Lloyd Corrigan

Acting

Lloyd Corrigan

Born October 14, 1900 · San Francisco, California, USA

Died November 5, 1969 · aged 69

Lloyd Corrigan (October 16, 1900 – November 5, 1969) was an American film and television actor, producer, screenwriter, and director who began working in films in the 1920s. The son of actress Lillian Elliott, Corrigan directed films, usually mysteries such as Daughter of the Dragon starring Anna May Wong (one of a trilogy of Fu Manchu movies for which he has writing credits), before dedicating hi…

Known For

It's a Mad, Mad, Mad, Mad WorldIt's a Mad, Mad, Mad, Mad World · 1963
It's a Mad, Mad, Mad, Mad World
7.01963
MovieAdventureComedy
A group of strangers come across a man dying after a car crash who proceeds to tell them about the $350,000 he buried in California. What follows is the madcap adventures of those strangers as each attempts to claim the prize for himself.
The Manchurian CandidateThe Manchurian Candidate · 1962
The Manchurian Candidate
7.51962
MovieThrillerDrama
Near the end of the Korean War, a platoon of U.S. soldiers is captured by communists and brainwashed. Following the war, the platoon is returned home, and Sergeant Raymond Shaw is lauded as a hero by the rest of his platoon. However, the platoon commander, Captain Bennett Marco, finds himself plagued by strange nightmares and soon races to uncover a terrible plot.
She-Wolf of LondonShe-Wolf of London · 1946
She-Wolf of London
5.61946
MovieMysteryHorror
A young heiress finds evidence suggesting that at night she acts under the influence of a family curse and has begun committing ghastly murders in a nearby park.
The Big ClockThe Big Clock · 1948
The Big Clock
7.31948
MovieCrimeThriller
George Stroud, a crime magazine's crusading editor, has to postpone a vacation with his wife - again - when a glamorous blonde is murdered and he is assigned by his publishing boss to find the killer. As the investigation proceeds to its conclusion, Stroud must try to disrupt his ordinarily brilliant investigative team as they increasingly build evidence that he is the killer.
The Return of Frank JamesThe Return of Frank James · 1940
The Return of Frank James
6.31940
MovieWestern
Farmer Frank and his ward hunt brother Jesse's killers, the back-shooting Fords.
Touchdown, ArmyTouchdown, Army · 1938
Touchdown, Army
7.51938
MovieDramaComedy
Prep football star Jimmy Howal gets a reception far different from what he expected when he enters West Point.
Cyrano de BergeracCyrano de Bergerac · 1950
Cyrano de Bergerac
6.91950
MovieRomanceDrama
France, 1640. Cyrano, the charismatic swordsman-poet with the absurd nose, hopelessly loves the beauteous Roxane; she, in turn, confesses to Cyrano her love for the handsome but tongue-tied Christian. The chivalrous Cyrano sets up with Christian an innocent deception, with tragic results.
The Ghost BreakersThe Ghost Breakers · 1940
The Ghost Breakers
6.51940
MovieComedyHorror
After intrepid working girl Mary Carter becomes the new owner of a reputedly haunted mansion located off the Cuban coast, a stranger phones warning her to stay away from the castle. Undaunted, Mary sets sail for Cuba with a stowaway in her trunk—wise-cracking Larry Lawrence, a radio announcer who helps Mary get to the bottom of the voodoo magic, zombies and ghosts that supposedly curse the spooky estate.

Filmography

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The Lucy ShowThe Lucy Show · 1962
The Lucy Show
7.01962
SeriesComedy
The Lucy Show is an American sitcom that aired on CBS from 1962–68. It was Lucille Ball's follow-up to I Love Lucy. A significant change in cast and premise for the 1965–66 season divides the program into two distinct eras; aside from Ball, only Gale Gordon, who joined the program for its second season, remained. For the first three seasons, Vivian Vance was the co-star. The earliest scripts were entitled The Lucille Ball Show, but when this title was declined, producers thought of calling the show This Is Lucy or The New Adventures of Lucy, before deciding on the title The Lucy Show. Ball won consecutive Emmy Awards as Outstanding Lead Actress in a Comedy Series for the series' final two seasons, 1966–67 and 1967–68.

Mr. Holly

Have Gun, Will TravelHave Gun, Will Travel · 1957
Have Gun, Will Travel
7.31957
SeriesWesternAction & Adventure
Have Gun – Will Travel is an American Western television series that aired on CBS from 1957 through 1963. It was rated number three or number four in the Nielsen ratings every year of its first four seasons. It was one of the few television shows to spawn a successful radio version. The radio series debuted November 23, 1958. The television show is presently shown on the Encore-Western channel. Have Gun – Will Travel was created by Sam Rolfe and Herb Meadow and produced by Frank Pierson, Don Ingalls, Robert Sparks, and Julian Claman. There were 225 episodes of the TV series, 24 written by Gene Roddenberry. Other contributors included Bruce Geller, Harry Julian Fink, Don Brinkley and Irving Wallace. Andrew McLaglen directed 101 episodes and 19 were directed by series star Richard Boone.
Matinee TheaterMatinee Theater · 1955
Matinee Theater
5.31955
SeriesDrama
Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.