Rita Blanco

Georges and Anne are in their eighties. They are cultivated, retired music teachers. Their daughter, who is also a musician, lives abroad with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.

When Edward’s search for his biological family leads him and his girlfriend Ryley to a magnificent villa high in the mountains of Northern Portugal, he is full of excitement at meeting his long-lost mother and twin brother. Finally, he will discover who he is and where he comes from. But nothing is as it seems, and Edward will soon learn that he is linked to them by a monstrous secret.

Lisbon's traditional Saint Anthony's Weddings have hit rock bottom. At least, that's what Stardust, a major French multinational poised to take over the event, believes. Carmo and Valentim, two Lisbon City Hall employees who have spent more than 25 years organizing the celebrations, are given a harsh ultimatum: reinvent the event and turn it into a modern success, or lose their jobs. Directed by the filmmaker behind The Gilded Cage, Saint Anthony is a vibrant comedy and a heartfelt love letter to Lisbon. A celebration of human connection, identity, and cultural resilience in an increasingly globalized world.

In the beautiful area of ​​Paris, Maria and José Ribeiro lived for almost thirty years on the ground floor of a Haussmann building, in their dear little lodge.

In a family-run hotel near the northern coast of Portugal, several women from the same family, spanning different generations, live together. Their relationship, poisoned by bitterness, struggles to survive in the decaying hotel. The unexpected arrival of a granddaughter in this claustrophobic space provokes turmoil and rekindles latent hatreds and accumulated resentments.

Eloi, a paunchy middle-aged man, finds Samuel, a young sad sack, about to kill himself by plunging into the sea. Eloi takes Samuel under his wing, giving him a hot meal and bringing him to a seedy night club to introduce him to Esperança, who is said to be the most beautiful sex worker in Lisbon—and is also Eloi’s daughter.

An aristocratic Sicilian family living in the 1950s. Count Villafratti has sex one night with his nymphomaniac daughter because he thinks she is his wife.

The tragedy and comedy in Carlos' life begins, grows and ends like the tragedy and comedy of Portugal. In the company of his close friend, João da Ega, allegedly a brilliant writer, Carlos, with his idle existence as an aristocratic doctor, spends his time to enjoying friends and lovers. Until he falls in love. She is a new character in this revolutionary novel. It's a vertiginous passion that goes beyond that past gloominess to reach a new and darker abyss, incest.

Lisbon, today. In a room of a house at Douradores Street, a man invents dreams and theorizes about them. The essence of the dreams itself becomes physical, palpable, visible. The text itself materializes in its musicality. And, in front of our eyes, this music can be felt with the ears, brain and heart. It spreads itself in the street where the man lives, in the city that he loves above all and over the entire world.

Maria is a sweet child. She hasn’t father and doesn’t like her mother. She has a boyfriend, A bandit who would like to change his class.

A lorry, a road and an unpredictable destiny, all intersecting in a human trafficking network. Caught up in this web, Viktoriya has only one chance: fight to survive.

A large, time-worn house sits on a towering, untouchable pedestal. Ressaca Bailada – Filme Concerto follows individuals as they navigate their relationship with freedom, unity, and isolation within this setting. Celebrating tradition while confronting and questioning it, all against a backdrop of music that shapes the journey.

Organized like a dream, structured like a musical and with texts, both spoken and sung, that lead us to unexpected, chaotic and exciting situations, which try to grasp part of what the unattainable Alexandre O'Neill left us.

Three homeless teenage rejects struggle to survive together. Of them, Andreia is pregnant, while Pedro and Ricardo hustle, steal and are exploited by a pornographer.

A disturbing film about the Portuguese underworld of prostitution.

An anthology film drama featuring a poetic mirror structure based on existential identity. In "The Immortals," adapted from a Helder Prista Monteiro play, two famous doctors, an 80-year-old father, and his 60-year-old son, contemplate senility and death. "Suzy," from an Antonio Patricio story, is set in the '30s when a young courtesan dies on the operating table. "Mother of the River" is from an Agustina Bessa-Luis fable about eternal life.

A film adaptation of the Charles Dickens novel "Hard Times" set in a Portuguese industrial town of the 1980s.

Documentary about the life and work of Mário Eloy, one of the greatest painters of the second generation of modernism in Portugal.

A hotel by the northern shore of Portugal welcomes its guests over the weekend. A man is torn between being present for his wife and the space that his mother takes up between the two of them. A mother encourages her daughter’s marriage to enable her own love affair with her son-in-law. Another mother lives through her daughter, preventing her from making her own decisions. Three families at the end of their cycles of acceptance.

The misfortunes of Sofia, the exemplary Madalena and Camila, the troubled vacations of girls and boys, a few years later leading to the resolution of some mysteries, form the perfect trilogy by the Countess of Ségur on education, social, religious, and political power. Desire and its oppression, violence and punishment, in short, the terrible loss combined with inevitable growth. Both adults and children will understand that precepts, rules, and prayers can tear nerves and blood apart.

Things are going well to a married couple, they have two sons, and things are going well in their respective jobs, Until the husband betrays her wife with another woman, and their son becomes seriously hill.

A regular family living in the outskirts of Lisbon sees the serenity of their lives shaken beyond any remedy within a week.

Catarina embarks on a dangerous journey to find who made her mother vanish. The Torres family seems to be the obvious suspect, but within them there's Vasco, the love of Catarina's life. Two opposed sides connected by love.

On her birthday, Joana's joy turns to despair when her abusive husband discovers her pregnancy and attempts to harm her. Fleeing the city, she finds refuge on a boat with criminals, but realizing the danger, she sees land beyond so leaps into the water and swims to Terceira Island, leaving her life behind. Exhausted on the shore, she encounters Chico, a lost child, during a religious ceremony. Joana arrives with the child, inadvertently becoming mistaken for a saint 'Our Lady of the Sea', revered by the island's faithful.

With Algarve and South Africa as main stages, Paixão tells the story of a love that was destroyed by a lie. This is the story of a man determined to fight for justice and to recover ten years of his life and an unshakable love that resists time and all threats.

Fátima and Laurinda are mother and daughter and the only thing they have in common is their blood ties. While Fátima suffers a series of misfortunes because of her daughter, Laurinda seeks to ascend socially at any cost through a millionaire marriage with the Martins de Mello heir. Meanwhile, Raquel, the widow of Fatima's brother, returns to Portugal to confront the Martins de Mello family, whom she judges guilty of her husband's death in the 9/11. Parallel to intrigues, rivalries, secrets, blackmail and betrayals, the arrival of a great mystery haunts everyone's lives forever: The enigmatic Tubarão.

Television drama series which has been broadcast on RTP1 of Rádio e Televisão de Portugal from 2007 to 2011 and since 2019. It recounts the experiences of a middle-class family, the Lopes (Portuguese: Os Lopes), during the last years of the Estado Novo. In February 2019, RTP announced that the series, after eight years shelved, would be renewed, with the storyline moving firmly into the 1980s. The first episode of the sixth season was broadcast on 7 December 2019 with the Lopes entering 1984.

In the parish of Rio Meandro, two villages are at war over the construction of a dam that will submerge one of them: either Aldeia Velha or Aldeia Nova.

A family by force... Paulo and Susana have been together for a few years now and decide to take the next step in their relationship by moving in together. But, as they're signing the deed to the house, her father, who was supposed to bring the check, ends up delivering the bad news that there is no money for the house, thus ending this young couple’s dream. However, Artur doesn’t want to come off as a bad parent, so he offers his attic to them so that they can start their life together. So, Paulo’s dream turns into an absolute nightmare, as their life as a couple is, in fact, shared with seven other people who are all very different from them and will start controlling their every move in a permanently tense environment. The Mata family, as it turns out, is all insane, the only exception being Susana. And even her will have a hard time convincing the rest of the family to accept and welcome their new member.

A story developed in two different narratives which are interlinked. On the first one, the two friends Bruno Nogueira and Gonçalo Waddington (playing themselves) set out on a caravan trip through Portugal with the desire to escape from their daily lives and find a solution for their personal struggles. On the second one, there's the fictionalized making-off of the miniseries itself.

The pilgramage of 11 women in 9 days and 400km to Fátima.

The story of Lúcia Cruz, a humble woman who believes she lost her daughter at birth, unaware that the baby was sold by her own stepmother to a wealthy family.

Sara is a portuguese actress who only works in film and is known for her ability to cry on cue. But one day her eyes dry up just like her interest in cinema. The solution? Soap operas.

Set in Alentejo in the mid-19th century, in the period following the Liberal Wars. In a sparsely populated and almost wild land, without shadow and without law, violence dictates the existence of Bando do Zarolho.