1966, My Time in the Red Guards

A documentary of the Yuanda Song and Dance Tent Show, a wandering troupe from the countryside of Henan Province that is on the road all four seasons of the year.

A documentary following five young artists from around China, who travelled to Beijing in the 1980s to work as freelancers, exploring their lives, careers, and what aspirations they may have for the future.

This documentary shows how different young people try to realize their dreams to become famous through the film industry.

“Action 2024” is a snapshot of independent filmmaker Wu Wenguang's experiences during the year 2024, which he spent in a village called Shijiawan growing rice, corn, and vegetables, and raising chickens, ducks, and geese. What sets this work apart from Wu's previous films is that it was not conceived as a project first, leading to a film; instead, it emerged organically from the filmmaker's life working in the village—farming and raising poultry—during which time he had attached to his body a miniature camera. This process prioritized living and farming first, followed by documentation, and ultimately resulted in an 18-hour film which follows the chronological order of occurrences and documentation, and is structured into five chapters: “June,” “July,” “August,” “September,” and “October.” Screened online over 5 consecutive Fridays from January 31 to February 28, 2025.

A year after he made Bumming in Beijing, Wu Wenguang visited his main figures in Austria, France, Italy and the USA. The desire to escape everything, which was the most compelling feeling while they were still living in Beijing, has meanwhile faded and they are now confronted with the dynamics of emigration. Wu asks what it means to feels deserted by one's own country and how it is when one reacts by deserting it in turn.

Luo Bing went back to Luo village, where he was born and grew up, and interviewed older people to know what happened during famine from 1959-1961. His neighbor, Ren Dingqi wrote a memoir, but he didn't really show it to Luo Bing. Luo Bing knew the history of this village much more after getting close to Ren Dingqi every time

The film is about the first two years in the Memory Project. All images was from my angle with my camera.

A journey of the filmmaker, Wu Wenguang, somewhere in China, and his view of public life in the cities and villagers. He meets some of his friends, a gay man in Beijing, and a lesbian couple in Shanghai.

Never broadcasted feature film by Chinese documentary filmmaker Kang Jianning.

The film is about the life of farmer workers in Beijing, including search the “outlander” how to been in Beijing.

My father was a landowner’s son and an ex-Kuomintang Air Force pilot, who remained in mainland China after 1949. For survival, he tried to transform himself from a man of the ‘old society’ to a man of the ‘new society’. As his son, I started investigating his ‘history before 1949’, which he had kept away from me. This film documents the process of my investigation over twenty years.

A documentary following the filmmaker, Shu Qiao, who went back to his hometown of Shuangjing, a rural village in Hunan Province. He interviewed the elders in his village who lived through the Great Famine during 1959-1961. His main purpose was to gather the names of those who suffered and died during the famine and to ask the village to donate money for erecting a monument in their name

The first part of Wu Wenguang's Autobiography film series.

Li Xinmin's first return to her village in Yunnan province. Alongside interviews with some village elders, the film reveals the filmmaker's family and their views on her film project.

Originally produced in 1988 and 1989, but blocked from being released after June 4th. A large-scale Chinese documentary series that spanned 100s of interviews in nearly 20 provinces, cities, and autonomous regions. It was completed in early 1989, and each of its parts run roughly 50 minutes. The titles of each part: Family, Fertility, Farmers, Youth, Minority, Women, Artists, Kung Fu, and Mission. The series, according to production notes written by screenwriter Zhu Xiaoyang, "reflects the life and fate of contemporary Chinese people, their behaviors, concepts, and customs; explores the influence of traditional culture and foreign cultures on modern Chinese people; and describes the joy and hard work, hardship, and perseverance, as well as exploration and yearning, of the Chinese people." Youth, Kung Fu, Artists, and Minority are the only surviving parts of this series.