Capacocha

A man arrives with the obsession to recover his wife in the arid landscape of the Andes range. A pasional drama filled with violence is triggered when he discovers that she no longer expects him.

1997 Christmas eve, Camila get's in touch with her own desire.

Sandro, a rural character from the interior of the province of Tucumán, prepares to attend a wake and tell jokes, a tradition that he inherited and has kept alive for more than fifty years.

A sinister pot of dulce de leche comes into the lives of Alejandro and Lucía, and will change everything.

Lautaro (11 years old) and José (6) learned to find, in what others throw away, the daily sustenance their family needs. Lautaro protects his little brother from a situation that is suspected to be violent between his parents. The next day, José discovers a message in his World Cup figurine album. Messi's, his favorite, no longer looks like before. Neither did his family.

Mikei begins working for Oscar, a self-proclaimed inventor of “Happy Trains” once on the train, he will meet a princess and find love.

A father and son, isolated in a dilapidated country house, try to survive a hellish summer. Between hunting days and campfire nights, the son begins to perceive a strange connection between his father and the nature that surrounds them. An ancestral secret is about to be revealed.

Three young aspiring artists fly to Brazil to present their film at the Shortfilm World Cup. Reality and fiction merge to the point where the viewer might wonder if anything is actually real when there's a camera recording it.

Romina has been working as a promoter for more than 20 years and, about to turn 40, faces few and poorly paid job offers. Her last days at work take her to bars and events. He decides to leave it, but in a Buenos Aires with crisis and unemployment, he cannot re-enter the labor market.

About Christmas, or about the construction of fiction, about the protagonists of the farce, about the exploited by the system, about the mercenaries of the performance; a film about angelic beings.

While working alongside his long-time friend and colleague in building a hospital for the residents of a Buenos Aries shantytown, a troubled priest finds solace in a young, atheist social worker.

A small town in an Argentinian province, 1975. The life of Claudio, a successful lawyer, gets complicated when he has a stupid quarrel with a stranger in a crowded restaurant.

A teaching assistant at a private Buenos Aires school begins obsessively spying on her students in the early 1980s, as the public rises up against the military dictatorship.

Rodrigo and his mother travel to the town where his older brother just died. In this calm place they will go through the first stages of their mourning. Rodrigo will start to peer on grown-ups grief and, imperceptibly, will begin to leave childhood behind. His mother will try to uncover the mysteries surrounding that death. A story suspended in time, floating between the countryside lost places.

The annual short film competition for directors organized and produced by INCAA presents seven new works.

During a terrifying night in Buenos Aires, five urban legends unfold in the most surprising way possible. While a politician is accused of being responsible for an urban tragedy in which fifteen people died, in Buenos Aires various stories based on urban legends intersect.

The shoot of an adaptation of the Jane Austen classic set in contemporary Mar del Plata.

Jorge hustles his way through Buenos Aires' ruthless financial district, making cash and enemies by the minute. Crude, chaotic, and a magnet for disaster, he's burned just about every bridge, including the one to his estranged daughter. But after a near-fatal heart attack, Jorge is hit with an unfamiliar urge: to become a better man. Or at least look like one. Fueled by guilt, nicotine, junk food, and questionable life choices, he sets out to win back his daughter's trust and prove he’s changed – without actually changing too much. Because old habits die hard… and Jorge's aren't even close to dying.

Carmelo Saitta devoted his life to the research and composition of electroacoustic and contemporary music. Now, at 75, he reflects on his life and the present, where he approaches the recording of new work.

It recounts the reconstruction of the life of Ema Cabral, a Montoneros militant executed in the Margarita Belén massacre on December 13, 1976. During the course of her investigation, while Cecilia unravels the causes and consequences of the massacre, the Argentine justice system sentences eight repressive military officers to life imprisonment. But the mystery remains: where Ema's body is. Cecilia goes out to search for it but will never find it. What happens in a society that hasn't buried its dead? Unremitting to the void, the documentary filmmaker imagines what Ema's life would have been like without that December 13th.