Tilde

A newly appointed teacher arrives at a remote village school in 1947. The famous journalist and distinguished poet was downgraded for illegal publications and forbidden anti-Soviet verses. Suspicious locals still prefer to test his loyalties, while children wilingly recite his verses from 'To My Soviet Motherland', written under pressure to prase Uncle Lenin. Eventually, an unforgotten friend shows him a secret wintery path to the Dainava resistance platoon's underground bunker.

Two best friends who are passionate canteen chefs signed up for a high-class cooking reality show by faking their unimpressive resume. This contest will challenge their skills as well as their friendship, and the unexpected fame.

Vilnius, four hot summer days. Goda is learning anew to have a relationship while dealing with past trauma. Juste always had a safe life, planned for her by others, as she finally realizes she wants to decide for herself. After twenty years of marriage Vytas leaves his family, unable to admit his true reasons. The voice of Anatolijus joins all of these stories and experiences into one breathless state, which every character is trying to escape on their way to finding freedom in a constantly changing society that keeps on developing new standards.

A rookie policeman is left alone in a private clinic to guard a comatose suspect of World War II crimes. His shift is long over, yet nobody comes to replace him. However, the youngster is determined not to leave his post until he gets permission from his authorities to do so. Lack of sleep, loneliness, hunger and the persistence to serve his duty turn the young man into a ticking time bomb at the very wrong time. He must decide how far he can go guarding this suspect who is hated to death by everyone.

While driving around in limousines, groups of people from different generations struggle to find the best way to have fun they desire.

Recently divorced mother Sylvia invites her new boyfriend to the Christmas Eve dinner to meet her two grown-up children.

Frigid winter in a war-devastated, present-day city. Several years have passed since the destruction, and the city is slowly rebuilding. A thirty-year-old guy is living as a squatter in an apartment with a group of strangers. He struggles to survive and also to find a little more comfort in this rough setting. One night he nearly burns the flat down, hoping for a warmer sleep. His roommates start hating him, so the guy has to find another shelter.

Emilė always lives ten steps ahead: she knows how things should be. That doesn't help her on an awkward date - a poker party where everyone lives in the moment.

Four friends get together in a spirituality day camp for nature-hungry girls. Still, this practice seems suspicious to one girl, but she is persuaded by other friends and tries to adopt the teacher's methods.

Thirty-year old guy is assaulted on the street. Randomly, in the middle of a day. The emotional damage hurts him more than the punches taken. This is a new experience for him. The guy tries to sort things out between justice, revenge and a bit of shame. Meanwhile, on the opposite side of the story there are guys that did the beating. They practice first-punch knockouts. And they helpfully carry their mothers’ food bags in the evening.

Danielius is just a simple man in today’s world. He tries to find his purpose in the society while using old masculine myths. Inevitably he finds himself in absurd situations.

Made in collaboration with Marija Olšauskaitė and Julija Lukas Steponaitytė, Songs from the compost is a hypnotic exploration of nonhuman forms of consciousness and different dimensions of symbiotic life: interdependence, surrender, death, and decay. [Overview Courtesy of Canal Projects]

Inside a lab, a robot is created. Like a newborn, it analyses its surroundings with the primitive senses and limited knowledge it has. While exploring such fundamental concepts as distance, weight, light and size, the robot tries to perform basic physical tasks that would resemble natural human motion. It fails miserably but keeps on learning. Perhaps a less intelligent life form such as a dog will be less critical when assessing what it means to be human?