artistically reminiscent of the classic films of Karel Zeman, the director reinterpreted this dark story of a man vainly seeking a place in a rigidly ordered society by changing the desperate conclusion into a happy end. The film provided Czech comedian Jirí Lábus with a new kind of role: that of the despotic uncle of a main hero Karel Rossman (Martin Dejdar).

Dr. Štěpán, dismissed for his outspokenness, returns to his hometown determined not to bend his ethical principles to the ruthless new capitalism surrounding him. When he meets a young woman who may become the meaning of his life, he must confront the tension between his ideals and the demands of a changing world.

A mysterious man named Michael Allan Jones arrives in Prague to search for his ancestors. Specifically, he is interested in the year 1611, when a meteorite allegedly crashed near Dobruška. The search for him is helped by nice writer Marcela, who writes a short story about this topic. He thinks it wasn't a meteorite, but a UFO. With her, Michael visits several Czech locations with a mysterious past.

We meet Veronica shortly before her high-school graduation exams. She lives with her mother, an alcoholic, and her mother's partner. One day when he is drunk, he chases Veronica to the roof of a house and falls off, killing himself. He was in debt as he was addicted to gambling. His creditor wants the money back and starts to threaten Veronica. Her mother will not protect her since she is always drunk. Thus, the young girl must leave home and hide far away. On her journey she meets many characters. Some of them are comic, others are rather tragicomic. And Veronica tries to find good people with whom she would feel comfortable and happy, thus giving her life meaning. - Czech film center

Set in World War 2 as the Germans occupy Czechoslovakia, teenage Emilka's father is murdered by the Nazis, but she is selected for special treatment by virtue of being blonde. She is billeted with the commandant of a concentration camp near the Baltic coast, where his kindness towards her provokes his wife's jealousy, but is compromised when Emilka witnesses his brutality towards the prisoners.