My Only Earth Is in the Moon

Marcos returns home after a few years away.

Close to turning forty and away from his job as a librarian due to depression, Marcos needs to take care of Baby, his sister's pet dog. Isolated in an apartment in the city center, Marcos relies on the support of analyst Dr. Juliana R., who sees him in therapy sessions. Together, they look for ways to deal with the grief over the death of his ex-boyfriend, Pedro, and the arrival of a new love, Gabriel. Baby, a special hairless dog of Aztec origin, will redefine his relationship with the world of the dead and the living as well.

A woman finds herself preparing a piece of meat at the kitchen while disturbing scenes are playing on the TV

Strike on the red carpet.

Clarisse notices a small green leaf growing out of her right arm.

From the heart of the Amazon comes this exclusive LGBTQ+ compilation from emerging Latin American directors from Brazil and Peru. These 5 thought-provoking shorts prove that universal social themes have no borders. They are: The Last Romantics [Os Últimos Românticos] (2019); Savage Fire [Fogo Selvagem] (2017); My Only Earth Is in the Moon [Minha Única Terra É Na Lua] (2017); Sandra Calling [Sandra Chamando] (2017); Carlito Leaves Forever [Carlito se va para siempre] (2018).

In the city of São Paulo, the routine of gravedigger apprentice Deodato changes when a new working girl arrives at the cemetery. Together, they must re-register the abandoned tombs, but strange events make the apprentice wonder about the consequences of messing with the dead.

After losing his job and the end of his marriage, Júnior returns to his father's house. But that is not his childhood house anymore. His old room has been rented by a young woman and the place feels unwelcome and oppressive. Júnior develops and obsession for his family history, as strange things start happening in the house.

Jorge, bastard child of the infamous Red Light Bandit, decides himself to pursuit a life of crime after meeting with his father, who has been incarcerated for the last 30 years.

A reflection on loss, pain, sex and breathing.

Marcos hosts Robert in his house – and falls in love with him. When Michael Jackson dies, Marcos goes sick and Lígia, his sister, comes to help them.

In the center of the city, Alain seeks to fill his void, while Miguel needs a place to stay.

Sandra is pregnant and wants a girl. Her husband Marcos wants a soccer player.

Essay on Eva Nil, the first star of Brazilian cinema.

An employee at a film archive and his character imagine a film to make after work. With the voices of Eduardo Gomes, Gilda Nomacce, Julia Katharine, Juliana Albuquerque, Lucas Wickhaus and Tuna Dwek.