A Short Film About the Indio Nacional

Mix-mastering history, the paranoid thriller, the documentary and the landscape film, pic tells of very different fates for two sets of brothers in oppressive Philippine settings.

A famous American filmmaker travels to the Yucatán to scout locations for his last movie. The Mayan Apocalypse intercedes.

A tribute to filmmakers and National Artists Lino Brocka and Ishmael Bernal. In the "Day" segment, Piolo Pacual portrays the role of William, a drug addict who tries to rebuild his sense of self and reconnect with the people around him. For the "Night" segment, Pascual portrays the role of Philip, who works as a bodyguard for a mayor's son. The bodyguard believes that his boss considers him as part of the family but after a shooting incident, he realizes his real worth to his boss. As he struggles to hide, he is slowly consumed by the claws of darkness lurking the city.

The story takes us into the colorful pop-culture world of these four 13-year old friends, back in the days when video games were still a novelty. Mimaw and her friends Paolo, Kachi and Gilligan go on a journey of self-discovery together as they play games and wrestle with new dilemmas – puppy love, circumcision and other horror stories.

A young girl from the countryside dreams of disappearing. She plays a lonely game of hide-and-seek while her mother quotes the Bible and her father relishes in alcohol and history. She decides to put on a stage play based on an old Filipino film about a family who disappears in the mountains during the war. But soon after the performance, she vanishes from the car, prompting her parents to look for her in the woods. One by one, they all start to disappear.

A serial killer in Payatas leaves the bodies of young boys in the dump as two Jesuit priests try to solve the murders.

Purports to document the production of a short about a young man’s first sexual experience while doubling as a coming-out film and a multiply layered making-of movie.

Early 20th century Philippines. The sounds of war signal the arrival of the Americans. A mother and son flee to the mountains, hoping for a quiet life. One day, the son discovers a wounded woman in the middle of the forest, and decides to bring her home.

A news team investigating rumors of aswang killings in a remote barrio are attacked by a group of soldiers, forcing them to run for their lives in the deeps of the forest, where more mystery and danger lay in wait.

In another lifetime, a Spanish couple takes drugs and teleports through their television set. A troubled young man travels through the countryside and meets a lost woman. During the trip, they discover a museum housing the expatriated paintings of the most important Filipino artist of the revolution. Eventually, the Spanish couple disappears toward their colony. Inspired by one of the earliest teleportation accounts, which happened between the Philippines and Mexico during the colonial period.

Martin travels to Itbayat island, of the Batan group, on the far north of the Phillipines, to record the customs of its inhabitants and their life away from modern civilization. Itbayat is open to visitors only in the summer; the storms raging in the region completely isolate the islanders for the rest of the year. The camera gives them the chance to tell their stories. “I was interested in understanding the characteristics of the community beyond its practices and traditions”, says the director. Winner of the Best Documentary award at the .MOV, Manila’s alternative festival dedicated to digital film.

A man travelling on the sea.

Kinet's Halloween Omnibus feature.

It is deep autumn — I wonder I never thought I'd be lost and searching for one warm, friendly smile — but I got me some people and I know that they love me And I know just where to look this time. "Here is my music. It is all I have to tell you how I feel. Know that your love keeps my love strong." —Stevie Wonder

Short film about a girl and a ghost.

A touching ode to Leonardo de la Cruz, the filmmaker's late father, who died earlier this year of lung cancer at the age of 65, the film is a personal meditation of sorts. It is at once dark, yet not unrelieved by poetry on the mysteries of life, existence and mortality.