Raya Martin

Kinet's Halloween Omnibus feature.

A serial killer in Payatas leaves the bodies of young boys in the dump as two Jesuit priests try to solve the murders.

A young girl from the countryside dreams of disappearing. She plays a lonely game of hide-and-seek while her mother quotes the Bible and her father relishes in alcohol and history. She decides to put on a stage play based on an old Filipino film about a family who disappears in the mountains during the war. But soon after the performance, she vanishes from the car, prompting her parents to look for her in the woods. One by one, they all start to disappear.

A touching ode to Leonardo de la Cruz, the filmmaker's late father, who died earlier this year of lung cancer at the age of 65, the film is a personal meditation of sorts. It is at once dark, yet not unrelieved by poetry on the mysteries of life, existence and mortality.

Purports to document the production of a short about a young man’s first sexual experience while doubling as a coming-out film and a multiply layered making-of movie.

It is deep autumn — I wonder I never thought I'd be lost and searching for one warm, friendly smile — but I got me some people and I know that they love me And I know just where to look this time. "Here is my music. It is all I have to tell you how I feel. Know that your love keeps my love strong." —Stevie Wonder

Short film about a girl and a ghost.

In another lifetime, a Spanish couple takes drugs and teleports through their television set. A troubled young man travels through the countryside and meets a lost woman. During the trip, they discover a museum housing the expatriated paintings of the most important Filipino artist of the revolution. Eventually, the Spanish couple disappears toward their colony. Inspired by one of the earliest teleportation accounts, which happened between the Philippines and Mexico during the colonial period.

Mix-mastering history, the paranoid thriller, the documentary and the landscape film, pic tells of very different fates for two sets of brothers in oppressive Philippine settings.

The story takes us into the colorful pop-culture world of these four 13-year old friends, back in the days when video games were still a novelty. Mimaw and her friends Paolo, Kachi and Gilligan go on a journey of self-discovery together as they play games and wrestle with new dilemmas – puppy love, circumcision and other horror stories.

A tribute to filmmakers and National Artists Lino Brocka and Ishmael Bernal. In the "Day" segment, Piolo Pacual portrays the role of William, a drug addict who tries to rebuild his sense of self and reconnect with the people around him. For the "Night" segment, Pascual portrays the role of Philip, who works as a bodyguard for a mayor's son. The bodyguard believes that his boss considers him as part of the family but after a shooting incident, he realizes his real worth to his boss. As he struggles to hide, he is slowly consumed by the claws of darkness lurking the city.

A famous American filmmaker travels to the Yucatán to scout locations for his last movie. The Mayan Apocalypse intercedes.

A man travelling on the sea.

What follows is a black-and-white silent film set in the 1890s during the brewing Filipino revolution against Spanish colonialism. A series of tragic and comic sequences tells the Three Ages of an Indio (“common man”) as he progresses from boy bell ringer in a village church to teenage revolutionary to adult theater actor rehearsing a popular Spanish play.

A nursery rhyme hovers over shadowy fragments of time, of arrivals and departures and the illusion of passage they evoke.

Early 20th century Philippines. The sounds of war signal the arrival of the Americans. A mother and son flee to the mountains, hoping for a quiet life. One day, the son discovers a wounded woman in the middle of the forest, and decides to bring her home.

Filmmaker John Torres describes his childhood and discusses his father's infidelities.

Tracing the figure of the spirit through Philippine film, Raya Martin enlists archives, apps and AI to work against the colonial gaze, and wonders, amid the restrictions of lockdown, ‘how do we watch movies without cinema?’

Short film by Raya Martin, published as part of After Cinema Words, a project considering the work of director Carlos Reygadas, here responding to a still image from the 2005 film Battle In Heaven.

The EDSA revolution brought an alt to a new form of experimental cinema that was emerging during the Marcos regime. This is a recovered excerpt from a video experiment by the almost unknown director Arturo Madlangbayan, as re-edited by Miko Revereza and Raya Martin.

Mother gets a visit.

A news team investigating rumors of aswang killings in a remote barrio are attacked by a group of soldiers, forcing them to run for their lives in the deeps of the forest, where more mystery and danger lay in wait.