Here I Am

Director David de Jongh represents the life Otto Frank in his documentary Otto Frank, the father of Anne. The film deals with various facets of Otto Frank’s life: his youth in Germany, including his military service during the First World War, his marriage to Edith Holländer and the birth of their daughters Margot and Anne, their flight to the Netherlands, the time in hiding and the deportation to Auschwitz, his life after the Second World War and his dedication to the diary and the ideals of his daughter Anne, and his second marriage to Fritzi Geiringer. The documentary features many photos and film images, as well as interviews, including new ones, with people who knew Otto Frank. His stepdaughter Eva Schloss is one of the interviewees. The film is produced by Pieter van Huystee Film.

A documentary about the fascinating and complicated process of the rebuilding of Holland's most famous museum, The Rijksmuseum. The film shows the people behind the scenes during the years of demolition, restoration, and political and financial debate. We witness their efforts, joys and struggles with one goal in common: the love of art.

Lieke, Marieke van der Winden's mother, was closed, insecure and fragile. After she died of cancer at the age of 48, Van der Winden was approached at the funeral by Lieke's foster brother. She learns that her grandfather and grandmother – of whom she has wonderful memories – were wrong in the Second World War. This fact, which had played an enormous role in Lieke's life, had been kept secret for decades. Only thirty years after that revelation Van der Winden dares to delve into her mother's history. In conversations with family and friends, she gains a whole new perspective on Lieke and on her own childhood. And when she searches the archives for her grandparents' activities during the war, the shocking revelations pile up – with major emotional consequences.

An outspoken eleven-year-old must navigate first love, family turmoil and cultural expectations when she falls for her Moroccan boy next door.

Veterans of the Vietnam War tell about their experiences. The disasters but also the glorious moments of war. The central figure in the documentary is the scenario writer of Full Metal Jacket, Michael Herr. The veterans describe how it felt to kill for the first time and how those feelings still haunt them.

When Madelief's grandmother dies, her mother takes her to the funeral. She then visits her grandfather, but quickly gets bored, until Mischa tells her how much fun a rural summer can be. She investigates her grandmother's "summer house", made curious by the lock on the door. Madelief didn't remember her grandmother, but from her snooping in the summer house she learns a lot about her. Written by Steve Schonberger

The 1960s, Netherlands. Thomas doesn’t realise it yet, but he has special powers. The nine-year-old sees things others cannot. He lives in a strict, religious family where his father, quick to cite the word of God, often resorts to violence. As a sense of injustice grows within him and a longing for freedom takes hold, Thomas begins writing his Book on Everything. In it, he wishes for his father’s punishment and encounters a host of unusual characters: Jesus Christ, a levitating lady with a piano-loving cat, tropical fish swimming in city canals, a young peg-legged witch living next door, and many others.

The fascinations of filmmaker Peter Greenaway, whose motto is "art is life and life is art,"are captured like butterflies and arranged in an alphabet, a form that suits him perfectly as an encyclopedist. In intimate conversations with his perceptive 16-year-old daughter Zoë, we discover the whos, whats and whys about Greenaway.

After two years of several rapes of female students a group of four girls decide to investigate the crimes by themselves and they prepare a list of possible rapists, leading the group to a tragic consequence.

Two brothers and their wives have dinner in a fancy restaurant to discuss their teenage children's misdeeds. An excoriating assessment of Europe’s contemporary social ills.

Sabine is looking for the truth behind the disappearance of her best friend twenty years ago. An encounter with the handsome Olaf, a man she remembers from her teenage years, and the announcement of a high school reunion turn her life upside down.

By the year 2000, half of all young people in Amsterdam will be of immigrant origin. The government aims to promote integration requiring that 70 percent of newly hired employees of the Municipality of Amsterdam be either of immigrant background or women. Mene Tekel examines the consequences of this policy within the Amsterdam Fire Brigade. Without using interviews, and instead relying on observation and a narrative structure resembling a feature film, the documentary shows how the policy affects recruitment and training. Sons from long-established firefighting families are no longer automatically eligible for a position. Meanwhile, newcomers of immigrant background often find themselves entering the fire brigade almost as a result of well-intentioned efforts by social support agencies. Once there, they undergo extensive testing and initiation, because when the alarm sounds they may be confronted with death, and firefighters must be able to trust one another completely.

Curacao reveals the collectively repressed legacy of the Dutch on their former colony and offers a disturbing look into the influence this has on the contemporary Curacao community.

The slogan “Meet the icons of modern art” needs to be scraped off the glass wall of the Stedelijk, Amsterdam’s modern art museum. Because precisely who the icons of modern art are is very much the question. Who gets to decide? And who loses out? In 2019, as director Sarah Vos started shooting her documentary, more than 90 percent of art at the Stedelijk was made by white men. That’s got to change, the museum’s director Rein Wolfs believes. But this is easier said than done—so much becomes clear when Vos follows Wolfs and his team as they strive for greater diversity in the collection, as well as among their staff.

The De Mol van Otterloo couple has the most important and largest private collection 17th-century Dutch and Flemish masters in the world. They collected from Ruisdael, Steen, Dou, Cuyp, Potter, Lievens, Hals and yes, also a Rembrandt. There is millions of masterpieces on the walls of their villa in Massachusetts. But what do you do with such a collection? Together with the friendly couple Weatherbie, who also built up a special art collection, they decide that their collections should stay together after their death. The result is an art gift that is unparalleled.