City of God

A man steals a warehouse and, to hide from the police, enters a house where a girl and an old man live. Short film made by Víctor A. González (\" Ciudad de Dios \ ") during his time at CERC (Centro of Experimentation and Filmmaking), which earned him the ban to continue directing within the institution.

Between 1976 and 1982 thousands of citizens were kidnapped, tortured and killed in Argentina. How do Argentinians cope with this tragedy? How do they elaborate their recent past?

Pilot episode of a never-produced horror short series: In 1870, a group of Argentine landowners founded the Logia del Eterno Retorno, sponsoring the research of Poison, a British veterinarian seeking immortality. However, a yellow fever epidemic interrupted his plans. Before dying, Poison managed to inject his formula into his son, who became Lazarus. This child, condemned to immortality, returned to Argentina in 1995, carrying the fever in his body, forcing him to undergo constant transplants. Now, he seeks the heirs of the lodge to recreate his ancestors' formula.

The lonely wife of a doctor turns her life around when she has a love affair with her painting teacher.

Gombrowicz or seduction rebuilds, from the margins of the official film, the figure of Witold Gombrowicz. Peripheral par excellence, at the end of the 30's the renowned author of Ferdydurke and transatlantic came to stop the Argentina and stayed here for thirty years. Inevitably fragmentary, given the personality on the run of the own Gombrowicz (and the own Fischerman, In short)

A country boy tries to find his place in Buenos Aires. He goes to live with his cousin in the outer suburbs and works as a parapalos ("pin setter") in one of the city's last hand-operated bowling alleys.

Two men in search of a mysterious briefcase that can drive them mad.

A young father takes his son on a journey away from Buenos Aires and through the strange and wondrous world of rural South America. The man is unemployed and separated from the boy's mother. The trip teaches the man to rediscover both the world outside urban Argentina, and also to rediscover his son.

Peter, a young German, enters a suburban Buenos Aires restaurant; seeking only directions, he instead accidentally ends up with a plate smashing into his head, thrown by the irritable Olinda, the 60 year-old Italian immigrant owner of the restaurant. The two develop a friendship once they discover that the reasons for their having moved to Argentina are strikingly similar.

Rosario in the 80s. The disappearance of a man during the military dictatorship. Two young people from the court must do everything possible to solve the case while facing police corruption and various dangers that put their lives at risk.

Jose is an elderly rebel who, after being refused a withdrawal at a bank, returns with a gun and threatens to shoot himself if he doesn't get his cash. Pedro, a young teller, is disillusioned with his life and sees Jose's stunt as a way out when he pretends to be taken hostage, leaving the bank with the old man and a hefty amount of money. The unlikely duo become friends, picking up tough-girl Ana along the way, while avoiding the police.

The problems of a young man, his pregnant girlfriend and his lover.

In a city of the too near future, a city designated for desolation, aggression, and political instability, Miguel Galvan (Hugo Soto) is shot accidentally during a demonstration. This time and space provides a back drop to an intriguing sequence of events where three characters try desperately to survive: the wounded Miguel, an antagonistic policeman (Juan Leyrado), and a foolish vigilante smartly acted by cult rock star Charly Garcia of Sui Generis and Serú Girán fame, who also composed the film's score.

Two rival families of different origin join the force by the love of two young. The journalist Ariel Cohen falls in love for Carla Rosi, while investigating his father, Giancarlo, a wealthy shady business that is congressional candidate with presidential aspirations.

It’s the late 1950s, and in an affluent and quietly respectable part of Buenos Aires, young Sulamit Löwenstein strikes up a friendship with her next-door neighbour Friedrich over the whereabouts of her family dog. She is the daughter of German-Jewish immigrants to Argentina, he is the son of a senior SS officer, a tragic political legacy from whose shadow both characters struggle to escape over the next three decades. Following the teenaged Friedrich to Germany, Sulamit finds him caught up in the radical politics of late-1960s student life; and she’s forced to make important decisions about her attitude to her homeland when Friedrich returns to Argentina to join the fight against the military junta.