Sander Snoep

By the year 2000, half of all young people in Amsterdam will be of immigrant origin. The government aims to promote integration requiring that 70 percent of newly hired employees of the Municipality of Amsterdam be either of immigrant background or women. Mene Tekel examines the consequences of this policy within the Amsterdam Fire Brigade. Without using interviews, and instead relying on observation and a narrative structure resembling a feature film, the documentary shows how the policy affects recruitment and training. Sons from long-established firefighting families are no longer automatically eligible for a position. Meanwhile, newcomers of immigrant background often find themselves entering the fire brigade almost as a result of well-intentioned efforts by social support agencies. Once there, they undergo extensive testing and initiation, because when the alarm sounds they may be confronted with death, and firefighters must be able to trust one another completely.

Curacao reveals the collectively repressed legacy of the Dutch on their former colony and offers a disturbing look into the influence this has on the contemporary Curacao community.

Veterans of the Vietnam War tell about their experiences. The disasters but also the glorious moments of war. The central figure in the documentary is the scenario writer of Full Metal Jacket, Michael Herr. The veterans describe how it felt to kill for the first time and how those feelings still haunt them.

Director David de Jongh represents the life Otto Frank in his documentary Otto Frank, the father of Anne. The film deals with various facets of Otto Frank’s life: his youth in Germany, including his military service during the First World War, his marriage to Edith Holländer and the birth of their daughters Margot and Anne, their flight to the Netherlands, the time in hiding and the deportation to Auschwitz, his life after the Second World War and his dedication to the diary and the ideals of his daughter Anne, and his second marriage to Fritzi Geiringer. The documentary features many photos and film images, as well as interviews, including new ones, with people who knew Otto Frank. His stepdaughter Eva Schloss is one of the interviewees. The film is produced by Pieter van Huystee Film.

Sabine is looking for the truth behind the disappearance of her best friend twenty years ago. An encounter with the handsome Olaf, a man she remembers from her teenage years, and the announcement of a high school reunion turn her life upside down.

The slogan “Meet the icons of modern art” needs to be scraped off the glass wall of the Stedelijk, Amsterdam’s modern art museum. Because precisely who the icons of modern art are is very much the question. Who gets to decide? And who loses out? In 2019, as director Sarah Vos started shooting her documentary, more than 90 percent of art at the Stedelijk was made by white men. That’s got to change, the museum’s director Rein Wolfs believes. But this is easier said than done—so much becomes clear when Vos follows Wolfs and his team as they strive for greater diversity in the collection, as well as among their staff.

The fascinations of filmmaker Peter Greenaway, whose motto is "art is life and life is art,"are captured like butterflies and arranged in an alphabet, a form that suits him perfectly as an encyclopedist. In intimate conversations with his perceptive 16-year-old daughter Zoë, we discover the whos, whats and whys about Greenaway.