The Order of Things

Georgia, Lorena, Elena, and Jessica are four different women who all faced marginalization and didn't turn away. They stayed where they felt they belonged.

Since 2003 Italy and Europe have asked Libya to stop the African migrants. What are the Libyan police really doing? What do thousands of African men and women suffer? And why does everybody pretend they do not know about it?

On an internal EU border – the one between Italy and Slovenia, a few kilometers from Trieste, migrants who manage to cross the border risk being stopped by Italian law enforcement. The stories of migrants who have experienced refoulements and readmissions are interwoven with the videos recorded by the migrants themselves on their smartphones during their long journeys, as well as with the increasingly contradictory responses of the institutions.

November 14, 1951, the left bank of the Po river a few hundred meters from the Padua-Bologna railway bridge breaks. The tide invades the Polesine's lands in a few minutes, one of the poorest regions in Italy at the time. Thousands people, men, women and children flee while the water remains stagnant for months between the houses and the countryside. Today, 70 years later, the children of that time remember those months immortalized by the films perfectly preserved in the Istituto Luce's archives.

Michele is eleven years old and lives in a small town in the mountains of Trento, with his mother and his paternal grandfather Pietro; his father has recently died. The boy’s pain meets that of Dani, a boy from Togo, who is a total ‘stranger’ to that place covered in snow which he has never seen before in his life.

An odyssey across the places of origin of Western civilization: Greece, subsumed by economic crisis; where the mind, the soul, and the music of its people lie, specially the Rebetes, the Rebetiko singers, considered as the Hellenic equivalent to blues; this music against the establishment was born among refugees who arrived to Greece from Asia Minor and proliferated in poor urban neighborhoods. In the journey of composer and musician Vinicio Capossela through the taverns of Athens and Thessalonica, this film records his music, his wandering life, and his travel journal, revealing at the same time the collective scars the crisis has left in a place where everything seems to have lost its value.

Secretary of the most influential Communist Party in the Western world, Enrico Berlinguer challenged the international balance by seeking to bring the Communists to government in Italy and achieve socialism in a democratic country. From 1973, when he escaped an attack by the Bulgarian secret services, to the assassination of his main ally Aldo Moro in 1978, not forgetting his trips to Moscow and the covers of Time: the story of a man who wanted to change the world, but failed.

A study of the friendship between a Chinese woman and a fisherman who came to Italy from Yugoslavia many years ago, who live in a small city-island in the Veneto lagoon.

"La Biennale di Venezia: il cinema al tempo del Covid" is a video diary, produced by the Venice Biennale in collaboration with Rai Cinema and the Istituto Luce Cinecittà, of what went on "backstage" at the 2020 Venice Film Festival, held under the restrictions imposed by the safety protocols required by the covid-19 pandemic.

Two brothers are in conflict over the way the Venetian lagoon has been transformed, and the identity of the city and its residents has drastically changed.

Stuck in his hometown, Venice, during the pandemic, director Andrea Segre turns the camera on the frozen city, while reminiscing about his father, a scientist and chemist, and the past.

Ibi photographed and filmed her life in Italy for 10 years. This film is the result of her images, her creativity, and her energy. For the first time in Europe, a film based entirely on the direct and spontaneous self-narrative of a migrant woman, who tells her children in Africa about herself and her Europe. An intense and intimate journey into the difficult, lively, and colorful world of a still unknown visual artist.

A personal take on the Italian economic growth of the 60s and contemporary economic growth of Kazakhstan.