The Deserted

The Deserted

2018 · 55 min · ★ 7.0 · Drama

Tsai Ming-Liang, the artisan of cinematography approaches virtual reality, pushing the boundaries of VR film. The Deserted stripped away traditional film techniques and is presented in 360 degrees, like a theatre. The viewer is placed in the scene and is allowed to look freely at the construction of the environment. And immersed in the handcraft of the scenes.

Directed by Tsai Ming-liang

Your Rating

Cast

More from Tsai Ming-liangSee all →

Rebels of the Neon GodRebels of the Neon God · 1994
Rebels of the Neon God
7.31994
MovieDramaCrime
In Taipei, four youths face alienation, loneliness, and moments of existential crisis amidst a series of minor crimes.
Vive L'AmourVive L'Amour · 1995
Vive L'Amour
7.21995
MovieDrama
Three lonely young denizens of Taipei unknowingly share an apartment: May, a real estate agent who uses it for her sexual affairs; Ah-jung, her current lover; and Hsiao-kang, who's stolen the key and uses the apartment as a retreat.
Spring DaddySpring Daddy · 1985
Spring Daddy
7.01985
MovieDrama
Zang Guang-xing is a veteran soldier from Mainland China who married a young Taiwanese woman. He has been working as a supervisor in a construction company for seven years. Everyday he rides the same motorbike to work. He suffers enough misery from riding that motorbike, and dreams of buying a car. So he asks around for decent second-hand cars. His son doesn't like any car he chooses. His wife, a typical Taiwanese woman who lives frugally, shaves any penny she can. She is the one who pays for the family's new car. They go out on trips happily, and become the envy of the neighborhood. Zhang thus gets the new car he's always dreamed of, but he starts to worry about it getting dirty, because it's simply too new, too nice for him. The car thus becomes his son's vehicle. He rides the old bike to work again, just like he has during all these years.
Abiding NowhereAbiding Nowhere · 2024
Abiding Nowhere
7.02024
MovieDramaDocumentary
The walker with the shaved head and dressed in a red robe is barefoot. He walks slowly but determinedly through the forest, over stones and grassland. He also makes his way through the shadows of trees and houses. He sets foot in the train station, the church and the museum. The sun rises and sets again. The walker passes through Washington, D.C. Another stranger is also on the move in the city. We are unsure whether or not he is following the walker.
Goodbye, Dragon InnGoodbye, Dragon Inn · 2003
Goodbye, Dragon Inn
6.82003
MovieDrama
On a dark, wet night in Taipei City, a cavernous old picture palace is about to close its doors forever. A meager audience, the remaining few staff, and perhaps even a ghost or two, watch King Hu’s wuxia classic "Dragon Inn", each haunted by memories and desires evoked by cinema itself.
The RiverThe River · 1997
The River
6.81997
MovieDramaRomance
A young man develops severe neck pain after swimming in a polluted river for a movie shoot, but nobody can provide him any relief.
Stray DogsStray Dogs · 2014
Stray Dogs
6.32014
MovieDrama
An alcoholic man and his two young children barely survive in Taipei. They cross paths with a lonely grocery clerk who might help them make a better life.
Journey to the WestJourney to the West · 2014
Journey to the West
6.32014
MovieDramaDocumentary
In 2014, Tsai Ming-Liang was invited to make a film for the MarseilleFID, Marseille International Film Festival. Since he was not familiar with Marseille, he decided to make a film as tourist, capturing the beautiful Mediterranean sunshine in the late summer of that year. He also invited famous French actor, Denis Lavant, to appear alongside Lee Kang-Sheng playing Xuanzang. "Journey to the West" was invited to be the opening short film at the Berlin International Film Festival the same year.
Single BeliefSingle Belief · 2016
Single Belief
6.32016
Movie
Ximending was once the trendiest area in Taipei, and it's also where Kang-sheng Lee's first film was shot. Twenty years ago, director Ming-liang Tsai asked Lee if he wanted to be in his film, and Lee's answer changed the course of his own life forever. Now Lee returns to where his career began to shoot a film about himself.
DaysDays · 2021
Days
6.32021
MovieDrama
Kang lives alone in a big house, Non in a small apartment in town. They meet, and then part, their days flowing on as before.
Madame ButterflyMadame Butterfly · 2009
Madame Butterfly
6.02009
MovieDrama
Free interpretation of the myth. Tsai Ming-liang propels a woman neglected by her lover in the mob of the bus station of Kuala Lumpur.
The Skywalk Is GoneThe Skywalk Is Gone · 2002
The Skywalk Is Gone
5.92002
MovieComedyDrama
A young woman wandering around meets a young man going to a casting call for a pornographic film.
No No SleepNo No Sleep · 2015
No No Sleep
5.92015
MovieDramaDocumentary
In 2015, Tsai Ming-Liang was once again invited by the Hong Kong International Film Festival to make the opening short film. This time, he selected Shibuya station in Tokyo as his main filming location and invited the famous Japanese actor Masanobu Ando to appear alongside Lee Kang-Sheng. They sleep separately at a capsule hotel and cleanse themselves at a public bath. Their fatigued bodies yearn for sleep but restless minds keep them for falling asleep. "No No Sleep" won the Best Director Award at the Taipei Film Festival.
The Wayward CloudThe Wayward Cloud · 2005
The Wayward Cloud
5.92005
MovieComedyDrama
Hsiao-Kang, now working as an adult movie actor, meets Shiang-chyi once again. Meanwhile, the city of Taipei faces a water shortage that makes the sales of watermelons skyrocket.
Sleeping on Dark WatersSleeping on Dark Waters · 2008
Sleeping on Dark Waters
5.72008
MovieDocumentary
A behind-the-scenes documentary on the making of Ming-liang Tsai’s I Don’t Want to Sleep Alone.
My New FriendsMy New Friends · 1995
My New Friends
5.51995
MovieDocumentaryTV Movie
Tsai interrupted his pre-production for The River to make this pioneering documentary for Taiwan's nascent AIDS-awareness campaign. Ignoring instructions to 'play down the gay angle', he centres the film on his own very candid conversations with two HIV+ young men. Sadly the identities of the interviewees have to be concealed, and so the freewheeling camerawork focuses most often on Tsai himself; but the sense of rapport between the director and his 'new friends' is palpable and very moving, even to Western viewers already only too familiar with these issues.

More Like This

Couldn't load this row right now.

Rate this film

Your ratings make Midnight smarter