Chen Shiang-Chyi

A boy experiences first love, friendships and injustices growing up in 1960s Taiwan.

Hsiao-Kang, now working as an adult movie actor, meets Shiang-chyi once again. Meanwhile, the city of Taipei faces a water shortage that makes the sales of watermelons skyrocket.

On a dark, wet night in Taipei City, a cavernous old picture palace is about to close its doors forever. A meager audience, the remaining few staff, and perhaps even a ghost or two, watch King Hu’s wuxia classic "Dragon Inn", each haunted by memories and desires evoked by cinema itself.

Journalist Denis Robert sparked a storm in the world of European finance by denouncing the murky operations of banking firm Clearstream. His quest to reveal the truth behind a secret world of shadowy multinational banking puts him in contact with an ever-expanding anti-corruption investigation carried out by Judge Renaud Van Ruymbeke. Their paths will lead them to the heart of a political/financial intrigue, which will rock the foundations of Europe and the French government itself.

An alcoholic man and his two young children barely survive in Taipei. They cross paths with a lonely grocery clerk who might help them make a better life.

Over the course of a few days, the paths of a group of young friends, lovers, and acquaintances in Taipei intersect, prompting them to arrive at realizations about their lives.

In the final days of the year 1999, almost everyone in Taiwan has died from a strange plague that ravished the island. As rain pours down relentlessly, a single man is stuck with an unfinished plumbing job and a hole in his floor. This results in a very odd relationship with the woman who lives below him.

Weighed down by financial problems, Tina takes a job as a receptionist at an illegal massage parlour in London. As she slowly gets to know the women who work there, Tina is forced to question her values and morals. But how far will she be drawn into this world, and can she avoid losing herself in the process?

A young man develops severe neck pain after swimming in a polluted river for a movie shoot, but nobody can provide him any relief.

A street vendor with a grim home-life forges a connection with a young woman on her way to Paris.

Hsiao-Kang, a Taiwanese film director, travels to the Louvre in Paris, France, to shoot a film that explores the Salomé myth.

It portrays the tumultuous life of a middle-class couple and the reshuffling of relationship dynamics when the woman's young assistant and their landlord become involved, presenting urban life as observed by Yang through a multitude of rapid dialogue.

Used to keeping quiet, Wei shuts out his parents' absurd antics behind closed doors. Neglected at home, Hsuan travels north by herself and stumbles into Wei's life. Taipei's starry nights, planes piercing the sky... these overlooked everyday moments in the city turn into a ray of light for them against an ambiguous future.

Leah is travelling the world when she eventually settles in Beijing, China, where she meets Master Sun Zhan who teaches her the art of weiqi. Her path crosses with American Chinese Richard whose family had sent him to Beijing to arrange his grandfather's ashes. A romance soon blossoms between them.

Chuan, a quiet 30-year-old man working as a chef in a Japanese restaurant, collapses suddenly and is rushed to a hospital. His colleagues send him to his father, who resides in the mountains. While there, Chuan becomes immobile: he won’t speak, eat or even go to the toilet on his own. One day his father returns from work only to find Chuan sitting in the corner with his daughter lying dead in a pool of blood. In an unfamiliar, eerily calm voice, Chuan says, “I saw this body was empty, so I moved in.

With a singular voice that distinguishes him from his New Taiwan Cinema contemporaries, Lin Cheng-sheng adds to his brief, but already remarkable, filmography with Sweet Degeneration, his third film in two years. As with A Drifting Life and Murmur of Youth, Lin’s new film delicately unfolds, gradually building to a climax of stunning emotional reverberations. Drawn from a particularly painful episode in the director’s past, Sweet Degeneration delves into the uneasy bonds a brother and sister have with each other and the people around them.

Rawang, an immigrant from Bangladesh living in awful conditions, takes pity on a Chinese man, Hsiao-kang, who is beaten up and left in the street. Rawang lovingly nurses him on a mattress he found. When he is almost healed, Hsiao-kang meets the waitress Chyi. His love for Rawang is put to the test.

After losing her job as a garment worker, Ling sees her prospects dim dramatically: in her mid forties, she lives in a small, dilapidated apartment in the Taiwanese city of Kaohsiung and spends much of her time locked in arguments with her testy daughter. Her elderly mother is ailing in hospital. On one of her many visits to the ward she notices an injured man and tentatively starts to care for him.

Tsai Ming-Liang, the artisan of cinematography approaches virtual reality, pushing the boundaries of VR film. The Deserted stripped away traditional film techniques and is presented in 360 degrees, like a theatre. The viewer is placed in the scene and is allowed to look freely at the construction of the environment. And immersed in the handcraft of the scenes.

A young woman wandering around meets a young man going to a casting call for a pornographic film.

Taipei metropolis, there are three groups of men were faced with a different problem, a group originally unfamiliar, but because each spouse committed adultery with each other, and third-grab rape of men and women, and the other group is fine to borrow children's a lesbian couple, the third largest group of problems, a woman in front of her husband was not found, the bodies of the dead in his bed lover's disposed of. it happens, these three groups of people because of Taipei's traffic problems, rendezvous at a car accident, and thus triggered a suspected bandits are thinking of ending.

Anne Laugel, a young divorced woman, mother of a ten-year-old girl, Sophie, travels to China to adopt a baby. She is convinced, as a good Westerner, to carry out this adventure for the happiness of the new born, her daughter and hers.

The film follows Robinson, a very succesfull real estate broker, who lives in a modern hotel in Taipei. But all the success also hides a lonely man, whose relations are becoming distant, including friends and lovers; Robinson's dream is the Crusoe, an island on the Caribbean, which he wants to try purchase.

Filmed performance of Yang's one-act two-character play which shifts back and forth from comedy to much darker tones as a married couple try to figure out what to do with the body of a man the wife has killed in their kitchen.