Rule 34

Paraguay, 1958. The charismatic Narciso returns from Buenos Aires with rock ’n’ roll in his veins. Under the suffocating military regime, his radio show becomes a music sensation and a symbol of freedom.

During 2016, a film crew embeds inside the Brazilian Congress while lawmakers plot to overthrow the country's elected president, Dilma Rousseff.

Each citizen of Jotuomba plays an integral role in village life. Madalena is responsible for baking bread; each morning she stacks her rolls as Antonio prepares the coffee. The two share a morning ritual of arguments and insults, followed by an amicable cup of coffee on the bench outside Antonio's shop. At midday the church bells ring, summoning the villagers to mass. In the early evening, they all share a meal together. And so life proceeds in Jotuomba, the days languidly drifting into one another; the only variations seem to be in the weather. But, one day Rita arrives looking for a place to stay.

The discoveries and frustrations on accessing a memory of a father and of a time in the Brazilian history that are rarely public. The young filmmaker plunges into this unknown past of her almost unknown father. He, a Brazilian intellectual, imprisoned and tortured during the military dictatorship, is silent about this since that time. A father and a fatherland that does not like to answer any questions, that loves but rarely talks.

A Nigerian musician travels to Brazil to search for his estranged brother, who is living a life very different than the one his family thought.

Justino, a 45-year-old member of the indigenous Desana people, is a security guard at the Manaus harbor. As his daughter prepares to soon depart to Brasília, Justino comes down with a mysterious fever.

Free adaptation of Romeo and Juliet translated to the harsh life in Favela da Maré, one of largest and most violent slums in Rio de Janeiro. Living in a slum divided between two rival gangs of drug traffickers, Analídia is the daughter of one of the gangs' leaders and Jonathan is a childhood friend of the other gang leader. Both study in a dance group situated exactly in the middle of the two territories, looking for solace in art.

Two twenty-something boys in a public restroom. They sniff coke, talk about sex, get dirty. But the film takes on another tone as they reveal what it is that they really want.

The trajectory of a romantic couple of contemporary artists reveals how the limits, contradictions and obsessions of a romantic relationship are reflected in each of their artistic endeavors.

SATELLITES is a documentary about the passion for soccer told through the points-of-view of characters who were following somehow the final match of the Brazilian Soccer Cup. The film moves the focus from the game to the field's margins, to the fans, to outside the stadium. The movie intends to capture the tension, atmosphere and charm of a final match. SATELLITES translates, based on images captured during that game, the sensation of being at the stadium watching the game with no images of the game itself.

The night side of a modernist icon. The fauna and flora of Roberto Burle Marx's gardens inhabited by visitors to Parque do Flamengo while the city of Rio de Janeiro falls asleep.

The documentary delves into the images that shaped the political myth of Jair Bolsonaro, from his earliest YouTube videos to the end of his term in office. Over a series of sleepless nights, a narrator drifts through Bolsonaro’s livestreams, selfies, and speeches, searching for the logic of a form of power forged through and by images. By confronting this visual regime with Brazil’s official iconography, the film explores how power is understood, repeated, and asserted through images, at a time when politics increasingly unfolds on screens.

A road movie traveling from Rio de Janeiro to the "sertão" (backlands) of Bahia. With the help of three survivors, the film revisits a 1971 massacre that took place under the military dictatorship. The attack claimed the lives of Captain Carlos Lamarca—the regime's public enemy number one—and José Campos Barreto ("Zequinha"), a community leader and former organizer of one of the few workers' strikes following the military coup. After years of fear and oblivion, the towns where the tragedy occurred now honor both men.

Brazilian short film, directed by Julia Murat.

Brazilian short film, directed by Julia Murat.