Gabriel Axel

A French housekeeper with a mysterious past brings quiet revolution in the form of one exquisite meal to a circle of starkly pious villagers in late 19th century Denmark.

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.

A young Danish guy, Nils, is visiting Morocco, where he meets the 16-year-old Berber girl Leïla. It marks the beginning of a great, all-encompassing passion. Leïla must defy her family to be with Nils, and their love has big consequences.

A couple of young men and women have lovemaking on their mind. They decide to try to make it at 25 spots within a week. Several motorcycles and mopeds are involved.

A look at what happened when Denmark abolished censorship in the late 1960s.

This three-part movie begins with a young woman married to an older, cold-hearted man in the year 1200. Two rivals have a swordfight over the affections of the woman. Part two takes place in 1910 and finds an amorously unfaithful wife taking on her many lovers while her unsuspecting husband lurks nearby. The final part finds a count and countess engaging in extramarital affairs in France during the 1840s.

A Danish prince seeks revenge upon the villain who killed the king and his son to usurp the throne.

Seeking revenge against the rival clan responsible for the killing of his father, Hagbard calms down long enough to establish a truce. During a peaceful interlude, he falls in love with Signe, the daughter of the king of the rival clan. However, Hildegisl, who desires Signe's hand in marriage, disovers the young lover's plans to wed and sets out to bring about the end of Hagbard.

In the year 1646, Denmark is at peace. Only recently have the last occupying troops left Jutland, leaving behind the sad traces of iron heels. The administration has partially collapsed, the kingdom is short of money, and what money there is is unevenly distributed. This is the unusual and sad background to this unpretentious account.

Father Birotteau and Father Troubert, both of whom are priests at Tours, have separate lodgings in the house belonging to the crabby spinster Sophie Gamard in that city. Birotteau is an other-worldly, gentle, introspective type; Troubert, who is ten years younger than his fellow boarder, is very much of the world: he is a careerist devoured by ambition.

Nikolaj Christensen is a popular Danish folk-rock artist. In this teen-oriented film, Christian (Christensen) is a young man in search of love, who restlessly leaves his home in Denmark to search for it all over Europe, finally finding some semblance of it in Morocco. This slight film is directed by Gabriel Axel, who also directed Babette's Feast. It is likeliest to be of interest to fans of the star and his music, which is used throughout.

Director Paul Borg (Ebbe Langberg) neglects his young, beautiful wife Marianne (Ghita Nørby). He even forget their wedding day, in favor of a new fast sports car, a beautiful silver-gray Jaguar. During his drive, he runs out of gas. A young lady Laura Lublinski (Hanne Borchsenius), helps him and he takes an innocent flirtation with her. When Marianne learns this, she moves home and dump into an artist community with Jenny (Bodil Steen), Ovengaden of water 52 in Christianshavn. Here she takes the unrepentant Don Juan, Mario (Dario Campeotto) and the guitar-playing Eigil (Dirch compatible).

A spicy comedy in episode form. We follow a young couple's problems with eroticism at different times and in different environments. The episodes: On Vesterbrogade. In Tivoli. At a castle in 1740. Around a balloon in 1820. On the train in 1890. At the bathhouse in 1900. At a hotel in 1910. In an apartment in 1925. At a tavern in 1932.

Romantic comedy, based on the discovery that eggs from a particular island provide men with great virility and make them irresistible.

Three out of work actors breaks into a bank through the toilet of a railroad station.

The family Gyldenkål is actually called Iversen, but have changed their name, after numerous problems with the IRS, loan sharks and employers. Using clever scams, the family builds up a reputation as a wealthy and respectable part of society.

Since her husband's death, Mrs. Tang has lived and worked exclusively for her two children, Erik and Ester. They are her whole world; her entire existence revolves around them, even though they have long since grown up and now want to live their own lives. Her son is a journalist, and her daughter works at a law firm.

Three girls in Paris is the story of three Danish girls (Ghita Nørby, Susse Wold and Hanne Borchsenius) traveling to Paris, but after having placed suitcase and money on the hotel and takes off in the city, they forget what it's called and where it is located. They are helped by a Parisian taxi driver, and meets a series of typical French.

A Danish movie about the life of Flemming and his best friend Kvik.

The beautiful and spoiled manufacturer's daughter Helga defiantly bets with her friends whether she can survive a whole year as a working housekeeper without financial help.

Venus aux belles fesses, or Venus with the beautiful buttocks, is the name given to a statuette by the famous Swedish sculptor Sergel, and this small work of art, a draft in fired clay, plays a significant role in this fantastic story. In a strange way, Venus intervenes in the turbulent fate of art historian Hannibal Svanø and creates conflicts for many others. After spending the whole summer leading a nomadic but rather pleasant life, interrupted only by occasional periods of work with old friends around the country, Svanø now sets off for the capital. On the way, he manages to persuade an old schoolmate, Judge Truelsen, to give him a loan that enables him to enjoy a hearty meal in a small, cozy restaurant called "Asietten."

Tonnemann lives in one of the wooden sheds at the far end of Islands Brygge, close to Copenhagen's landfill site. But in 1928, he wants to leave this environment behind – to go where the air is fresh and life may offer both security and meaning. He is already on his way with his packed suitcase to sign on to a long-distance boat when a lovely girl gets in his way with her little red sports car.

The second film in the series about the enterprising Gyldenkål family. Now the family has climbed to the top of the social ladder, but unexpected demands from the tax authorities mean that a forced auction is imminent. So they embark on their biggest scam yet: defrauding Fidusbanken.