Grigore Vasiliu-Birlic

Mofturi 1900 is a 1964 Romanian comedic film directed by Jean Georgescu and based on Ion Luca Caragiale's many Moments and Sketches. The sketches used are "Diplomatie" ("Diplomacy"), "Amicii" ("Pals"), "O lacuna" ("A gap"), "Bubico", "C.F.R." (abbreviation of "Romanian Railways") and "Din statiune" ("From resort"). The film stars Grigore Vasiliu Birlic, Iurie Darie and Ion Dichiseanu; and features Ioana Bulcă, Alexandru Giugaru, Mircea Crisan, Geo Barton and others. Set at the beginning of the 20th century, the story revolves around two Mitică characters sitting at a cafe telling stories to each other.

Geared more for the home crowd with a good knowledge of their own history, this Romanian political comedy takes place at the turn of the 20th century, when two opposing factions are going at each other tooth and nail to win an election. One candidate is a staunch if not deluded conservative and the other is a radical liberal. Anticipating modern election campaigns by a good half a century, the two candidates decide that the best way to win is to sling as much mud as possible. Lacking the Internet and fifteen-second TV spots, they do the best they can -- they send each other virulent telegrams denouncing each other's personal failings.

Over at the fictional DRGBP institution, events take a settling turn after a mutinied prize festivity.

"Post Restant" is about two engineers: Puiu (Iurie Darie), a quite shy character, and Dan (Ion Dichiseanu) an alpha male type. They receive a letter from Liliana, a letter which is actually meant for the former apartment owner. Puiu replies to the letter, although he does not know the sender. The mail exchange goes on and the two fall eventually in love. Being less self-confident, when the time comes to see Liliana in the flesh Puiu asks Dan to meet her and pretend to be the one who wrote the letters.

Adaptation based on the sketch "Doi vecini" by Tudor Arghezi.

The tranquility of a Romanian village is shattered by the arrival of a beautiful unknown coinciding with the discovery of a new star by a modest professor of astronomy ...

1957 film adaptation of Romanian playwright Ion Luca Caragiale's novella “Două loturi” (Two Lottery Tickets, 1901). The scenario was written by director Jean Georgescu, one of the most skilled Romanian filmmakers of the 1940s and 1950s, while the directing belongs to Aurel Miheleş and Gheorghe Naghi, at that time both recently graduated from the All-Union State Institute of Cinematography in Moscow. This is the second feature film in colour from Romania. Despite the great public success, the film was often criticized by reviewers, mostly for its unhandy directing from the two debutants. Miheleş and Naghi would however continue their collaboration and release another two Caragiale adaptations, of which “Telegrame” (Telegrams, 1959) was nominated for the Palme d'Or (Golden Palm) at the 1960 edition of the Cannes festival.