Red Light, Green Light

The Black Fox (黑狐狸) is a 1962 Hong Kong thriller film directed by Yan Jun. The film was produced under the Shaw Brothers banner in the Mandarin language.

The noted actress Li Li-hua, star of more than sixty films since 1947, beautifully portrays the drugged, then disgraced wife of a peddler in the waning days of the Ching Dynasty. To make matters worse, she’s soon framed for her husband’s murder by her rapist - the son of the local magistrate! And even that isn’t the end of her woes. It’s best to have a box of tissues nearby as two expert directors ratchet up the emotional suspense in this consummate tearjerker.

Spies, Military Documents and Traitors.

Ah Niu, swindled of his fortune by cunning crooks, hits rock bottom. A fateful encounter with devious thugs reunites him with Uncle Chou, prompting their escape to the vibrant city of Singapore. Their journey is riddled with absurd mishaps, including a comical episode with a baby and a frantic pursuit by the relentless thugs. This final instalment of the series offers a colourful, wide-ranging tour of Singapore in the mid-1970s, brimming with slapstick humour and heartwarming moments.

A Shaw and Sons production.

A gangster thriller.

Following the lives of three downtrodden but resilient outcasts, John Lo Mar's gritty social drama paints a sense of realism rarely seen in Hon Kong movies. Li Ching - the best actress of her era - play Ah Chiao is a girl from a rural village stranded in the city, who befriends a kind-hearted transient and a retired actor. They are poor, but they are happy. Although her fortune changes for the better when she becomes a singer, she ultimately learns money can't buy happiness.

In this dreamy romance set in China during the fourth-century, a young woman convinces her parents to allow her to dress as a boy and attend university.

A bittersweet comedy about a simple hick who arrives in the big city to seek his fortune, "The Crazy Bumpkins" is about Ah Niu, who leaves his native village to live with an uncle in Hong Kong, not realizing he is a crook. After taking on a hilarious series of illegal jobs with his uncle, he meets and falls for a single mother and decides to find some real work. However, bad luck and naivete soon conspire to keep him from true happiness.

A small-time crook goes in search of the other half of a wooden keepsake which will lead him to the legendary kung fu technique of the Gibbon Clan Fist.

Early Shaw Brothers comedy

Three young martial arts students and their teacher are beaten up badly by a wandering man who proclaims himself "a corrector of bad kung-fu." Determined to avenge their teacher and regain their honor, the three students all go their separate ways to find kung-fu masters who will take them as students.

Complex plots? This director didn't want them. Expensive, famous stars? Didn't need them. Glorious sets and costumes? He could take them or leave them. With his choreographer Hsu Hsia, John Lo Mar liked making lean, mean, fighting movies, and fans rejoiced. Here Wu Yuan-chin stars as "the Kid," a monk whose education in the aptly named "Crazy Lo Han Fist" finds him battling a cruel bandit's son and befriending an abused prostitute. From then on, it's one fight after another in another John Lo Mar martial arts marvel.

The renowned Li Li Hua plays Wu Ze Tian, the most famous woman in China's four thousand year history.

Boss Chai (Wang Sha) serves as the leader of a group of thieves and skilled pickpockets. One fateful night, his most prized possessions fall into the hands of his senior disciple, Hsiao Hsiang Kung (Ye Feng), a renowned master thief among thieves. The two embark on a series of escapades marked by intense rivalry, crafty betrayals, and occasional partnerships. Amid their adventures, Hsiao Hsiang Kung demonstrates that he is not just a thief but also a compassionate man, assisting the less fortunate and coming to the rescue of distressed damsels.

Two brothers, one wrongly accused of a crime, go on a mission of vengeance to find the men who framed him.