Bumming in Beijing: The Last Dreamers

A documentary of the Yuanda Song and Dance Tent Show, a wandering troupe from the countryside of Henan Province that is on the road all four seasons of the year.

More preoccupied with "history" than Wu's other works, My Time in the Red Guards is a record of his fascination with the missed moment, Mao's Cultural Revolution. In 1966, the Red Guards ironically represented the official avant-garde, a movement carried forward by youth determined to become heroes of the Revolution. Wu interviews people who had joined the Red Guards as high schoolers, most now successful professionals, some Party members. The miscalculations and cruelties of this extreme cultural campaign are spread out before us, detailed by personal recollection and further illustrated by old agit-prop newsreels. Misgivings and fond remembrance vie for position as the interviewees seem to confuse the nostalgia of youthful action with the excesses of historical fact.

This documentary shows how different young people try to realize their dreams to become famous through the film industry.

“Action 2024” is a snapshot of independent filmmaker Wu Wenguang's experiences during the year 2024, which he spent in a village called Shijiawan growing rice, corn, and vegetables, and raising chickens, ducks, and geese. What sets this work apart from Wu's previous films is that it was not conceived as a project first, leading to a film; instead, it emerged organically from the filmmaker's life working in the village—farming and raising poultry—during which time he had attached to his body a miniature camera. This process prioritized living and farming first, followed by documentation, and ultimately resulted in an 18-hour film which follows the chronological order of occurrences and documentation, and is structured into five chapters: “June,” “July,” “August,” “September,” and “October.” Screened online over 5 consecutive Fridays from January 31 to February 28, 2025.

A year after he made Bumming in Beijing, Wu Wenguang visited his main figures in Austria, France, Italy and the USA. The desire to escape everything, which was the most compelling feeling while they were still living in Beijing, has meanwhile faded and they are now confronted with the dynamics of emigration. Wu asks what it means to feels deserted by one's own country and how it is when one reacts by deserting it in turn.

The film is about the first two years in the Memory Project. All images was from my angle with my camera.

The first part of Wu Wenguang's Autobiography film series.

My father was a landowner’s son and an ex-Kuomintang Air Force pilot, who remained in mainland China after 1949. For survival, he tried to transform himself from a man of the ‘old society’ to a man of the ‘new society’. As his son, I started investigating his ‘history before 1949’, which he had kept away from me. This film documents the process of my investigation over twenty years.

It is the director's second documentary of "my village" series since she got involved with the "Folk Memory Project". She returned to her hometown to shoot footage, recording the realities she encountered in her search for memories. Her biggest question is: after experiencing the disaster of the tragic famine fifty years ago, the villagers now are not short of food, and are living a better life than before, but is the spirit of this village still starving?

A journey of the filmmaker, Wu Wenguang, somewhere in China, and his view of public life in the cities and villagers. He meets some of his friends, a gay man in Beijing, and a lesbian couple in Shanghai.

A documentary following the filmmaker, Shu Qiao, who went back to his hometown of Shuangjing, a rural village in Hunan Province. He interviewed the elders in his village who lived through the Great Famine during 1959-1961. His main purpose was to gather the names of those who suffered and died during the famine and to ask the village to donate money for erecting a monument in their name

Never broadcasted feature film by Chinese documentary filmmaker Kang Jianning.

A documentary film following the daily life of director's grandfather in the winter of 2011. At 80 years old with five sons, the grandfather insists to live by himself in the rural area of Hebei

This film is the second segment of my “Autobiography Series.” From the moment when my mother disclosed a long kept secret, my birth was accompanied by many struggles for my mother. Those “struggles” include: during pregnancy, “should this child be kept,” to the painful struggles in the delivery process. Struggles have also accompanied since I was born, becoming part of my life.

Li Xinmin's first return to her village in Yunnan province. Alongside interviews with some village elders, the film reveals the filmmaker's family and their views on her film project.