Jogo sem Gandula

Mr. Cavalcanti is a man in his nineties with iron health. After a setback that deeply challenges him, he embarks on a journey to regain his independence and social standing.

Downtown Recife’s classic movie palaces from the 20th century are mostly gone. That city area is now an archaeological site of sorts that reveals aspects of life in society which have been lost. And that’s just part of the story.

Behind the scenes of Bacurau (2019)'s shooting and pre-production. With exclusive images, directors Kléber Mendonça Filho and Juliano Dornelles show how they made the film an audience and critical success.

A film photo-montage about an old house that belonged to a traditional local family that was later demolished.

Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.

Bacurau, a small town in the Brazilian sertão, mourns the loss of its matriarch, Carmelita, who lived to be 94. Days later, its inhabitants notice that their community has vanished from most maps.

Flavio Danillo is a personal trainer whose students attend him at the gym. At home, Flavio works his body into a state of decay. Suddenly, his body no longer responds his mind taking over control.

Clara, a vibrant former music critic and widow with flowing tresses is the only remaining apartment owner in a beautiful older building targeted for demolition by ruthless luxury high-rise developers. Clara proves to be a force to be reckoned with as she thwarts the builders plans to kick her out of the apartment.

Brazil, 1977. Marcelo, a technology expert in his early 40s, is on the run. Hoping to reunite with his son, he travels to Recife during Carnival but soon realizes that the city is not the safe haven he was expecting.

An independent private security firm arrives at a middle-class neighborhood in Recife, Brazil.

Summer 1996, north-east coast of Brazil. Tamara is enjoying her last weeks at the fishing village she lives in before departing to Brasilia for her studies. One day, she hears about a teenager nicknamed Heartless after a scar she has on her chest. Over the course of the summer, Tamara feels a growing attraction for this mysterious girl.

A mother gives her daughter a box full of old, coloured little vinyl records. The daughter may listen to them, but she should never, ever, play the green one.

Recife, undergoing so many changes, was the scene of a party of joy and tension, sports and politics. A happy experience, but full of the contradictions that make Brazil be Brazil and here wins the face and the space of Recife.

Short documentary about Cine Art Palácio in Recife-PE, Brazil.