Yaşamak Güzel Şey

The love story of two young people living in the final days of the Byzantine Empire. The Ottoman Empire has set its sights on Constantinople. The Byzantine Empire, wanting to take precautions, asks for help from Western countries. The Pope makes the union of the Orthodox and Catholic churches a condition for the unity of the people. Some of the people oppose this situation and revolt. George, who escaped after being taken prisoner by the Ottomans, joins the uprising. George, who is Catholic, meets an Orthodox woman named Anna that day. He falls in love with Anna at first sight. George and Anna, who belong to two different denominations, will experience love during the days when the Ottoman Empire invades Byzantium.

In the middle of the night, a luxury jeep cruising the streets hits a poor villager on a moped. As the people in the jeep get out to see who they hit, the camera focuses on Reşo's life in the village. From that moment on, we begin to follow the life of Reşo, who lives in a rural area in the east. Following Reşo's story, the story of Yusuf, the editor-in-chief of a newspaper, and the shady dealings taking place at the newspaper are brought into focus. The story continues as the characters move toward the point where their paths collide.

Mustafaali, as a person who left the modern life behind him and lives in Cokertme Village, spends his days by reading books. Mustafaali, a person who is against working, satisfies all his vital needs from the blessing of nature. Cavit, on the other hand, is a rich businessman who lives in Istanbul. He has worked in his entire life and all he matters is to work, to earn and to make savings. Cavit's life becomes upside down after he met Mustafaali when he wants to buy Mustafaali's land to build a boutique hotel in Cokertme Bay. Living far from the modern life in his small land under the natural circumstances, Mustafaali's philosophy confuses Cavit who is a person from a big city.

A husband who has issues being romantic which causes madness of his wife.

After a tragic miscarriage, Nimet -a middle aged woman- gets stuck in the conservative society in Istanbul while her beloved younger sister Öznur carries a burden of her own in the family, trying to struggle her own demons.

Mustafali is a man liberated from all ambitions, living in Çökertme Cove, keeping to his own life style. But due to the sickness of his father, who had left him and his mother years ago, he had to come to Istanbul. Mustafali's philosophy will perplex Istanbul, a city that had been living happily with its own truths before Mustafali came along.

Facing pressure to marry immediately, an unemployed man must find a way to pay for a wedding by any means necessary.

Under pressure to find a job, a young loafer teams up with his buddy to form an online group for ne'er-do-wells and puts their friendship to the test.

Arka Sıradakiler is the title of a Turkish teen drama series, created by Birol Güven and directed by Hamdi Alkan. Meaning "those at the rear desks", name of the series was attributed to a group of forsaken students whose experiences are taken as subject of the storyline. The series began broadcast on September 30, 2007 on Fox Turkey. It is aired weekly on Sundays at 19:45.

Yusuf finds money through illegal means to pay for his child's treatment. However, the money corrupts Yusuf, and he continues to seek illegal funds. His plan is to flee abroad with his girlfriend... But surprises await Yusuf...

Yılmaz is a young police officer. Yılmaz and his wife Hülya start a family, which grows with the birth of their children. As their children begin to grow up, the couple observes some unusual behaviors in them. Their children have difficulty communicating with their peers. Their children, who cannot speak until the age of 3, cannot form sentences like their peers when they do start to speak. One day, when the family takes their children to the park, they meet a neurologist, and this encounter leads them to learn about autism.

Müfit Can Saçıntı is bringing his one-man show, which he has been performing on theater stages for five years, to the big screen.