Chaitali

Sunil leads a poor lifestyle along with his widowed mother, and two school-going siblings, Anu and Tikku. He gets married to Lakshmi, who soon gets pregnant. Anu graduates from school and each of the family make individual sacrifices so that she can attend college. During Diwali, Lakshmi falls down the stairs, is hospitalized, has a miscarriage, and will never be able to conceive. Sunil decides to keep this a secret from the rest of the family, but subsequently confides in his mother. When Lakshmi finds out she wants him to re-marry, but he refuses. Then Tikku is sent to live with his maternal uncle for a few days. Shortly thereafter the family will be faced with three crises as Anu prepares to elope with a wealthy fellow collegian, a death, and a theft.

Aashirwad is a 1968 Bollywood film. Produced by N.C. Sippy and Hrishikesh Mukherjee, it is directed by Hrishikesh Mukherjee. The film stars Ashok Kumar and Sanjeev Kumar.

Raja and Ashok are old friends, almost like brothers. One day Raja meets and falls helplessly in love with Madhu. A bit later, Madhu and Ashok meet by accident, and Ashok also falls in love with her. It gets further complicated by the fact that Ashok's father was in love with Madhu's mother and continues to carry a grudge against the family.

After falling for a cunning landlord’s scheme, a farmer (Balraj Sahni) and his young son (Ratan Kumar) travel to Calcutta in search of work to save money and reclaim their ancestral land.

Shekhar is new to the block and it doesn't take long before the street noise and the children playing nearby push his tolerance to the limit. To the rescue comes Mili, who has the exact opposite disposition. While Shekhar may be at a loss over what to do with her at first, he eventually falls in love.

A man's simple lie to secure his job escalates into more complex lies when his orthodox boss becomes suspicious.

Raj Kumar is an honest, handsome and intelligent young man. Working as a painter, he is unable to earn a living. One day Raj finds a wallet containing money and returns it to the man it belongs to. Impressed by his honesty, the man employs him to work in his office as a clerk.

A head injury causes a woman to regress to childhood. Lost and confused, she is eventually befriended by a school teacher. A Hindi remake of the 1982 film "Moondram Pirai" by the same team.

Sulekha is in awe of her brother-in-law Raghavendra for his intelligence. Parimal, her husband, decides to take up the challenge of fooling Raghavendra and goes to work for him as a driver.

As his son, Ramesh, reaches marriageable age, Kailash sets out to find him a wife, insisting that she should be a traditional, Indian village girl.

Desperate for a cook, the disgruntled Sharmas are relieved when a multi-talented man, Raghu, takes up the job. However, when all seems well, the family jewels disappear and so does Raghu.

Dr. Bhaskar Bannerjee struggles with his patients' suffering and the darkness and poverty he confronts daily. He treats cancer patient Anand who upon learning of his impending death determines to use the time he has left to the absolute fullest.

The stories of three sets of people, linked by their connection to an old suburban house in Calcutta- An orphaned young woman who desperately wants her husband to make up with his estranged parents so that she may belong to a family once more, a wayward young man desperate to find a job to support his aged father and his widowed sister-in-law, and a shadowy neighbourhood ‘madman’

The comic, tragic and heartrending saga of Ratan Kumar Chaudhary, who leaves his village, aging mom and seriously ill sister, to obtain employment in Calcutta, only to end up in a tiny tenement apartment full of other unemployed youths.

Bipinchandra breaks family tradition by marrying a city girl, Hemangini, much to the chagrin of his sister-in-law, Kadambini, and her husband, Navinchandra. Things are delicate even after both women give birth to two children each. Then Hemangini testifies against Navinchandra in Court, leading to the division of the property. Things got worse by the arrival of Kadambini's orphaned school-going step-brother, Kishan, who is beaten and abused by not only by Kadambini and Navinchandra, but also by their overweight son. When Hemangini objects to Kishan's ill-treatment, Bipin takes the side of the rest of the family, and may probably force her to abandon Kishan to his fate or divorce her.

An impoverished employee tries to prevent his superiors and employers from marrying his sweetheart.