Barbara Willis Sweete

Directing

Barbara Willis Sweete

Born January 6, 1953 (age 73)

No biography available.

Known For

BlindnessBlindness · 2008
Blindness
6.52008
MovieDramaMystery
When a sudden plague of blindness devastates a city, a small group of the afflicted band together to triumphantly overcome the horrific conditions of their imposed quarantine.
GunlessGunless · 2010
Gunless
6.42010
MovieDramaAction
American gunslinger Sean Rafferty—aka The Montana Kid—is unable to find someone to duel in a Canadian town where no one understands the brutal code of the American Wild West.
Rossini: SemiramideRossini: Semiramide · 2018
Rossini: Semiramide
2018
MovieMusic
A rarely performed bel canto gem, Rossini’s Semiramide returned to the Met for the first time in nearly 25 years during the 2017–18 season. Set in ancient Babylon under the reign of the mythic Queen Semiramis, the opera features political scheming, mistaken identity, divine intervention, and bloodthirsty revenge—not to mention one virtuosic vocal display after another. Soprano Angela Meade is the fierce title monarch, whose quest for power comes to a halt with the discovery that the object of her affection, the warrior Arsace—sung by mezzo-soprano Elizabeth DeShong—may actually be her long-lost son. Together, the two square off in a pair of dazzling duets and deliver some of the opera’s most challenging arias. Bel canto specialist Maurizio Benini takes the podium to lead a cast that also stars tenor Javier Camarena as the ardent prince Idreno, bass Ildar Abdrazakov as the scheming Assur, and bass Ryan Speedo Green as the stern high priest Oroe.
Perfect PiePerfect Pie · 2002
Perfect Pie
5.42002
MovieDrama
On the invitation of her childhood best friend Patsy McCann née Willets, famed opera singer Francesca Prine - whose real name is Marie Beck - returns to Marmora, Ontario to sing in a benefit concert. Patsy and Marie were best friends from the time Marie and her family arrived in Marmora when she was ten years old to the time she left Marmora at age fifteen, which was thirty years prior. With the exception of Don Rayford on who Marie had a crush, Patsy was shy Marie's only friend in Marmora. However, Marie and Patsy have not been in touch since due to issues that drove Marie out of town at the time. Those issues include Marie being physically abused by her alcoholic mother, but most specifically what happened the evening of the Sadie Hawkins dance - where Don accompanied Marie - and post dance down by the railroad tracks. Marie and Patsy's reunion may not be able to endure the thirty years of silence and the events of that night.
The Metropolitan Opera: Il TrovatoreThe Metropolitan Opera: Il Trovatore · 2011
The Metropolitan Opera: Il Trovatore
8.02011
MovieDramaMusic
Verdi’s IL TROVATORE again storms the Met stage in a star-studded, anvil-wielding cast , including Sondra Radvanovsky, Dolora Zajick and Dmitri Hvorostovsky. Marcelo Álvarez sings Manrico, the troubadour of the title. The story is well-known already: The gypsy Azucena has harbored a grudge for thirty years, but she is about to have revenge at last. Meanwhile, her son Manrico is in love with Leonora, but so is his arch-enemy, the Count Di Luna. A pot-boiler, where every tune is a hit.
The FirebirdThe Firebird · 2003
The Firebird
7.02003
MovieMusicTV Movie
Thirty Two Short Films About Glenn GouldThirty Two Short Films About Glenn Gould · 1993
Thirty Two Short Films About Glenn Gould
7.01993
MovieDramaMusic
A collection of vignettes highlighting different aspects of the life, work, and character of the acclaimed Canadian classical pianist.
The Saddest Music in the WorldThe Saddest Music in the World · 2003
The Saddest Music in the World
6.92003
MovieComedyDrama
In Depression-era Winnipeg, a legless beer baroness hosts a contest for the saddest music in the world, offering a grand prize of $25,000.

Filmography

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Rossini: SemiramideRossini: Semiramide · 2018
Rossini: Semiramide
2018
MovieMusic
A rarely performed bel canto gem, Rossini’s Semiramide returned to the Met for the first time in nearly 25 years during the 2017–18 season. Set in ancient Babylon under the reign of the mythic Queen Semiramis, the opera features political scheming, mistaken identity, divine intervention, and bloodthirsty revenge—not to mention one virtuosic vocal display after another. Soprano Angela Meade is the fierce title monarch, whose quest for power comes to a halt with the discovery that the object of her affection, the warrior Arsace—sung by mezzo-soprano Elizabeth DeShong—may actually be her long-lost son. Together, the two square off in a pair of dazzling duets and deliver some of the opera’s most challenging arias. Bel canto specialist Maurizio Benini takes the podium to lead a cast that also stars tenor Javier Camarena as the ardent prince Idreno, bass Ildar Abdrazakov as the scheming Assur, and bass Ryan Speedo Green as the stern high priest Oroe.

Director

Perfect PiePerfect Pie · 2002
Perfect Pie
5.42002
MovieDrama
On the invitation of her childhood best friend Patsy McCann née Willets, famed opera singer Francesca Prine - whose real name is Marie Beck - returns to Marmora, Ontario to sing in a benefit concert. Patsy and Marie were best friends from the time Marie and her family arrived in Marmora when she was ten years old to the time she left Marmora at age fifteen, which was thirty years prior. With the exception of Don Rayford on who Marie had a crush, Patsy was shy Marie's only friend in Marmora. However, Marie and Patsy have not been in touch since due to issues that drove Marie out of town at the time. Those issues include Marie being physically abused by her alcoholic mother, but most specifically what happened the evening of the Sadie Hawkins dance - where Don accompanied Marie - and post dance down by the railroad tracks. Marie and Patsy's reunion may not be able to endure the thirty years of silence and the events of that night.

Director

The Metropolitan Opera: IdomeneoThe Metropolitan Opera: Idomeneo · 2017
The Metropolitan Opera: Idomeneo
4.02017
MovieMusic
Mozart’s early masterpiece returned to the Met for the first time in more than a decade with Music Director Emeritus James Levine, who led the work’s company premiere in 1982, again on the podium. Tenor Matthew Polenzani brings both steely resolve and compassionate warmth to the title king of Crete, who is faced with an impossible decision. With her rich mezzo-soprano, Alice Coote sings the trouser role of Idomeneo’s son Idamante, who loves the Trojan princess Ilia, sung with delicate lyricism by Nadine Sierra. Elza van den Heever gives a thrillingly unhinged portrayal of the jealous Elettra. Jean Pierre-Ponnelle’s timeless production blends the grandeur of ancient myth with the elegance of Enlightenment ideals.

Director

The Met — Der RosenkavalierThe Met — Der Rosenkavalier · 2010
The Met — Der Rosenkavalier
2010
Movie
This production of Strauss’s most sumptuous work by director Nathaniel Merrill and designer Robert O’Hearn is almost as beloved as the opera itself. It perfectly captures the glittering never-land of rococco Vienna the way the Viennese—and the rest of the world—wish it had been, and it’s the ideal setting for an adult comedy of love and errors. Susan Graham is the aristocratic young Octavian, torn between two women: Renée Fleming as the Marschallin, the mature woman who understands that one day Octavian must leave her; and Christine Schäfer as Sophie, the young girl who unexpectedly captures his heart. Kristinn Sigmundsson is the lecherous Baron Ochs who sets the whirling plot in motion, and Edo de Waart conducts.

Director

Gluck: Orfeo ed EuridiceGluck: Orfeo ed Euridice · 2009
Gluck: Orfeo ed Euridice
2009
Movie
Director and choreographer Mark Morris’s production of Gluck’s masterpiece updates the immortal story from its ancient Greek roots to the timeless present, where, he says, “the union of chorus and dancers feels inevitable and inseparable.” With costumes by Isaac Mizrahi and a set designed by Allen Moyer, this production surrounds the action with the superb Met chorus dressed as a crowd of historic characters who bear witness to the transformative power of love. Orfeo (Stephanie Blythe) is so consumed with grief at the death of his beloved Euridice (Danielle de Niese) that the gods (Heidi Grant Murphy as Amor) allow him to lead her back from the underworld—if he will not look at her on the way. Of course he can’t resist looking, but the gods are truly merciful.

Director