Litany of the Seven Kisses

A short film by George Kuchar.

A wide-ranging look at pictures I collect on my walls and in my head. A look at pictures I concoct with my students at the San Francisco Art Institute, and objects d’art collected by those whose picture is taken by my picture-taking machine.

A trip through Lotti's horny life -- everything from her Aryan lover and her stay in a concentration camp while he is killed for their forbidden love -- is a fascinating look at this remarkable woman through the eyes and viewfinder of Rosa von Praunheim.

One million years in the future, the human survivors of a nuclear war are served by robots called "fleshapoids." One day, fleshapoid Xar runs wild, kills its mistress and seeks its mate, a servant of wicked Prince Gianbeno.

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.

"Curt McDowell's NUDES (A Sketchbook) is a paean to the filmmaker's closest friends: a series of portraits (beginning with one of George Kuchar) based on stylized, often graphically sexual interpretations of his or her personality. The portraits also, at times, represent Curt's own sexual interests as he projects them onto the lives of others. My favorites are 'Barbara', a Pre-Raphaelite vision of woman and 'Ainslie', a musical spoof on glamour. The filmmaker's point of view ranges from compulsively erotic to light-hearted and self-debunking. A broad reading of the term 'romantic' would probably best describe the spectrum of extreme, even outrageous, possibilities which Curt embraces in this sketchbook/film." - Karen Cooper, Film Forum

...What once was for him "real," is now but a "dream," --for the day comes when we find ourselves stranded with memories.

A ripe lad embarks on a raw correspondence with his mirrored image, and thus: the dialogue is "fleshed out" to its full potential.

Secret number... secret shape... knower of the secret name... God of the realm of night - I summon you, 'Son of Sin'... arise!

There is a garden in the dark hunger of his psyche where forbidden fruit grows.

Playwright and performance artist Marc Arthur paves a color-saturated path from 'awake consciousness' to sleeping 'dreamscape'.

It is believed that Life originated in the Sea, and like the Ocean itself, human existance is thus subject to tides and surging currents of emotions stirred up by memory.

The Vagabond...what does he seek? - ask the River, ask the Wind - but don't ask Him!

A "grand dame's" delirious daydream blooms like a voluptous blossom in spring.

The dialogue for this production, featuring Cupid, is taken from the pages of a personal diary found under a chair.

When the body's "primal" urges feel deprived in a "modern" age, a debate about "sex" and "love" ensues to resolve the question — perhaps even find some solution that will suffice!