Games of the XXI Olympiad

A documentary covering the Olympic Games at Chamonix in 1924.

A documentary on the Olympic games of ancient Greece, made during the 1924 games.

A documentary on the 1924 Olympic Game in Paris.

A profile of the 1928 Olympic Games in St. Moritz, Switzerland.

A documentary on the 1928 Olympic Games in Amsterdam.

A documentary on the 1928 Olympic Games in Amsterdam. Made by Istituto Luce, there is an understandable focus on Italian athletes, but it is the first Olympic documentary that describes the techniques of certain events.

This Nazi propaganda film covers the 1936 Winter Olympics that were held in Germany.

A documentary covering the 1948 Olympic Games in St. Moritz, Switzerland, and London, England.

A documentary covering the 1948 Olympic Games in St. Moritz.

A first part of a documentary on the 1952 Olympic Games in Helsinki.

A documentary covering the 1952 Winter Olympics in Oslo, Norway.

A second part of a documentary covering the 1952 Olympic Games in Helsinki.

Documentary footage from the 1952 Olympic Games in Helsinki.

A documentary covering the equestrian events of 1956 Olympic Games in Stockholm.

A documentary covering the 1956 Olympic Games in Melbourne and Stockholm.

A documentary covering the 1956 Olympic Games in Cortina d’Ampezzo, Italy.

Rendez-Vous a Melbourne is the official filmed record of the 1956 Olympic Games in Australia. At the time of its release, there was much controversy in the documentary-filmmaking world over the fact that the Aussies signed over exclusive distribution rights to a French firm, resulting in a boycott from other movie companies. None of this matters when the film is seen today: though not in the same league as Leni Reifenstahl's Olympiad, this 110-minute extravaganza is consistently entertaining. Fifteen cameras were utilized to lens every aspect of the event; it was then up to editors Jean Dudrumet and Monique Lacombe to burrow through miles and miles of film to cull the highlights seen herein. Portions of Rendez-Vous a Melbourne have since resurfaced in practically every Olympics documentary -- not to mention the many TV specials attending the now-biannual event.

A documentary about French marathon runner Alain Mimoun at the 1956 Olympic Games in Melbourne.

A documentary covering the 1960 Winter Olympic Games in Squaw Valley, California.

Events and athletes that characterized the 1960 Summer Olympics in Rome. From the absolute protagonist Wilma Rudolph, called the black gazelle, to Livio Berruti, the first white to win the 200 meters, to the deeds of Ethiopian marathon runner Abebe Bikila, who won the marathon racing barefoot.

A documentary on the 1964 Olympic Games in Innsbruck, Austria.

This impressionistic portrait of the 1964 Tokyo Summer Olympics pays as much attention to the crowds and workers as it does to the actual competitive events. Highlights include an epic pole-vaulting match between West Germany and America, and the final marathon race through Tokyo's streets. Two athletes are highlighted: Ethiopian marathon runner Abebe Bikila, who receives his second gold medal, and runner Ahamed Isa from Chad, representing a country younger than he is.

A documentary covering the 1964 Olympic Games in Tokyo. It consists primarily of footage edited from the documentary TOKYO OLYMPIAD, directed by Kon Ichikawa.

This colorful documentary chronicles the events of the 1968 Winter Olympics in France. The events made international celebrities of skater Peggy Fleming and skier Jean-Claude Killy for their gold-medal performances. The camera accurately catches the speed of bobsleds and downhill racers and ski jumpers as they race for the gold. President Charles DeGaulle is shown observing the action over 13 days, which saw France earn the best performance to date in the winter games.

Film about the 10th Olympic Games in Grenoble in 1968. Using a subjective camera, Ertaud and Languepin take the pulse of the Games, cutting out the eyes and slowing down the movement when necessary. The dominant figure at the Grenoble Winter Games is Frenchman Jean-Claude Killy, whose three gold medals matched Toni Sailer's 1956 feat. The filmmakers bet on his winning streak, and include commentary from him as he prepares for each race. Another athlete, Marielle Goitschel, is treated insightfully on screen and wins the women's slalom. Ice dancing fans will appreciate the coverage of winner Oleg Protopopov and his partner Ludmila Belousova. President Charles De Gaulle was present for the spectacular Opening Ceremony.

Documentary about the XIX Olympic Games in Mexico City in 1968. Preserved by the Academy Film Archive in partnership with Sony Pictures Entertainment in 1999.

An artistic and unconventional approach to winter sports, using striking visuals, sound design, and a focus on both the spectacle and the human element—including behind-the-scenes figures like ice maintenance workers—to create an intimate and aesthetically unique portrayal of the Olympics.

Eight acclaimed filmmakers bring their unique and differing perspectives to the 1972 Summer Olympic Games held in Munich. The segments include Lelouch's take on Olympic losers and their struggle to remain dignified even in the face of bitter disappointment and defeat; Zetterling's dramatic exploration of the world of weightlifting; and Pfleghar's piece on young Russian gymnast Ludmilla Tourischev's majestic performance on the uneven bars.

British documentary filmmaker and producer Tony Maylam reinvigorated the sports documentary genre with WHITE ROCK, an idiosyncratic and utterly engaging account of the XII Olympic Winter Games Innsbruck 1976. He did so by placing music (by organ and synth wunderkind Rick Wakeman) front and center, and by using Hollywood star James Coburn as a "guide for the uninitiated."

A documentary covering the 1980 Olympic Winter Games in Lake Placid.

A 1981 documentary film directed by Yuri Ozerov. It showed the opening and closing ceremonies of the 1980 Summer Olympics held in Moscow. The director was awarded the State Prize of the USSR in 1982. The film was selected as the Soviet entry for the Best Foreign Language Film at the 54th Academy Awards, but was not accepted as a nominee.

A documentary covering the 1984 Olympic Games in Sarajevo.

The definitive photographic record of the 1984 Los Angeles Olympics, told "from the inside" through the lives of the participants, the words of David Perry, and the singing voice of Placido Domingo. From the opening to closing ceremonies, this unique style of storytelling shows a side of the Olympic Games not seen by television audiences.

A documentary covering the opening and closing ceremonies of the 1988 Summer Olympic Games in Seoul.

A documentary covering the 1988 Olympic Games in Seoul.

A documentary covering the 1988 Summer Olympic Games in Seoul.

A documentary covering the 1988 Olympic Games in Calgary.

A documentary covering the 1992 Olympic Games in Albertville.

A documentary covering the 1992 Olympic Games in Barcelona.

A documentary covering the 1994 Olympic Games in Lillehammer.

A documentary covering the 1996 Olympic Games in Atlanta.

A documentary covering the 1998 Winter Olympic Games in Nagano.

A documentary covering the 2000 Olympic Games in Sydney.

Award-winning sports chronicler Bud Greenspan delivers a powerful and emotional look at six individual stories in the official film of the 2002 Olympic Winter Games in Salt Lake City. Greenspan goes beyond highlight footage to tell the story of how these athletes overcome incredible obstacles to achieve Olympic glory.

A documentary covering the 2004 Olympic Games in Athens.

A documentary covering the 2006 Olympic Games in Turin.

A documentary covering the 2008 Olympic Games in Beijing.

A documentary covering the 2010 Olympic Games in Vancouver.

The Official Film of the XXXth Olympic Games to be held in London, following the stories of twelve first-time Olympians from around the world.

Newly restored and assembled by the International Olympic Committee - the earliest comprehensive moving-image record of the modern Olympic Games that survives today.

The story of a Polish family during the Second World War.

A professional race car driver's obsession with winning races causes communication problems between him and his wife that threaten to separate them.

A psychedelic journey that follows young disillusioned and hedonistic people who are seeking escape in sex and drug use.

Between her four children, her husband, her job at the hardware store, and the creditors on her back, Hélène leads a life that dangerously resembles a makeshift camp in a constant state of emergency. She muddles through as best she can.

Tommy is bitten by a werewolf during a camping trip a week before the start of his senior year. After becoming a werewolf, he fights against supernatural entities to keep his hometown of Pleasantville safe.

Heritage Minutes, also known officially as Historica Minutes: History by the Minute, are a series of sixty-second short films, each illustrating an important moment in Canadian history. They appear frequently on Canadian television and in cinemas before movies and are now also sold on DVD. The Minutes were first introduced on March 31, 1991 as part of a one-off heavily-promoted history quiz show hosted by Rex Murphy. The thirteen original short films were broken up and run between shows on CBC Television and CTV Network. The continued broadcast of the Minutes and the production of new ones was pioneered by Charles Bronfman's CRB Foundation, Canada Post Power Broadcasting, and the National Film Board. They were devised, developed and largely narrated by noted Canadian broadcaster Patrick Watson, while the producer of the series was Robert Guy Scully. In 2009 Historica merged with The Dominion Institute to become The Historica-Dominion Institute. While the foundations have not paid networks to air Minutes, they have made them freely available, and in the early years paid to have them run in cinemas across the country. The Canadian Radio-television and Telecommunications Commission has ruled that Heritage Minutes are an "on-going dramatic series" thus each minute counts as ninety-seconds of a station's Canadian content requirements.

In a little village at the end of the 1890's, a young woman offends all the 'right-thinking' villagers by allowing men in her house in the absence of her husband. When he is found dead, all of the suspicion is directed towards the liberal woman. She is judged more for her morality then for the crime she is accused of. Her culpability is still a subject of debate today.

At the turn of the century, Rose-Aimée, the hard working wife of photographer J.A. Martin, decides to leave her children with an aunt to go with him on his annual tour of the Québec countryside. She hopes the intimacy will rekindle their marriage.

A classic Québécois historical drama about Émilie Bordeleau, a strong-willed woman in late 19th/early 20th century rural Quebec who defies expectations by becoming a teacher, then faces challenges in her passionate but tumultuous marriage to the restless lumberjack Ovila Pronovost, exploring their struggles and the evolving society.

In the mid-18th Century, as England and France battle over control of Canada, an epic romance between a peasant woman and a trapper unfurls

The Hunger is a British/Canadian television horror anthology series, co-produced by Scott Free Productions, Telescene Film Group Productions and the Canadian pay-TV channel The Movie Network. Though it shares a title with the feature film The Hunger the series has no direct plot or character connection to the film, and was created by Jeff Fazio. Originally shown on the Sci Fi Channel in the UK, The Movie Network in Canada and Showtime in the US, the series was broadcast from 1997 to 2000, and is internally organized into two seasons. Each episode was based around an independent story introduced by the host; Terence Stamp hosted each episode for the first season, and was replaced in the second season by David Bowie. Stories tended to focus on themes of self-destructive desire and obsession, with a strong component of soft-core erotica; popular tropes for the stories included cannibalism, vampires, sex, and poison.

The story, in three stages, of a friendship between three guys. They have taken different paths, but find themselves equally faced with the failure of their lives. The parody is not exempt from what remains a fine analysis of behavior and environment. For these three Quebecers are, in a way, us, as we have been rendered by a society in search of itself.

In this French Canadian drama, the life of a paraplegic painter implodes when an old girlfriend comes back into his life and accuses him of raping her 15 years earlier.

The detective Maud Graham hides her sensibility behind the image of a strong and independant woman. She frequently offers her hospitality to a 16-year-old prostitute, Grégoire, a young man who became her friend. But when the teenager decides to invite a 12-year-old boy who is running away from home, Maud is near illegality. In addition, the detective has to deal with a serial killer who had already killed and mutilated many women. When she understands that the killer is very intelligent and organized, she elaborates a strategy to arrest him. There starts a dangerous game where the two teenagers that Graham is protecting will be implied. The killer is getting closer, revealing more and more of his madness.

The relationship between lovers Yves and Claude comes to an abrupt conclusion when, as the couple are making love, Yves slices Claude's throat, killing him. After being taken into custody for his crime, the police inspector demands to know the reason behind Yves' actions. Yves then weaves the tale of his life with Claude, explaining the origins of their relationship and how it reached a point where murder was the only possible conclusion.

Set during summer in the Îles-de-la-Madeleine of Quebec, Mario and Simon are two brothers living in a fishing village with their mother, who runs a grocery story, and their father, who runs a fishing business. Mario is ten years old, mute and autistic. He is withdrawn from reality and living in a surreal world that only his older brother Simon and his stuffed coyote share. Mario is very close with and deeply admires his 18 year old brother, whom he depends upon for love and attention. Simon reads Arabian Knights stories to Mario, dresses him in sheik's clothing and they play out imaginary wars in an Arabian style fortress that they built. Everything changes when Helene, a beautiful young tourist comes between the two brothers. Simon falls in love and begins to neglect his brother to spend time with her. Mario feels rejected and discovers what hate and jealously are. He sets about a chain of events that lead to tragedy.