Native Land

Dialogue with a Woman Departed

A documentary about the film-maker's wife and co-worker, Peggy Lawson, who died in 1971.

Tomorrow We Fly

1943 Oscar nominated film in the category Best Documentary, Short Subject.

Heart of Spain

The first production from Frontier Films, the film production collective that was the successor to NYKino and the Workers Film and Photo League, Heart of Spain focuses on the Spanish Civil War, a conflict that became a touchstone of its era and was the most forceful opposition to the rising threat of fascism in Europe. Heart of Spain was begun by Geza Karpathi and Herbert Kline, who ultimately turned their footage over to Paul Strand, Leo Hurwitz, and Ben Maddow to make the film. It is compelling both for its shrewd formal aesthetics and as a sympathetic human document of the war.

This Island

How the art in the Detroit Institute of Art connects to life's experiences and the neighborhood.

Strange Victory

Strange Victory" is about racial bias in post World War II America. Following "Native Land" in Leo Hurwitz' filmography, it uses some of the same techniques: dramatized scenes interspersed with scenes of compilation news reel footage, and scenes of evocative imagery.

The National Hunger March 1931

The film shows the National Unemployment Council Hunger March of Nov. and Dec. 1931, which set out from disparate parts of the U.S. to represent twelve million unemployed.

The Sun and Richard Lippold

Documentary examining the work of sculptor Richard Lippold, particular his sculpture of the sun at the Metropolitan Museum of Art.

For Life, Against the War

First shown on January 30, 1967, FOR LIFE AGAINST THE WAR was an open-call, collective statement from American independent filmmakers disparate in style and sensibility but united by their opposition to the Vietnam War. Part of the protest festival Week of the Angry Arts, the epic compilation film incorporated minute-long segments which were sent from many corners of the country, spliced together and projected. The original presentation of the works was more of an open forum with no curation or selection, and in 2000 Anthology Film Archives preserved a print featuring around 40 films from over 60 submissions.

The Plow That Broke the Plains

A documentary about what happened to the Great Plains of the United States and Canada when uncontrolled farming destroyed the soil and led to the Dust Bowl.

Detroit Workers News Special 1932: Ford Massacre

The only known film record of the mass march and meeting held in Detroit on Feb. 4, 1932, against hunger and unemployment. Also shows the dramatic demonstration by workers at the Ford auto plant in River Rouge, Michigan in March of 1932, which ended with a violent attack by Dearborn police and Ford Company guards on the crowd with clubs, tear gas and guns which killed four young men. These deaths set off a wave of protest across the country.

An Essay on Death: A Memorial to John F. Kennedy

In 1964, National Educational Television decided to make a program as a memorial to President Kennedy. Since he had been assassinated just a year before, it seemed unnecessary to recite the events of his death again. Executive Producer, Brice Howard, discussed with Hurwitz the possibility of making a film for television that, instead of engaging the assassination head on, would deal with the inevitablity of mortality and its trauma. Essay On Death uses a story of a camping trip by a father and son to weave the thoughts about death that intercede in our everyday affairs. The commentary is made up of writings, ancient and modern, on the life and death. Beautifully realized, it succeeds at a task that mainstream television rarely attempts.

America Applauds: An Evening for Richard Rodgers

Rodgers’ friends and colleagues pay tribute to him. Among the original Broadway cast members reprising the songs they introduced are Vivienne Segal (“Bewitched” from “Pal Joey”) and Alfred Drake (“People Will Say We’re in Love” from “Oklahoma!”). Vera Zorina dances “Rodgers in Three Quarter Time,” a ballet created expressly for the show set to three Rodgers waltzes, and Mary Martin sings “Wonderful Guy” as Rodgers himself accompanies her on piano.

Emergency Ward

Shot in Manhattan’s St. Vincent Hospital, creating what would be the antecedent of the direct cinema (or cinema verité) movement of the late 1950s and early 1960s.

In Search of Hart Crane

Produced and directed by Hurwitz for National Educational Television (precursor of PBS), Hurwitz uses biographer and Columbia professor, John Unterecker, to help him look for the poet, Hart Crane, in his work and in the memories of many of his contemporaries. In Search of Hart Crane, 1966, is one of the very first interview-driven documentaries and is still a masterpiece of the literary documentary film.

Discovery in a Painting

Following his use of art, painting and sculpture, in his work of the previous decades, Hurwitz took on a project for the American Foundation of the Arts aimed at deepening and enriching, for art students, the way in which we see. Working with his second wife, the editor Peggy Lawson, he made four short films comprising The Art of Seeing Series. The films, made without words, are beautiful poems to the pleasure of sight. This film came as a challenge that Hurwitz made for himself, to replicate in film his experience of seeing a work of art — in this case Césanne’s Still Life with Apples, 1895-98, that hangs in the Museum of Modern Art in New York. Although he finished the visual part of the film, he was stymied by the soundtrack in which he wanted no narration. About 45 years later, his colleague, Manfred Kirchheimer, created a sound track and produced the finished film.

Dancing James Berry

An impressionistic study of the celebrated tap dancer.

The Long, Hot Summer

Accused barn burner and conman Ben Quick arrives in a small Mississippi town and quickly ingratiates himself with its richest family, the Varners.

The Southerner

Sam Tucker, a cotton picker, in search of a better future for his family, decides to grow his own cotton crop. In the first year, the Tuckers battle disease, a flood, and a jealous neighbor. Can they make it as farmers?

Tobacco Road

Shiftless Jeeter Lester and his family of sharecroppers live in rural Georgia where their ancestors were once wealthy planters. Their slapstick existence is threatened by a bank's plans to take over the land for more profitable farming.

Happy as Lazzaro

Purehearted teen Lazzaro is content living as a sharecropper in rural Italy, but an unlikely friendship with the marquise’s son will change his world.

Sounder

The oldest son of a loving and strong family of black sharecroppers comes of age in the Depression-era South after his father is imprisoned for stealing food.

Mudbound

In the post–World War II South, two families are pitted against a barbaric social hierarchy and an unrelenting landscape as they simultaneously fight the battle at home and the battle abroad.

The Jerk

After discovering he's not really black like the rest of his family, likable dimwit Navin Johnson sets off on a hilarious misadventure that takes him from rags to riches and back again. The slaphappy jerk strikes it rich, but life in the fast lane isn't all it's cracked up to be and, in the end, all that really matters to Johnson is his true love.

Hot Coffee

Most people think they know the "McDonald's coffee case," but what they don't know is that corporations have spent millions distorting the case to promote tort reform. HOT COFFEE reveals how big business, aided by the media, brewed a dangerous concoction of manipulation and lies to protect corporate interests. By following four people whose lives were devastated by the attacks on our courts, the film challenges the assumptions Americans hold about "jackpot justice."