Hochverrat

The count makes his new wife jealous when he helps a female rider who makes obvious advances at him. Lydia has barely forgiven her husband before things go wrong again. During a horse race, the count has a terrible accident that leaves him paralysed. Lydia must be strong and make up her mind: How far is she willing to go to help her beloved? (Stumfilm.dk)

In the year 1646, Denmark is at peace. Only recently have the last occupying troops left Jutland, leaving behind the sad traces of iron heels. The administration has partially collapsed, the kingdom is short of money, and what money there is is unevenly distributed. This is the unusual and sad background to this unpretentious account.

The young siblings at the Hejrenæs estate, Vibeke and Hans-Henrik, have always gotten along well, so Hans-Henrik decides to celebrate his sister's 21st birthday with a big party at the estate. During the party, the siblings' childhood friend, Ulla, provokes an engagement with Hans-Henrik, and at the same party, Vibeke learns that she is "only" an adopted child. From that day on, Vibeke realizes that she is in love with Hans-Henrik, and suddenly the stage is set for a sharp conflict between Ulla and Vibeke.

The wealthy Olaf Brammer is the real owner of a nationwide company that trades in household goods. But he has no say, as the authoritative general manager Schram manages both the business and Olaf Brammer with a sure hand. The situation at work, defeat in love and a dead goldfish make Olaf Brammer depressed, and he decides to travel away from it all.

The young folk singer Peter Jespersen has returned from abroad and is now without a contract. He approaches director Andresen of the Alhambra Theatre, but is rejected, and Peter understands from the conversation that it will be important for him to get an impresario who can take care of the business for him. He approaches the theatre agents Bang and Mathisen, whose motto is: "If you have the talent, we will get you the contract".

This film could easily be a true story taken from contemporary Denmark. It is a typical Tuesday morning: stormy weather, slush, and bitter cold. Two young women are cycling to work. They make an unpleasant discovery: they find a dead man on a bench in the park.

In 1801, the composer Weyse's cousin, the cheerful Henriette Frisch, advised her cousin to take in some student boarders in the house, so that he would not have to provide so much musical information, but could have more time to compose. The result, however, was that Weyse had to take on even more students to feed the boarders, and it was particularly bad with the gifted student Kramer, whose wealthy uncle would not send any more money.

Danish melodrama about a housemaid struggling to find normalcy and love in the midst of war.

Director Albrechtsen, who heads a large construction company, is a tough and ruthless businessman. He does not shy away from dubious transactions when they serve his interests, and it is precisely on this basis that he comes into sharp conflict with his employee of many years, civil engineer Humlegaard, and the conflict leads to Humlegaard leaving the company. In the film, we now follow the far-reaching consequences of Albrechtsen's brutal actions.

Ullabella is a dreamy teenager who is in love with her teacher. But one day, when she refuses to do as he says, he slaps her. Ullabella tells her family about it, and then the case begins. Ullabella's mother and uncle, who is a politician, take the case all the way to the political level and demand at least an apology from the teacher. He refuses to give one, but a solution to the case is found nonetheless.

When a man becomes tyrannical towards his family, the women of the house decide to teach him a lesson in gratitude.

The young, hard-working, and extremely attractive Eva Brun works as secretary to Director Jansen. But when her boss becomes a little too fond of Eva's "work," she quits. Tired of men and tired of lecherous male bosses, she devises a cunning plan. She wants to get married and divorced as quickly as possible so she can live off alimony. And Eva chooses shipowner's son Hans P. Larsen as her victim. But Hans has his own agenda. And soon the two begin a cunning game, the outcome of which only Cupid's arrows know.

The two friends, Fy and Bi, come wandering along the country road as so many times before without a destination and - without food. Hunger torments them, and they stop with wide eyes at a bakery truck, whose back door is open and opens the view to sumptuous trays of pastries and mayor's bars. However, they get a long nose and wander on to an old castle, where they seek accommodation for the night. In the castle cellar they open a book - and immediately they are back in the exciting events and deadly battles of the 15th century. And again we are back in the castle cellar, where Fy now with a bang closes the dusty, old book, and the two set out on the country road again.

On a dark and gloomy evening, the heirs of the deceased millionaire Jensen-Bosch gather at his old castle to hear his last wishes. The darkness lies close around the old castle, everything portends evil. As long as the family has existed, it has never been able to agree. When the will is read, seriousness spreads across their faces, and defiance and anger can be read in the expectant eyes.

A look at various lives, one of which is Jewish girl Hanne Liebe, as she grows up and experiences the pains of living as a Jew in Russia, leading to a revolution.

Marianne is a sales assistant at the elegant fashion boutique Chez Madame on Strøget. She is a wallflower, and when the wealthy man of the world John Bagger, one of the store's customers, invites her out on New Year's Eve wearing the store's most beautiful dress, she experiences it as a romantic adventure. But everyday life returns after the big night.