Stallion Road

Cuban Bandleader Ricky Ricardo would be happy if his wife Lucy would just be a housewife. Instead she tries constantly to perform at the Tropicana where he works, and make life comically frantic in the apartment building they share with landlords Fred and Ethel Mertz, who also happen to be their best friends.

Newlyweds Arthur and Vivian arrive to their honeymoon suite in Washington D.C., only to find it occupied. Arthur goes to meet Slade, his new boss, and when he returns, he finds three girls in his suite. He orders Vivian to get rid of them, but they are friends of Vivian's and as time goes by, it looks more like Grand Central Station than the quiet suite Arthur expected. As long as there's anyone else in the suite, Arthur will not stay and there will be no honeymoon.

The Ann Sothern Show is an American sitcom starring Ann Sothern that aired on CBS for 93 episodes. The series began on October 6, 1958, and ended on September 25, 1961. The Ann Sothern Show was Sothern's second sitcom for CBS. Her first series, Private Secretary, ended in 1957 after a contract dispute occurred between Sothern and Secretary's producer Jack Chertok. Several of Private Secretary's cast members appeared in the show.

A man finds himself the father, by proxy, of a ten-month-old baby and becomes involved in the turbulent lives of the child's family.

Stu Bailey and Jeff Spencer are the wisecracking, womanizing private-detective heroes of this Warner Brothers drama. They work out of an office located at 77 Sunset Strip in Los Angeles, California, right next door to a snazzy restaurant where Kookie works as a valet. The finger-snapping, slang-talking Kookie occasionally helps Stu and Jeff with their cases, and eventually becomes a full-fledged member of the detective agency. Rex Randolph and J.R. Hale also join the firm, and Suzanne is their leggy secretary.

Neurotic Broadway star Al Jackson faces professional ruin when he loses his voice. While recuperating in the country, he falls in love with farm girl Ruth Haines, the pretty aunt of precocious little Sybil Haines.

Construction worker Buzz Blackwell becomes the guardian of 12-year-old Pat Johnson after one of his buddies, her father, is killed. Buzz and Pat, along with their chum Axel Swensen, head to New York to look for the girl's uncle. The trio soon unexpectedly become owners of a tired restaurant.

"Howdy" Nelson believes there is no such think as real love and that romance can be cooked up between any eligible persons (of the opposite sex.) He is so imbued with the idea that he has established a summer camp for that reason,and has written a play on the subject. The Yacht Club Boys visit the camp, misrepresenting themselves as Broadway producers, and the talented guest of the camp put on Nelson's play...which all ends up with a lot of marriage mating; Judy and Skipper, Betty Jane and Stanley and...Gwen and "Howdy,' the guy who was positive there was no such thing as true love.

The Maverick boys - Bret, Bart, Beau and Brent - are a clan of well-dressed dandies, gamblers who'd much rather make their money playing cards than messing up their fine clothing with actual work. Sly and clever, none of the Mavericks are much for acts of derring do, but they can be courageous when the situation calls for it. Most often, however, they live by their wits and considerable charm.

General Electric Theater is an American anthology series hosted by Ronald Reagan that was broadcast on CBS radio and television. The series was sponsored by General Electric's Department of Public Relations.

Biographical movie about the early 20th century broadway stars Nora Bayes and Jack Norworth.

The Gale Storm Show is an American sitcom starring Gale Storm. The series premiered on September 29, 1956, and ran until 1960 for 143 half-hour black-and-white episodes, initially on CBS and in its last year on ABC. The Gale Storm Show was co-produced by Independent Television Corporation and Hal Roach Studios. The series was aired under the title Oh, Susanna in syndication.

Fibber McGee enlists the help of Edgar Bergen and Charlie McCarthy in enticing an aircraft manufacturer to build a factory in the small town of Wistful Vista. Based on the "Fibber McGee and Molly" radio series

A widower and aeronautical engineer named Steven Douglas raises three sons with the help of his father-in-law, and later the boys' great-uncle. An adopted son, a stepdaughter, wives, and another generation of sons join the loving family in later seasons.

A married couple who have a song-and-dance act in vaudeville are in trouble. Their struggling act is going nowhere, they're almost broke and they have to do something to get them back on top or they'll really be in trouble. They decide to put their young son in the act in hopes of attracting some new attention. The boy turns out to be a major talent, audiences love him and the act is on its way to the top. That's when an organization whose purpose is to stop children from performing on stage shows up, and they're dead set on breaking up the act.

Released as part of a series of WB shorts under the collective title of "Technicolor Specials" (WB production number 2003) this short most likely holds the WB house record for a 20-minute film containing footage from the most different titles in their inventory. It's theme of a singing guided tour of the lot (and some of the footage) is from 1944's "Musical Movieland", the former title holder, and it contains clips from 1939's "Quiet, Please" and "Royal Rodeo"; "Sunday Roundup" from 1936 and 1940's "The Singing Dude." Pieces from "Out Where the Stars Begin" and "Swingtime in the Movies" may also be used, but it's hard to tell since they all tend to run together and show up in a lot of places during the 1940's Warner shorts. Its title of "Movieland Magic" is most apt considering the sleight-of-hand performed by the WB Shorts and Sales departments in once again selling the same film clips for the 3rd, 4th or more times.