Emilie Lesclaux

Brazil, 1977. Marcelo, a technology expert in his early 40s, is on the run. Hoping to reunite with his son, he travels to Recife during Carnival but soon realizes that the city is not the safe haven he was expecting.

Bacurau, a small town in the Brazilian sertão, mourns the loss of its matriarch, Carmelita, who lived to be 94. Days later, its inhabitants notice that their community has vanished from most maps.

Clara, a vibrant former music critic and widow with flowing tresses is the only remaining apartment owner in a beautiful older building targeted for demolition by ruthless luxury high-rise developers. Clara proves to be a force to be reckoned with as she thwarts the builders plans to kick her out of the apartment.

An independent private security firm arrives at a middle-class neighborhood in Recife, Brazil.

Summer 1996, north-east coast of Brazil. Tamara is enjoying her last weeks at the fishing village she lives in before departing to Brasilia for her studies. One day, she hears about a teenager nicknamed Heartless after a scar she has on her chest. Over the course of the summer, Tamara feels a growing attraction for this mysterious girl.

Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.

A coastal city in Brazil. Kai arrives from Taiwan for holidays with a broken heart. A broken air conditioner sends her into Fu Ang’s umbrella store. He could become a friend, but the rainy season doesn't arrive and his shop disappears. While looking for Fu Ang, Kai discovers the story of Xiaoxin and a group of Chinese workers in a posh skyscraper. Kai finds herself strangely mirrored in Xiaoxin’s tale.

Mr. Cavalcanti is a man in his nineties with iron health. After a setback that deeply challenges him, he embarks on a journey to regain his independence and social standing.

Downtown Recife’s classic movie palaces from the 20th century are mostly gone. That city area is now an archaeological site of sorts that reveals aspects of life in society which have been lost. And that’s just part of the story.

Behind the scenes of Bacurau (2019)'s shooting and pre-production. With exclusive images, directors Kléber Mendonça Filho and Juliano Dornelles show how they made the film an audience and critical success.

Recife, undergoing so many changes, was the scene of a party of joy and tension, sports and politics. A happy experience, but full of the contradictions that make Brazil be Brazil and here wins the face and the space of Recife.

Filmmaker Jafar Panahi recalls the cinephilia of his youth from the surreal remove of the 2025 New York Film Festival. This is the first film in an annual initiative titled NYFF Encounters, a commissioning program that invites one filmmaker with a film in the New York Film Festival to create an original short during the course of the festival. Selected by the festival’s Artistic Director and programming team, the participating filmmaker will produce a short film shot at least in part at NYFF.

A middle-class family living in a house filled with superfluous electronic appliances see the arrival of a new item, a 29" TV-set.

In tropical Recife, in northeastern Brazil, temperatures drop to impossible lows and the inhabitants have to adapt. This 'mockumentary' gradually turns critical, looking at the climate, urban development and social interaction from every angle. Does a ray of sun pierce the clouds, after all?

A couple on a trip.

A photographer travels to São Paulo for his first solo exhibition and decides to stay in his now married, ex-girlfriend’s house.

A not very good little digital still camera, our little neighbours and a football. Home movie.

No measure of hellfire preaching can quell the boisterous and bawdy passions of Maracatu, an Afro-Brazilian burlesque carnival tradition with roots in slavery that takes place in the northeast state of Pernambuco. As the Falstaffian character Tiao, Valmir do Coco leads a nonprofessional cast of authentic Maracatu practitioners in a tale told through dance, music, and the supernatural, set in the sugarcane fields outside Recife.

Léo goes on vacation at his cousin's, in a fishing village. There, he meets a girl who goes by the nickname Heartless.

Felipe is embarking on his long-awaited career as a police chief in Recife. Faced with the violent and unethical reality of his job, the young man must resort to unconventional methods to uphold his ideal of justice.