Enoken’s Ten Millions Sequel

Enoken plays a cloistered rich kid whose father hires a disreputable tutor to teach him how to really be a millionaire: by drunken debauchery, women, and song.

1930s Japanese comedy.

A comedic tale told in four parts, this film follows the antics of the pickpocket Kinta as he is pursued by a low ranking deputy named Kurakichi. The two get into all manner of peccadilloes and encounter a range of peculiar characters as their game of cat and mouse moves across the countryside in the last days of the Tokugawa Shogunate.

Enoken no wanwan taishô AKA Wanwan Taisho AKA Bowwow General directed by Nobuo Nakagawa

To become a great wrestler, the strongest of the village's young men leaves his fiancée to join a sumo stable in Edo.

Postwar! Baseball! Comedy! Enoken plays a superfan of the Yomiuri Giants – the real Tokyo team, with many of its star players "acting" as themselves – who, despite his utter lack of athletic abilities, becomes embroiled in their successes, and their personal lives. Will Enoken help the Giants take the pennant?

Near the end of the Taisho era (1912-1926), Enokichi, a popular figure in the world of boxing entangled in the Yakuza business.

In postwar Japan, two sisters—a film studio script girl and a revue dancer—become swept up in the growing labor movement when workers around them strike for better conditions. As their conservative father opposes their activism, his own dismissal forces him to confront the realities of class struggle and join their fight for a fairer future. Now considered a lost film, Those Who Make Tomorrow was produced by Toho to promote unionization during Japan’s Allied Occupation.

Three IJN flyers Mikami (Susumu Fujita), Kawakami (Masayuki Mori) and Murakami (Akitake Kono) are good friends, and they are all renowned for their torpedo techniques. Mikami is posted as a staff officer at a base on an island in the Pacific. Kawakami and Murakami later joins him as the base squardron is reinforced. The enemy task force approaches the island and all three of them attack the fleet, killing themselves in the process.

Once an average and seemingly ordinary Tokyo girl, she suddenly finds herself as a TV star owing to her discovery by a casting company, which noticed photographs that her cousin had sent. When another actress falls ill she is given the role instead. Her first film is a success propelling the young actress to popularity, her own fans, money and a house. While everything looks dandy from the outside not all is well within the family however.

May Kawaguchi is a famous Japanese fashion designer. Returning to Tokyo from her home in New York, she travels incognito with a tour group, in hopes of having a quiet vacation without being noticed. But she is spotted and the press has a field-day with the returning celebrity. Her hopes of rest shattered, she agrees to put on a large-scale fashion show.

Wataru Naohiko who has the prosecutor general as his father became a young composer and its symphony "saint" invoked the world echoed. But his disciple Uchiyama and his best friend prosecutor Daisuke Toki accused his music as a sesame of pause-only technique, not a truly heart-hungry art.

Minako, a runaway from Osaka chasing her dream of becoming a singer, struggles through poverty, failed jobs, and exploitation in Tokyo. With the help of a kind old vendor, a supportive reporter, and eventually singer Akira Takarada, she finally gets her chance to shine on stage.

What is marriage? Young couple in match-making wanted to know before they decide. They visited married couples of sisters and brothers. Love comedy in 1942.

Girls in the Orchard (1953) is about tension between the life of a family in a rural area with all the traditions (continuing family business, taking care of the land)-- and the modernity and lure of a life in the city.

A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo’s sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop and criminal’s lives become more intertwined and the investigation becomes an examination of Murakami’s own dark side.

Director Iwauchi Katsuki adapted this melodrama from Sasazawa Saho's award winning novel about two young lovers from different sides of the tracks set against the backdrop of the Roppongi district in Tokyo. Masaaki (Minegishi Toru) is the son of a prominent judge and a Law student at university. Chikage (Nakagawa Yuki) is a teenager from an underprivileged home. Both are desperately looking for an escape from their lives when they meet in Roppongi one night and fall in love. But coming from such different backgrounds, their happiness isn't assured.

A 1944 propaganda film that depicts the fictionalised career of IJAAF pilot Tateo Kato, who led the 64th Sentai during the early months of the Pacific War. The film has scenes featuring Ki-43 fighters escorting Ki-21 bombers to attack Rangoon, where they are attacked by P-40 Warhawk and Brewster Buffalo fighters.

Masako, the daughter of an impoverished itinerant tinsmith, wins a grammar school composition contest with an essay about her neighborhood. The much publicized essay ends up causing the family problems and their chronic money troubles threaten Masako's further education.

Ine Onoda, the eldest daughter of a poor family of farmers, raises a colt from birth and comes to love the horse dearly. When the horse is grown, the government orders it auctioned and sold to the army. Ine struggles to prevent the sale.

The fifth film in the Toho Diamond series, following "The Hateful Thing." Based on the true story of "Zoo Story" by author Fukuda Saburo. During the Tokyo air raids of World War II, Zen-san, an elephant keeper at Ueno Zoo, is faced with the heartbreaking task of euthanizing Tonki, a beloved elephant, due to food shortages and wartime pressures. Unable to carry out the order, Zen-san secretly feeds Tonki, but the elephant is ultimately shot by the military police. The film poignantly captures Zen-san’s despair and the devastation of war, as he reflects on his powerlessness amid the chaos.