Tomás Pernich

Three young aspiring artists fly to Brazil to present their film at the Shortfilm World Cup. Reality and fiction merge to the point where the viewer might wonder if anything is actually real when there's a camera recording it.

A small town in an Argentinian province, 1975. The life of Claudio, a successful lawyer, gets complicated when he has a stupid quarrel with a stranger in a crowded restaurant.

Romina has been working as a promoter for more than 20 years and, about to turn 40, faces few and poorly paid job offers. Her last days at work take her to bars and events. He decides to leave it, but in a Buenos Aires with crisis and unemployment, he cannot re-enter the labor market.

A father and son, isolated in a dilapidated country house, try to survive a hellish summer. Between hunting days and campfire nights, the son begins to perceive a strange connection between his father and the nature that surrounds them. An ancestral secret is about to be revealed.

Mikei begins working for Oscar, a self-proclaimed inventor of “Happy Trains” once on the train, he will meet a princess and find love.

The shoot of an adaptation of the Jane Austen classic set in contemporary Mar del Plata.

Bruno, a Peruvian priest, comes to Buenos Aires after his church is set on fire. He meets up with Juan, an old friend he met in jail many years ago. Bruno is hoping to work in a Peruvian restaurant in order to send money back home, but his friend has other plans for him.

About Christmas, or about the construction of fiction, about the protagonists of the farce, about the exploited by the system, about the mercenaries of the performance; a film about angelic beings.

A teaching assistant at a private Buenos Aires school begins obsessively spying on her students in the early 1980s, as the public rises up against the military dictatorship.

Jorge hustles his way through Buenos Aires' ruthless financial district, making cash and enemies by the minute. Crude, chaotic, and a magnet for disaster, he's burned just about every bridge, including the one to his estranged daughter. But after a near-fatal heart attack, Jorge is hit with an unfamiliar urge: to become a better man. Or at least look like one. Fueled by guilt, nicotine, junk food, and questionable life choices, he sets out to win back his daughter's trust and prove he’s changed – without actually changing too much. Because old habits die hard… and Jorge's aren't even close to dying.

Carmelo Saitta devoted his life to the research and composition of electroacoustic and contemporary music. Now, at 75, he reflects on his life and the present, where he approaches the recording of new work.

During a terrifying night in Buenos Aires, five urban legends unfold in the most surprising way possible. While a politician is accused of being responsible for an urban tragedy in which fifteen people died, in Buenos Aires various stories based on urban legends intersect.

It recounts the reconstruction of the life of Ema Cabral, a Montoneros militant executed in the Margarita Belén massacre on December 13, 1976. During the course of her investigation, while Cecilia unravels the causes and consequences of the massacre, the Argentine justice system sentences eight repressive military officers to life imprisonment. But the mystery remains: where Ema's body is. Cecilia goes out to search for it but will never find it. What happens in a society that hasn't buried its dead? Unremitting to the void, the documentary filmmaker imagines what Ema's life would have been like without that December 13th.

Rodrigo and his mother travel to the town where his older brother just died. In this calm place they will go through the first stages of their mourning. Rodrigo will start to peer on grown-ups grief and, imperceptibly, will begin to leave childhood behind. His mother will try to uncover the mysteries surrounding that death. A story suspended in time, floating between the countryside lost places.

The annual short film competition for directors organized and produced by INCAA presents seven new works.

While working alongside his long-time friend and colleague in building a hospital for the residents of a Buenos Aries shantytown, a troubled priest finds solace in a young, atheist social worker.