Gustav Fröhlich

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

The niece of a wealthy manufacturing aunt has secretly married. Her husband has lost his way during the night in his pajamas at a spa and ended up on the balcony of an attractive singer.

Werner Dux, heir of the big car company "Dux-Werke", is a gambler who has just been arrested in Chicago for shooting a cardsharper. While in jail, he learns from his friend Michael Nissen that his father has died recently. That means that the Dux-Werke are without a leader at the moment, for Werner's cousin Steffie, who is his co-heiress, is still too young to run the firm. In this situation, Werner convinces his friend Michael, who is an engineer by profession, to take over the firm as long as he is in jail and to pose as him. Michael agrees and is able to bring the firm up again. He even arranges a reliability test for motorcycles via Istanbul, Rome and Barcelona, which creates a big Turkish order for the company. When the real Werner escapes from jail and arrives in Germany, it looks as if the whole story is up to bust. But Werner needs money, so he convinces Michael to go on as before and hand over all profits of the firm to him.

Mary and Eva are best friends, although they couldn't be more different. Armand, Mary's fiancee, falls in love with the seductive Eva, who is busy becoming a revue star. When Eva fails and loses her money, Armand tries to help her out.

Starring Betty Amann in her most famous leading role, Joe May's Asphalt is a luxuriously produced German Expressionist classic where tragic liaisons and fatal encounters are shaped alongside the constant roar of Berlin traffic.

Hajj, a rascally beggar on the periphery of the court of Baghdad, schemes to marry his daughter to royalty and to win the heart of the queen of the castle himself. This is a German-language version made in Hollywood along side the 1930 production directed by John Francis Dillon.