Maman Que Man

From his childhood in a modest family in the Pyrénées to his unexpected career as a porn actor in the 1970s, the film traces the life of Claude Loir, who set out to fully embrace life. His homosexuality and curiosity guide him through encounters that lead into the shadowy, liberated circles of a pre-AIDS era, caught between conservatism and sexual freedom. Loves and lovers, flamboyance and fragility… the film offers a striking portrait of a fearless, hedonistic man navigating desire, identity, and society’s constraints.

After a military coup d'état, political dissidents seek refuge in a foreign embassy. Over the next few days, they are joined by more and more people who are fleeing the military assault: teachers, students, intellectuals, artists, and politicians.

A fantasia on the inner lives of gay teenagers in '70s France.

“Ixe (written X and pronounced EEKS – as it is pronounced in French –, like a scream, a wound) is an imploded, crucified film. Made to be projected on four screens at once, X is drawn and quartered. At the four points of the compass, at the four ends of the cross, War, Sex, Religion and Drugs, the double exposures, the colliding glimpses the eye barely recognizes, the skilful repetitions of themes, remind us that Sex is also the war of bodies, and the pope, the Drug of the people. And the story of this young man, shooting up in order to experience all the horror of the world in front of his TV set, reminds us that the heroin orgy is indeed the subjective locus of the monsters of the modern unconscious.” - Guy Hocquenghem

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.

"Race d’Ep!" (which literally translates to "Breed of Faggots") was made by the “father of queer theory,” Guy Hocquenghem, in collaboration with radical queer filmmaker and provocateur Lionel Soukaz. The film traces the history of modern homosexuality through the twentieth century, from early sexology and the nudes of Baron von Gloeden to gay liberation and cruising on the streets of Paris. Influenced by the groundbreaking work of Michel Foucault on the history of sexuality and reflecting the revolutionary queer activism of its day, "Race d’Ep!" is a shockingly frank, sex-filled experimental documentary about gay culture emerging from the shadows.

A short documentary about the October 14 1979 March For Lesbian And Gay Rights in Washington D.C.

Othello Vilgard, Xavier Baert and Lionel Soukaz filmed a performance by Tom from Beijing: one strips himself naked while the others veil and reveal the film.

A contemporary scenario, in which American journalist Doug Ireland visits Europe and meets an oppressed young Arab man, is played against the celebrated story of Emperor Hadrian’s relationship with his favourite Antinous.

Lionel Soukaz opens a wooden panel to discover the sky and comes across Italian workers singing. He longs for them and, when they leave in the evening, finds himself alone, watching television. This video mirror sends him back to his own time: Nixon, Giscard. So he dances like a cry for help: "Love me!”. The cross-dressing scenes are like a coming out, revealing the feminine side of the filmmaker at just twenty years of age.

Five young people reincarnate Guy Hocquenghem, who died in 1988, novelist and philosopher, founder of the FHAR who, all his life, refused to identify with a single role and made his work and his life a utopia of crossbreeding, nomadism and desires.

Film restored by Yves-Marie Mahé from several recordings made during past screenings, notably in the basement of the L’Etna laboratory. A car journey, then the bedroom. The naked body in bed, sleeping or smiling at the camera, splits in two and overlaps. Accompanied by Christophe’s melancholic pop songs, a raw tenderness emerges.

Auto-portrait.

Situated in the vein of Rimbaud, Lautréamont, Dostoievski and Benjamin and of free jazz and punk, this film bears witness to the iniquitous policies that shape our era, the “infernal” nature of certain political lives or black bodies (those of immigrants, emigrants, workers, the unemployed, students...). It operates, as a minority film, in a critical stasis of mythical and mainstream realities, and deals with the issue of revolt and insurrection: excesses, disidentification, unclear reconfiguration... We are presented, through a dialectical reversal, "non-places" that cannot be assimilated, utopias, corps-impossibles

An ode to the life, thought and cinema of Pasolini, brought to life in a video overlay and embodied by two young men.

"I filmed my boyfriend at the time and tried to strip him, but in fact it's a film about ecology." -Soukaz Soukaz's first film, though lost for many years until it was finally recovered.