As Ondas

The daily life and development of young models of an agency located in the Jacarezinho favela, North Zone of Rio de Janeiro.

Discover the history of the Chic Show ball, an iconic black music party in São Paulo. The event was a milestone in the life of São Paulo. Held in halls across the city in the 1970s and 1980s, the show became a meeting point for black culture and opened up space for funk, soul, rap and pagode, among other rhythms. The party welcomed names such as Tim Maia, Sandra de Sá, Gilberto Gil, Djavan, Bebeto and Carlos Dafé, as well as international artists such as Kurtis Blow, Betty Wright and James Brown.

In the 1950s, in Rio de Janeiro, Lota Macedo Soares married the American poet Elizabeth Bishop. A few years later, Carlos Lacerda, a friend of Lota's, became governor of Guanabara and invited her to create a park where a 7-kilometer landfill had been built. Flamengo Park would become the second largest urban park in the world.

The First Stone exposes the terrible face of intolerance, where angry lynch mobs take justice into their own hands. The documentary tells the story of lynching victims and investigates the shocking growth of this crime in Brazil where one lynching is registered everyday - the highest rate worldwide. A narrative with engaging characters and dramatic stories of lives that have been devastated by this violent trend in mob rule.

Martina, who has Alzheimer's, has been searching for her grandson for over three decades. Discovering he is in Brazil, her long and solitary journey becomes an intense struggle against time and oblivion.

A gritty observation of precarious romance, debauchery, and heartbreak between addicts living in a São Paulo hotel.

Gabriel, a 24-year-old anthropologist from a wealthy family from the interior of the Northeast, is gay and in the closet. Following the death of his grandmother, he decides to go to Rio de Janeiro to study the lives of sex workers. Seduced by his object of study, Gabriel will become one of them.

Simone is a young law student who studies criminal law and advocates for women's rights. On her free time, she's a cam girl that makes live sexual performances on the Internet. One night, she watches a video that awakens her interest in BDSM-related activities, leading her into a series of conflicts dominated by violence and eroticism.

Started in 2018, the project – comprised of 11 segments by filmmakers from all around the world – reflects on the intertwined relationship between human society and nature that is aggravated by climate change on multiple scales, hinting at possible solutions.

SATELLITES is a documentary about the passion for soccer told through the points-of-view of characters who were following somehow the final match of the Brazilian Soccer Cup. The film moves the focus from the game to the field's margins, to the fans, to outside the stadium. The movie intends to capture the tension, atmosphere and charm of a final match. SATELLITES translates, based on images captured during that game, the sensation of being at the stadium watching the game with no images of the game itself.

The night side of a modernist icon. The fauna and flora of Roberto Burle Marx's gardens inhabited by visitors to Parque do Flamengo while the city of Rio de Janeiro falls asleep.

The documentary delves into the images that shaped the political myth of Jair Bolsonaro, from his earliest YouTube videos to the end of his term in office. Over a series of sleepless nights, a narrator drifts through Bolsonaro’s livestreams, selfies, and speeches, searching for the logic of a form of power forged through and by images. By confronting this visual regime with Brazil’s official iconography, the film explores how power is understood, repeated, and asserted through images, at a time when politics increasingly unfolds on screens.

Marias is a road movie that travels through Brazil and Russia in search of a woman that took part in great moments of the last century and had been made invisible by machismo and political persecution.

Brazilian short film, directed by Julia Murat.

After a night at a bar in the far south of São Paulo, three friends wake up hungover and realize that the fourth never came back. Amid unanswered messages and an attempt to carry on with their Sunday, the wait teeters between the tragic and the comic.

A sensory immersion into the long-term projects of photographer Vincent Rosenblatt, a Parisian who has been based in Rio de Janeiro for more than 20 years. The film explores the worlds of Rio’s funk scene, the bate-bola carnival celebrations, and the sound-system parties of Belém do Pará, while also including a journey through Poland. In this polyphonic voyage, he unveils his visual obsessions and reveals a perpetual state of searching, in which life, image, and catharsis become intertwined.