Games of the XXI Olympiad

A documentary covering the Olympic Games at Chamonix in 1924.

A documentary on the Olympic games of ancient Greece, made during the 1924 games.

A documentary on the 1924 Olympic Game in Paris.

A profile of the 1928 Olympic Games in St. Moritz, Switzerland.

A documentary on the 1928 Olympic Games in Amsterdam.

A documentary on the 1928 Olympic Games in Amsterdam. Made by Istituto Luce, there is an understandable focus on Italian athletes, but it is the first Olympic documentary that describes the techniques of certain events.

This Nazi propaganda film covers the 1936 Winter Olympics that were held in Germany.

A documentary covering the 1948 Olympic Games in St. Moritz, Switzerland, and London, England.

A documentary covering the 1948 Olympic Games in St. Moritz.

A first part of a documentary on the 1952 Olympic Games in Helsinki.

A documentary covering the 1952 Winter Olympics in Oslo, Norway.

A second part of a documentary covering the 1952 Olympic Games in Helsinki.

Documentary footage from the 1952 Olympic Games in Helsinki.

A documentary covering the equestrian events of 1956 Olympic Games in Stockholm.

A documentary covering the 1956 Olympic Games in Melbourne and Stockholm.

A documentary covering the 1956 Olympic Games in Cortina d’Ampezzo, Italy.

Rendez-Vous a Melbourne is the official filmed record of the 1956 Olympic Games in Australia. At the time of its release, there was much controversy in the documentary-filmmaking world over the fact that the Aussies signed over exclusive distribution rights to a French firm, resulting in a boycott from other movie companies. None of this matters when the film is seen today: though not in the same league as Leni Reifenstahl's Olympiad, this 110-minute extravaganza is consistently entertaining. Fifteen cameras were utilized to lens every aspect of the event; it was then up to editors Jean Dudrumet and Monique Lacombe to burrow through miles and miles of film to cull the highlights seen herein. Portions of Rendez-Vous a Melbourne have since resurfaced in practically every Olympics documentary -- not to mention the many TV specials attending the now-biannual event.

A documentary about French marathon runner Alain Mimoun at the 1956 Olympic Games in Melbourne.

A documentary covering the 1960 Winter Olympic Games in Squaw Valley, California.

Events and athletes that characterized the 1960 Summer Olympics in Rome. From the absolute protagonist Wilma Rudolph, called the black gazelle, to Livio Berruti, the first white to win the 200 meters, to the deeds of Ethiopian marathon runner Abebe Bikila, who won the marathon racing barefoot.

A documentary on the 1964 Olympic Games in Innsbruck, Austria.

This impressionistic portrait of the 1964 Tokyo Summer Olympics pays as much attention to the crowds and workers as it does to the actual competitive events. Highlights include an epic pole-vaulting match between West Germany and America, and the final marathon race through Tokyo's streets. Two athletes are highlighted: Ethiopian marathon runner Abebe Bikila, who receives his second gold medal, and runner Ahamed Isa from Chad, representing a country younger than he is.

A documentary covering the 1964 Olympic Games in Tokyo. It consists primarily of footage edited from the documentary TOKYO OLYMPIAD, directed by Kon Ichikawa.

This colorful documentary chronicles the events of the 1968 Winter Olympics in France. The events made international celebrities of skater Peggy Fleming and skier Jean-Claude Killy for their gold-medal performances. The camera accurately catches the speed of bobsleds and downhill racers and ski jumpers as they race for the gold. President Charles DeGaulle is shown observing the action over 13 days, which saw France earn the best performance to date in the winter games.

Film about the 10th Olympic Games in Grenoble in 1968. Using a subjective camera, Ertaud and Languepin take the pulse of the Games, cutting out the eyes and slowing down the movement when necessary. The dominant figure at the Grenoble Winter Games is Frenchman Jean-Claude Killy, whose three gold medals matched Toni Sailer's 1956 feat. The filmmakers bet on his winning streak, and include commentary from him as he prepares for each race. Another athlete, Marielle Goitschel, is treated insightfully on screen and wins the women's slalom. Ice dancing fans will appreciate the coverage of winner Oleg Protopopov and his partner Ludmila Belousova. President Charles De Gaulle was present for the spectacular Opening Ceremony.

Documentary about the XIX Olympic Games in Mexico City in 1968. Preserved by the Academy Film Archive in partnership with Sony Pictures Entertainment in 1999.

An artistic and unconventional approach to winter sports, using striking visuals, sound design, and a focus on both the spectacle and the human element—including behind-the-scenes figures like ice maintenance workers—to create an intimate and aesthetically unique portrayal of the Olympics.

Eight acclaimed filmmakers bring their unique and differing perspectives to the 1972 Summer Olympic Games held in Munich. The segments include Lelouch's take on Olympic losers and their struggle to remain dignified even in the face of bitter disappointment and defeat; Zetterling's dramatic exploration of the world of weightlifting; and Pfleghar's piece on young Russian gymnast Ludmilla Tourischev's majestic performance on the uneven bars.

British documentary filmmaker and producer Tony Maylam reinvigorated the sports documentary genre with WHITE ROCK, an idiosyncratic and utterly engaging account of the XII Olympic Winter Games Innsbruck 1976. He did so by placing music (by organ and synth wunderkind Rick Wakeman) front and center, and by using Hollywood star James Coburn as a "guide for the uninitiated."

A documentary covering the 1980 Olympic Winter Games in Lake Placid.

A 1981 documentary film directed by Yuri Ozerov. It showed the opening and closing ceremonies of the 1980 Summer Olympics held in Moscow. The director was awarded the State Prize of the USSR in 1982. The film was selected as the Soviet entry for the Best Foreign Language Film at the 54th Academy Awards, but was not accepted as a nominee.

A documentary covering the 1984 Olympic Games in Sarajevo.

The definitive photographic record of the 1984 Los Angeles Olympics, told "from the inside" through the lives of the participants, the words of David Perry, and the singing voice of Placido Domingo. From the opening to closing ceremonies, this unique style of storytelling shows a side of the Olympic Games not seen by television audiences.

A documentary covering the opening and closing ceremonies of the 1988 Summer Olympic Games in Seoul.

A documentary covering the 1988 Olympic Games in Seoul.

A documentary covering the 1988 Summer Olympic Games in Seoul.

A documentary covering the 1988 Olympic Games in Calgary.

A documentary covering the 1992 Olympic Games in Albertville.

For this documentary, the renowned Spanish filmmaker Carlos Saura created a structure as unconventional as the Gaudí buildings that adorn the host city of Barcelona. Coverage of the men's marathon appears at intervals throughout the narrative, highlighting the Games' most iconic event. While charismatic winners—from 400m champion Michael Johnson to weightlifter Ivan Ivanov—take center stage, Saura observes rigorous training sessions with as much passion as the finals themselves. Composers such as Ryuichi Sakamoto, Mikis Theodorakis, and Angelo Badalamenti contribute to the shifting atmosphere of this excellent film.

A documentary covering the 1994 Olympic Games in Lillehammer.

A documentary covering the 1996 Olympic Games in Atlanta.

A documentary covering the 1998 Winter Olympic Games in Nagano.

A documentary covering the 2000 Olympic Games in Sydney.

Award-winning sports chronicler Bud Greenspan delivers a powerful and emotional look at six individual stories in the official film of the 2002 Olympic Winter Games in Salt Lake City. Greenspan goes beyond highlight footage to tell the story of how these athletes overcome incredible obstacles to achieve Olympic glory.

A documentary covering the 2004 Olympic Games in Athens.

A documentary covering the 2006 Olympic Games in Turin.

A documentary covering the 2008 Olympic Games in Beijing.

A documentary covering the 2010 Olympic Games in Vancouver.

The Official Film of the XXXth Olympic Games to be held in London, following the stories of twelve first-time Olympians from around the world.

Newly restored and assembled by the International Olympic Committee - the earliest comprehensive moving-image record of the modern Olympic Games that survives today.

Continuing a saga that began with his previous, 1978 film, Vautours director Jean-Claude Labrecque returns with the French Canadian, Louis Pelletier and puts him in the context of the growing separatist movement in the late 1960s in Quebec. At that time, supporters of an independent Quebec began to consolidate their power under the Parti Québecois -- and the story of Louis and his wife Claudette are meant to illustrate this watershed in Quebec's history. As the film begins, Claudette and Louis are about to get married -- and their wedding day significantly coincides with preparations for the visit of Queen Elizabeth II. Years later, they are well-established in Montreal and are enjoying visits from their family -- and then their lives start to deteriorate. Louis is suddenly out of work, and as he faces the difficulties of finding another job -- and of living precariously -- he becomes more radical, less accepting of the status quo.

This feature documentary by Jean-Claude Labrecque recounts the bold and astounding enterprise of French filmmaker Julien Duvivier, who shot a film adaptation of Louis Hémon’s classic novel Maria Chapdelaine in Péribonka, a village in Quebec’s Saguenay-Lac-Saint-Jean region, in 1934. What was the impact of the original film’s production on the life of the community? What memories remain? What town secrets lie hidden in those memories?

In a lonely setting, a teenage girl dreams. She is bored, manifests childish rebellions: her nascent personality rears up and asserts itself. "Be our star," suggests a director of women's pages. What will this flight to the world of work bring to Solange?

A meditation on society's attitudes and beliefs, as explored through a New France fur trapper's relationship with a Native woman that spans centuries.

On your marks. Follow cyclists from 13 countries as they cover 2.400 km of Gaspé countryside in 12 days-a course longer than those of Italy, Belgium or Spain. The long shots of curving landscape and open road are set to a mesmerizing soundtrack in this documentary, and the results are spellbinding.

Heritage Minutes, also known officially as Historica Minutes: History by the Minute, are a series of sixty-second short films, each illustrating an important moment in Canadian history. They appear frequently on Canadian television and in cinemas before movies and are now also sold on DVD. The Minutes were first introduced on March 31, 1991 as part of a one-off heavily-promoted history quiz show hosted by Rex Murphy. The thirteen original short films were broken up and run between shows on CBC Television and CTV Network. The continued broadcast of the Minutes and the production of new ones was pioneered by Charles Bronfman's CRB Foundation, Canada Post Power Broadcasting, and the National Film Board. They were devised, developed and largely narrated by noted Canadian broadcaster Patrick Watson, while the producer of the series was Robert Guy Scully. In 2009 Historica merged with The Dominion Institute to become The Historica-Dominion Institute. While the foundations have not paid networks to air Minutes, they have made them freely available, and in the early years paid to have them run in cinemas across the country. The Canadian Radio-television and Telecommunications Commission has ruled that Heritage Minutes are an "on-going dramatic series" thus each minute counts as ninety-seconds of a station's Canadian content requirements.

This short documentary shows Canada's top swimmers in training for the 1964 Olympic Games. Under the critical eye of coach Ed Healy, they practice long hours in the gym and in the pool to build strength and stamina.

A pimp and his seven working girls move to a small conservative mining town in northern Quebec to establish a brothel.

Although he is something of a layabout, and is still living with his mother, her death comes as something of a shock to Louis Pelletier (Gilbert Sicotte). Still, he has hopes of some sort of legacy and believes that his relatives will help him find a job. All his hopes are dashed when, before the funeral, his three aunts come to Quebec City to settle their sister's estate. As grasping and efficient a crew as ever strode a parlor, by the time they leave, the estate has been cleaned to the bones, as if by vultures.

On the eve of her final moments, a woman recalls her alcoholic past. She revisits her entire youth, including a binge that, at 46, cost her everything she had: "Loneliness and aging are themes that impose themselves on me, in one form or another. As for alcoholism, it fascinates me because of the revolt it underpins, and revolts me because of the unhappiness it creates around itself.

In this French Canadian film, when the provincial government tries to move two young farmers from their land to make way for development, the two fight back, accidentally killing a policeman and becoming outlaws in the process.

Rejeanne and Gilles are a married couple whose devastating setbacks--she is laid off from her job and he suffers a debilitating stroke--only begin to fester in the face of corporate greed and personal struggles when they attempt to start over in a new neighborhood.

Four years after Pour la suite du monde (1963), director Pierre Perrault asks Alexis Tremblay if he'll agree to travel with his wife Marie to the country of their ancestors, France. In a montage parallel, we follow them in France and listen to them talking to their friends about it.

A worker, called in a hurry to remove the snow in the city street, try to buy his remaining gifts in the tumult of Christmas eve without quitting his work.