13 Days in France

A documentary covering the Olympic Games at Chamonix in 1924.

A documentary on the Olympic games of ancient Greece, made during the 1924 games.

A documentary on the 1924 Olympic Game in Paris.

A profile of the 1928 Olympic Games in St. Moritz, Switzerland.

A documentary on the 1928 Olympic Games in Amsterdam.

A documentary on the 1928 Olympic Games in Amsterdam. Made by Istituto Luce, there is an understandable focus on Italian athletes, but it is the first Olympic documentary that describes the techniques of certain events.

This Nazi propaganda film covers the 1936 Winter Olympics that were held in Germany.

A documentary covering the 1948 Olympic Games in St. Moritz, Switzerland, and London, England.

A documentary covering the 1948 Olympic Games in St. Moritz.

A first part of a documentary on the 1952 Olympic Games in Helsinki.

A documentary covering the 1952 Winter Olympics in Oslo, Norway.

A second part of a documentary covering the 1952 Olympic Games in Helsinki.

Documentary footage from the 1952 Olympic Games in Helsinki.

A documentary covering the equestrian events of 1956 Olympic Games in Stockholm.

A documentary covering the 1956 Olympic Games in Melbourne and Stockholm.

A documentary covering the 1956 Olympic Games in Cortina d’Ampezzo, Italy.

Rendez-Vous a Melbourne is the official filmed record of the 1956 Olympic Games in Australia. At the time of its release, there was much controversy in the documentary-filmmaking world over the fact that the Aussies signed over exclusive distribution rights to a French firm, resulting in a boycott from other movie companies. None of this matters when the film is seen today: though not in the same league as Leni Reifenstahl's Olympiad, this 110-minute extravaganza is consistently entertaining. Fifteen cameras were utilized to lens every aspect of the event; it was then up to editors Jean Dudrumet and Monique Lacombe to burrow through miles and miles of film to cull the highlights seen herein. Portions of Rendez-Vous a Melbourne have since resurfaced in practically every Olympics documentary -- not to mention the many TV specials attending the now-biannual event.

A documentary about French marathon runner Alain Mimoun at the 1956 Olympic Games in Melbourne.

A documentary covering the 1960 Winter Olympic Games in Squaw Valley, California.

Events and athletes that characterized the 1960 Summer Olympics in Rome. From the absolute protagonist Wilma Rudolph, called the black gazelle, to Livio Berruti, the first white to win the 200 meters, to the deeds of Ethiopian marathon runner Abebe Bikila, who won the marathon racing barefoot.

A documentary on the 1964 Olympic Games in Innsbruck, Austria.

This impressionistic portrait of the 1964 Tokyo Summer Olympics pays as much attention to the crowds and workers as it does to the actual competitive events. Highlights include an epic pole-vaulting match between West Germany and America, and the final marathon race through Tokyo's streets. Two athletes are highlighted: Ethiopian marathon runner Abebe Bikila, who receives his second gold medal, and runner Ahamed Isa from Chad, representing a country younger than he is.

A documentary covering the 1964 Olympic Games in Tokyo. It consists primarily of footage edited from the documentary TOKYO OLYMPIAD, directed by Kon Ichikawa.

Film about the 10th Olympic Games in Grenoble in 1968. Using a subjective camera, Ertaud and Languepin take the pulse of the Games, cutting out the eyes and slowing down the movement when necessary. The dominant figure at the Grenoble Winter Games is Frenchman Jean-Claude Killy, whose three gold medals matched Toni Sailer's 1956 feat. The filmmakers bet on his winning streak, and include commentary from him as he prepares for each race. Another athlete, Marielle Goitschel, is treated insightfully on screen and wins the women's slalom. Ice dancing fans will appreciate the coverage of winner Oleg Protopopov and his partner Ludmila Belousova. President Charles De Gaulle was present for the spectacular Opening Ceremony.

Documentary about the XIX Olympic Games in Mexico City in 1968. Preserved by the Academy Film Archive in partnership with Sony Pictures Entertainment in 1999.

An artistic and unconventional approach to winter sports, using striking visuals, sound design, and a focus on both the spectacle and the human element—including behind-the-scenes figures like ice maintenance workers—to create an intimate and aesthetically unique portrayal of the Olympics.

Eight acclaimed filmmakers bring their unique and differing perspectives to the 1972 Summer Olympic Games held in Munich. The segments include Lelouch's take on Olympic losers and their struggle to remain dignified even in the face of bitter disappointment and defeat; Zetterling's dramatic exploration of the world of weightlifting; and Pfleghar's piece on young Russian gymnast Ludmilla Tourischev's majestic performance on the uneven bars.

Edited from almost 100 km of film footage shot during the Games, this feature documentary is a breathtaking portrait of the 1976 Montreal Olympics. Much more than a simple record of the Games, the film approaches each event with the intention of revealing the athlete - whether winner or loser - as a unique individual.

British documentary filmmaker and producer Tony Maylam reinvigorated the sports documentary genre with WHITE ROCK, an idiosyncratic and utterly engaging account of the XII Olympic Winter Games Innsbruck 1976. He did so by placing music (by organ and synth wunderkind Rick Wakeman) front and center, and by using Hollywood star James Coburn as a "guide for the uninitiated."

A documentary covering the 1980 Olympic Winter Games in Lake Placid.

A 1981 documentary film directed by Yuri Ozerov. It showed the opening and closing ceremonies of the 1980 Summer Olympics held in Moscow. The director was awarded the State Prize of the USSR in 1982. The film was selected as the Soviet entry for the Best Foreign Language Film at the 54th Academy Awards, but was not accepted as a nominee.

A documentary covering the 1984 Olympic Games in Sarajevo.

The definitive photographic record of the 1984 Los Angeles Olympics, told "from the inside" through the lives of the participants, the words of David Perry, and the singing voice of Placido Domingo. From the opening to closing ceremonies, this unique style of storytelling shows a side of the Olympic Games not seen by television audiences.

A documentary covering the opening and closing ceremonies of the 1988 Summer Olympic Games in Seoul.

A documentary covering the 1988 Olympic Games in Seoul.

A documentary covering the 1988 Summer Olympic Games in Seoul.

A documentary covering the 1988 Olympic Games in Calgary.

A documentary covering the 1992 Olympic Games in Albertville.

A documentary covering the 1992 Olympic Games in Barcelona.

A documentary covering the 1994 Olympic Games in Lillehammer.

A documentary covering the 1996 Olympic Games in Atlanta.

A documentary covering the 1998 Winter Olympic Games in Nagano.

A documentary covering the 2000 Olympic Games in Sydney.

Award-winning sports chronicler Bud Greenspan delivers a powerful and emotional look at six individual stories in the official film of the 2002 Olympic Winter Games in Salt Lake City. Greenspan goes beyond highlight footage to tell the story of how these athletes overcome incredible obstacles to achieve Olympic glory.

A documentary covering the 2004 Olympic Games in Athens.

A documentary covering the 2006 Olympic Games in Turin.

A documentary covering the 2008 Olympic Games in Beijing.

A documentary covering the 2010 Olympic Games in Vancouver.

The Official Film of the XXXth Olympic Games to be held in London, following the stories of twelve first-time Olympians from around the world.

Newly restored and assembled by the International Olympic Committee - the earliest comprehensive moving-image record of the modern Olympic Games that survives today.

A man and a woman meet by accident on a Sunday evening at their childrens' boarding school. Slowly, they reveal themselves to each other, finding that they have something deeply in common.

Released from prison under a New Year amnesty, a criminal tries to pick up the threads of a life changed not only by his daring plan to rob a jewelry store in out-of-season Cannes, but also by a very special someone he met there.

A foundling, raised in the circus, Sam Lion becomes a businessman after a trapeze accident. However, when he reaches fifty and becomes tired of his responsibilities and of his son Jean-Philippe, he decides to disappear at sea. However, he runs into Albert Duvivier, one of his former employees. He comes to realise that he has ignored the important things in his life.

A thief known as Simon the Swiss faces up and downs in his criminal profession.

Eight acclaimed filmmakers bring their unique and differing perspectives to the 1972 Summer Olympic Games held in Munich. The segments include Lelouch's take on Olympic losers and their struggle to remain dignified even in the face of bitter disappointment and defeat; Zetterling's dramatic exploration of the world of weightlifting; and Pfleghar's piece on young Russian gymnast Ludmilla Tourischev's majestic performance on the uneven bars.

The Tunisian born hero of the film decides to break with his disorganized yet habit-ridden life in Paris, and sets off to discover his homeland, which he left at 6 years old, and to rekindle the memory of his mother, who died when he was a child.

The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1960s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes. The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.

In WWII France, poor and illiterate Henri Fortin is introduced to Victor Hugo's classic novel Les Misérables and begins to see parallels between the book and his own life.

This Belgian/French tale chronicles the efforts of Jacques (Jacques Brel) to find the Old West in modern America. Dressed as cowboy, he travels throughout western American cities and towns and finds others similarly dressed. These idealists gather together and build an old-western-style town in the middle of an abandoned factory, battling local bureaucracies in the process.

Salomé Lerner just finished writing an autobiography. She goes to a TV show called "Apostrophes", hosted by French TV showman Bernard Pivot. Pivot then imagines a film that could be created from her gripping story. A film entirely made of music because after seeing the young pianist Erik Berchot, Salomé believes seeing her long lost brother, who was a musician as well. A brother she had lost along with her parents in 1943. However, the Lerners did in fact escape the gestapo and might have based themselves in Paris...

Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.

Eleven directors from eleven countries each contribute an eleven-minute short reflecting on the events of 11 September 2001: A village teacher in Iran tries to explain to her young students what's happened; city kids in Burkina Faso think they've spotted Osama bin Laden; a deaf Frenchwoman in Manhattan writes a Dear John letter to a man who left that morning for work at the World Trade Center; a Chilean remembers Allende; events recall other deaths; a mother endures more than her son's death. Tones vary, as do the locales. Most concern coming to terms with the events of the day, but at least one confronts the viewer with tragedy and death.

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.

A composer and a French film star, both of whom are married to others, meet and fall in love while shooting a film in the United States.

Jean-Baptiste Poquelin is raised by his father and his grandfather because his mother dies when he's still very little. He works as a handyman, studies the law at a university and travels the country as an actor before he becomes the celebrated playwright Molière who impresses firstly the Duke of Orleans and then even King Louis XIV.

The movie starts with an interview with director Claude Lelouch. He pleads viewers not to disclose the plot of the movie after leaving the projection room. Even the movie's trailer shows only a long sequence of faces gazing speechlessly in space. "Like all my movies, this one is about a man and a woman", says Lelouch in the interview.