Verdi: Nabucco

Radiant mezzo-soprano Susan Graham and dashing Italian tenor Marcello Giordani are unlucky lovers in La Damnation de Faust, Hector Berlioz’s classic take on dancing with the devil.

Just as a young woman is about to marry her sweetheart, she is discovered—by the entire village, to say nothing of her fiancé—asleep in the bedroom of a stranger. It takes the young man two acts to figure out that sleepwalking is to blame, and everything ends happily. Natalie Dessay as Amina and Juan Diego Flórez as Elvino deliver bel canto magic and vocal fireworks in Mary Zimmerman’s 2009 production. The Tony award-winning director transfers Bellini’s bucolic tale to a rehearsal room in contemporary New York, where an opera company rehearses La Sonnambula—and where the singers are truly in love with each other.

Rossini’s charming take on the Cinderella story features a brilliant cast, led by bel canto stars Joyce DiDonato in the title role and Juan Diego Flórez as her Prince Charming. Alessandro Corbelli delivers a comic tour de force as Don Magnifico, Cinderella’s stepfather. Pietro Spagnoli is Dandini, the Prince’s valet, who, disguised as his master, puts the prospective brides to the text, and Luca Pisaroni is the philosopher Alidoro, who takes the place of the fairy godmother. Met Principal Conductor Fabio Luisi leads Cesare Lievi’s whimsical production.

Verdi’s IL TROVATORE again storms the Met stage in a star-studded, anvil-wielding cast , including Sondra Radvanovsky, Dolora Zajick and Dmitri Hvorostovsky. Marcelo Álvarez sings Manrico, the troubadour of the title. The story is well-known already: The gypsy Azucena has harbored a grudge for thirty years, but she is about to have revenge at last. Meanwhile, her son Manrico is in love with Leonora, but so is his arch-enemy, the Count Di Luna. A pot-boiler, where every tune is a hit.

A collection of vignettes highlighting different aspects of the life, work, and character of the acclaimed Canadian classical pianist.

In Depression-era Winnipeg, a legless beer baroness hosts a contest for the saddest music in the world, offering a grand prize of $25,000.

When a sudden plague of blindness devastates a city, a small group of the afflicted band together to triumphantly overcome the horrific conditions of their imposed quarantine.

The film explores the relationships that a limousine driver, a doctor, and a real estate agent have amongst each other and with Yo-Yo Ma as he travels to Canada to perform Bach's Cello Suites.

American gunslinger Sean Rafferty—aka The Montana Kid—is unable to find someone to duel in a Canadian town where no one understands the brutal code of the American Wild West.

Making Overtures: The Story of a Community Orchestra is a 1985 Canadian short documentary film directed by Larry Weinstein. A small-town orchestra and choir are the focus of this loving and humorous portrait. The film unveils the musician's passion for performance, their imaginative fund-raising methods and collective will to survive. This film includes a colorful cast of characters ranging from students to seniors, from business executives to hog farmers. Holding it all together is the outrageously flamboyant conductor who inspires everyone with his endless enthusiasm. Making Overtures reveals how an entire community us enriched by its orchestra. It was nominated for an Academy Award for Best Documentary Short.

Met Music Director James Levine leads this Live in HD presentation of Wagner’s early Romantic opera, starring Johan Botha in the title role of the minnesinger torn between earthly passion and true love. Eva-Maria Westbroek is Elisabeth, whose unswerving devotion redeems Tannhäuser’s soul, and Peter Mattei sings Wolfram, his faithful friend. Michelle DeYoung as the love goddess Venus and Günther Groissböck as Landgraf Hermann complete the cast. Otto Schenk’s classic production was the first of his acclaimed Wagner stagings at the Met.

Imbuing the familiar Don Juan myth with a captivating combination of comedy, seductiveness, danger, and damnation, Mozart created an enduring masterpiece that has been a cornerstone of the repertory since its 1787 premiere. The opera offers a rare opportunity for two baritones to star alongside one another as the title Lothario and his faithful yet conflicted servant, Leporello, as well as three memorable female roles—multifaceted women who both suffer the Don’s abuses and plot their revenge.

This deliciously dark take on the beloved Brothers Grimm fairy tale, appealing to audiences of all ages, was part of the Met’s popular English-language holiday series. Alice Coote and Christine Schäfer star as the famous siblings lost in the woods, who battle the ravenous Witch—a zany portrayal by tenor Philip Langridge—while the Met orchestra, under the baton of Vladimir Jurowski, glories in the rich, folk-inspired score.

James Levine’s love for this monumental opera shimmers throughout this exciting performance. It was an afternoon to remember: Met favorite Deborah Voigt singing her first run as the proud Irish princess opposite tenor Robert Dean Smith—making an astonishing Met debut in front of a live worldwide movie-theater audience. Michelle DeYoung was a sisterly Brangäne and Matti Salminen an imposing King Marke.

The tragic tale of "the bride of Lammermoor" has always been a favorite of opera-goers and sopranos alike. Yet with the riveting singing actress Natalie Dessay in the title role, Lucia's plight and descent into madness take on another dimension. Joseph Calleja is an ardent Edgardo, the man she loves but is not allowed to marry. Instead, her brother Enrico forces her into a union with the rich Arturo to save the family fortunes. It proves too much to bear for Lucia.