All In

It is highly probable that before their own death, everyone has to organise someone else’s funeral. This is by far not an easy task. In addition to the searing grief, dying also brings a number of tasks that are at once utterly alien and intensely time-critical. The main character of this film, Dovile, who unexpectedly has to bury her father, has to face the bedlam of exactly such a challenge. Overnight, the young girl has to become a skilful organiser of a family event, while also being a specialist on coffins, urns, wreaths and funeral feasts. Dovile’s journey towards organising a perfect funeral is inevitably full of hardship and mishaps, accompanied mainly by black humour and comical situations.

Marius, a successful but unhappy husband, and his brother Jovitas, a feckless failure scorned by his wife Nomeda, who just so happens to be Marius’s longtime mistress—plan to confess Nomeda’s pregnancy by Marius at Christmas dinner. Their scheme unravels when their father Kazimieras shocks everyone by announcing his own divorce after fifty years, fearing his wife Alma has been unfaithful.

Dancer Elena and sign language interpreter Dovydas meet and form a beautiful bond. As they dive into a new relationship, they must navigate how to build their own kind of intimacy.

A grown-up son goes on a countryside trip with his ageing parents in the hopes of reigniting the relationship, but there is nothing left to reignite. This story of familial dysfunction is set against the picturesque backdrop of a dacha community (instantly recognisable to every post-Soviet native), rendered by Vytautas Katkas with irony and a rare sympathy for his hapless subjects.

How would you feel if you knew your exact date of death? A time comes when every person in the world can find it out. Beloglazovai family – Kolia, Lena, their daughter Sonia and teenage son Igor live in an old house in Vilnius. Today is the day when fourteen year old Igor must die.

Left homeless after a fight with her sister Yana spends 24 hours desperately looking for a place to stay.

Young blind priest serves his first week in an old city church undergoing restoration. While the priest is getting familiar with the church space and its visitors, they also need to get accustomed to the new priest.