Leïla

The beautiful and spoiled manufacturer's daughter Helga defiantly bets with her friends whether she can survive a whole year as a working housekeeper without financial help.

Nikolaj Christensen is a popular Danish folk-rock artist. In this teen-oriented film, Christian (Christensen) is a young man in search of love, who restlessly leaves his home in Denmark to search for it all over Europe, finally finding some semblance of it in Morocco. This slight film is directed by Gabriel Axel, who also directed Babette's Feast. It is likeliest to be of interest to fans of the star and his music, which is used throughout.

A group of young actors, ambitious and naive, dream of their big breakthrough, criticize the theater school, want to revolutionize theater, and never compromise, but are very uncertain about the future and their own identity.

Factory worker Otto Nielsen and his wife Helga live in a 2-room apartment in a sad Copenhagen suburbs district, where the S-trains still bumble by, but of course, such things can be used to. They have five children and it is often difficult to meet daily expenses. Nielsen has bought a building site outside the city, it is his dream to once again be able to exchange the narrow apartment with his own house.

Father Birotteau and Father Troubert, both of whom are priests at Tours, have separate lodgings in the house belonging to the crabby spinster Sophie Gamard in that city. Birotteau is an other-worldly, gentle, introspective type; Troubert, who is ten years younger than his fellow boarder, is very much of the world: he is a careerist devoured by ambition.

In the year 1646, Denmark is at peace. Only recently have the last occupying troops left Jutland, leaving behind the sad traces of iron heels. The administration has partially collapsed, the kingdom is short of money, and what money there is is unevenly distributed. This is the unusual and sad background to this unpretentious account.

A French housekeeper with a mysterious past brings quiet revolution in the form of one exquisite meal to a circle of starkly pious villagers in late 19th century Denmark.

Among the residents of the boarding house on Fredhvilevej are Børge Blom, a civil servant, the feisty Nelly Smith, and taxi driver Ib Nielsen. Because their house is to be demolished to make way for a parking lot, they are given 14 days' notice to vacate. Good advice is now hard to come by, and after a fruitless visit to the Ministry of Housing, they agree to resort to unconventional methods—they occupy Louisenborg Castle! Upon arriving at the castle with their belongings, confusion reigns supreme—there is moving chaos, a visit from an Arab prince, plenty of drinks, and love in the corners.

Three out of work actors breaks into a bank through the toilet of a railroad station.

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.

Director Paul Borg (Ebbe Langberg) neglects his young, beautiful wife Marianne (Ghita Nørby). He even forget their wedding day, in favor of a new fast sports car, a beautiful silver-gray Jaguar. During his drive, he runs out of gas. A young lady Laura Lublinski (Hanne Borchsenius), helps him and he takes an innocent flirtation with her. When Marianne learns this, she moves home and dump into an artist community with Jenny (Bodil Steen), Ovengaden of water 52 in Christianshavn. Here she takes the unrepentant Don Juan, Mario (Dario Campeotto) and the guitar-playing Eigil (Dirch compatible).

Seeking revenge against the rival clan responsible for the killing of his father, Hagbard calms down long enough to establish a truce. During a peaceful interlude, he falls in love with Signe, the daughter of the king of the rival clan. However, Hildegisl, who desires Signe's hand in marriage, disovers the young lover's plans to wed and sets out to bring about the end of Hagbard.

The second film in the series about the enterprising Gyldenkål family. Now the family has climbed to the top of the social ladder, but unexpected demands from the tax authorities mean that a forced auction is imminent. So they embark on their biggest scam yet: defrauding Fidusbanken.

A spicy comedy in episode form. We follow a young couple's problems with eroticism at different times and in different environments. The episodes: On Vesterbrogade. In Tivoli. At a castle in 1740. Around a balloon in 1820. On the train in 1890. At the bathhouse in 1900. At a hotel in 1910. In an apartment in 1925. At a tavern in 1932.

A Danish prince seeks revenge upon the villain who killed the king and his son to usurp the throne.