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During the century of the Spanish Gold, Doña Prouhèze, wife of a nobleman, deeply loves Don Rodrigo, who is forced to leave Spain and go to America. Meanwhile Prouhèze is sent to Africa to rule the city of Mogador. Ten years later Rodrigo leaves America and travels to Africa in search of Prouhèze to find out that she died and eventually meeting her daughter.

A film adaptation of the Charles Dickens novel "Hard Times" set in a Portuguese industrial town of the 1980s.

When the child Manuel wanders into a garden that is off-limits to him, he meets an unidentified fisherman, and another boy -- the boy is actually himself several years down the road. Manuel experiences three different versions of his encounters in the garden, revealing that fate can have several twists and turns in one's life, depending on decisions that are made early on.

A dozen of the revolutionary Army officers that played eminent parts in the change of political regime in Portugal, from a military dictatorship to a social-democracy, read a book to a young girl, describing in a poetic, yet realistic way, what happened in the streets, and minds, of her People in April 25, 1974.

The city during the beginning of cinema. The typical city at the time of the dictatorship. The New Lisbon of the New Cinema. Lisbon after the Revolution. The white city of foreigners. A geographical and moviegoer screenplay of Lisbon through the images of films and testimonies of several filmmakers who filmed in Lisbon.

In Africa, during the colonial war, a patrol is lost in the bush and a soldier dies in operation. Twelve years later, in Portugal, the soldier family meets in peace.

Miguel (Luis Miguel Cintra) is lucky that his income will only level off if he neglects his business as a financier, and his wife and family will be well supported. Why? Because he has begun hearing noises that no one else hears, noises that bother him a great deal, and that make it impossible for him to bear human society. His wife (Jessica Weiss) is thoroughly put out by this radically changed behavior in her formerly good husband, but though she considers leaving him, she stays by his side. Deep in the mountains, Cecelia (Rita Dias), a devout, pure young cowherd, has been brutally raped by an old man. Her boyfriend (Pedro Hestnes) has killed the rapist, and fled the area. As a result of the rape, Cecelia is pregnant. One day, while driving in the mountains, Miguel gives Cecelia's boyfriend a ride. The two of them chance upon her sitting amid the rocks with her infant baby.

This Portuguese movie directed by João Botelho, is part of The Four Elements series. This is the second episode, The Air.

The tragedy and comedy in Carlos' life begins, grows and ends like the tragedy and comedy of Portugal. In the company of his close friend, João da Ega, allegedly a brilliant writer, Carlos, with his idle existence as an aristocratic doctor, spends his time to enjoying friends and lovers. Until he falls in love. She is a new character in this revolutionary novel. It's a vertiginous passion that goes beyond that past gloominess to reach a new and darker abyss, incest.

Lisbon, today. In a room of a house at Douradores Street, a man invents dreams and theorizes about them. The essence of the dreams itself becomes physical, palpable, visible. The text itself materializes in its musicality. And, in front of our eyes, this music can be felt with the ears, brain and heart. It spreads itself in the street where the man lives, in the city that he loves above all and over the entire world.

Adventurer, pilgrim, penitent but above all outstanding writer, Fernão Mendes Pinto left us an unparalleled romance, the living and human palpitation of one of the greatest historical adventures of man.

A choreographic poem by Maurice Ravel.

Adaptation of a 1987 novel by Agustina Bessa Luis, a multi-generation exploration of a wealthy family with a mysterious past and a house on the island of Madeira.

Fernando Pessoa, one of the greatest writers in Portuguese, created an immense parallel world and several heteronyms so as to endure the loneliness of genius. José Saramago, 1998 Nobel Laureate in Literature, has a heteronym, Ricardo Reis, return to Portugal after a 16-year exile in Brazil. 1936 is a perilous year with Mussolini’s fascism, Hitler’s Nazism, Spain’s Civil War and Salazar’s New State in Portugal. And Fernando Pessoa meets his creation, Reis. Two women, Lídia and Marcenda, are Reis’ carnal and impossible passions. “Life and Death as one” allows for literature and cinema.

The complex relationship between master and servant is explored in director João Botelho's adaptation of Denis Diderot's popular novel Jacques le Fataliste et Son Maître. As Tiago (Rogério Samora) drives his master (André Gomes) through the Portuguese countryside to an unspecified destination, the traveling pair embark on a series of highly philosophical discussions. Flowing with tales of his life in the military and previous sexual escapades, Tiago trades a series of tales with his rapt passenger, including the story of a vengeful spurned lover who plots revenge on the nobleman who rejected her by transforming a prostitute into a society lady and convincing him to marry the tainted bride.

The misfortunes of Sofia, the exemplary Madalena and Camila, the troubled vacations of girls and boys, a few years later leading to the resolution of some mysteries, form the perfect trilogy by the Countess of Ségur on education, social, religious, and political power. Desire and its oppression, violence and punishment, in short, the terrible loss combined with inevitable growth. Both adults and children will understand that precepts, rules, and prayers can tear nerves and blood apart.