Doi vecini

Truck driver Papa (Sebastian Papaiani) carrying food for a large construction site canteen, falls in love with two girls.

Sequel to the comedy *Bucharest Identity Card*: After a turbulent marriage and divorce, Silvia and Radu part ways, only to be reunited in Bolintin—she as an agricultural engineer, he as a veterinarian—where they rediscover their bond.

After 1950, when the comunist regime is fully entrenched, some Bourgeois descendants have to make a living being movie extras. Continuation of "On the Left Bank of the Blue Danube"

An important man, always in a hurry, but especially when behind the wheel, runs over a strange pedestrian: a young globe-trotting, absent-minded young man who is treading firmly, but in the wrong place, on the wide road. After hesitating for a moment, the man behind the wheel turns back to the scene and can't find his victim. Out of nowhere, however, the victim appears in the man's life, upsetting an entire family with dramatic and comic-sentimental entanglements.

Victor, an incisive journalist, discovers a series of irregularities in a State farming enterprise. His investigations will unmask the fraud committed by the person in charge of the wine section, called Bachus. Although aided by an impressive number of cronies, Bachus will not be able to hide forever infamous secret.

A provincial young girl, a farming engineer, does not want to return to the countryside on graduating, but stay in the capital. But she needs a Bucharest identity card to do this. Her solution is to "buy" a husband...

A young, single engineer divides his time between work and an uneventful schedule at home, where TV is front and center. One rainy evening he is disturbed by a woman's phone call and finds himself drawn into an adventure full of the unexpected.

This movie follows the story of a young man - Mihai Brad, who works for a industrial plant. He reaches a turning point in his life when his bosses discuss his admittance in the Young Worker Union, a communist organization, which can help propel his career forward. Mihai calls to remembrance his early days of his job after leaving his village with dreams of having his own house and a decent life. He first starts low as a unqualified worker and each month he saves all his money. The UTM organization tries to convince him to improve his skills become a qualified worker but he refuses saying that he soon wants to go back to his village and be a shepherd.

Caught up in the crazes of the "transition", Suflețel also dreams of great adventure. When he learns that his old friend Ismail is his son's real father, Suflețel plans to flee the country. But in Istanbul, he stumbles upon the miraculous money machine...

A gang falsifies college degrees and sells them. They also help their careers, so that later they can blackmail them to obtain industrial espionage.

A comedy love story that takes place at a ski resort during romanian communism time!

Pacala is an important hero in Romanian popular tradition. He is always making fun of everything wrong with the human behaviour such as stupidity, greed or vanity. His attitude and actions always bring damages to the mean, evil and materialistic people. So beside the jokes, the movie has this philosophical layer, undoubtedly because Pacala's independent way of being, free spirit and his love for the nature creates a way of seeing life, bringing joy. Filmed in a very beautiful part of Romania in 1974, the movie had an important success at that time and it is considered one of the most loved movies in Romania ever. Like the hero, found in many stories and jokes, the movie forwards the spirit of true freedom and pure link with the nature, forgetting about times and governments.

A bunch of comrades with ascending ranks from the same factory go on a illegal arranged hunting trip with a few intended 'romantic' mishaps.

In the Barza village, people grew accustomed to see doctors leave with the migratory birds. With the new doctor, they will have a surprise...

The search for a list of Nazi spies that had been hidden in the house of a widowed noblewoman.