El tesoro de Clotilde

Bajo la misma piel is a Mexican telenovela produced by Carlos Moreno Laguillo for Televisa and originally broadcast on Canal de las Estrellas from September 15, 2003, to January 16, 2004. Created by Martha Carrillo and Cristina García, the story follows four women from the same family as they face love, betrayal, family conflicts, and personal struggles. Sara, Regina, Miranda and Esther must overcome challenges such as an unhappy marriage, a complicated love triangle, illness, and forbidden relationships while searching for true love and happiness.

Gente bien is a Mexican telenovela produced by Lucy Orozco for Televisa and originally broadcast on Canal de las Estrellas from April 28 to August 15, 1997. Created by Lucy Orozco, Antonio Serrano, and Humberto Robles, the telenovela stars Patricia Manterola and Mario Cimarro, with stellar performances by Helena Rojo, Ana Martín, and María Rivas. The story follows María Figueroa, a hardworking and honest young woman who is forced to leave her job after suffering harassment from her employer. She later begins working at the Dumas family's company, where she becomes involved in a world of power, corruption, and family conflicts. There, she meets Gerardo Felipe, an environmentalist fighting against illegal activities connected to the company, and together they face obstacles, betrayal, and the struggle to protect their love.

A young girl recounts her girlhood and eventual marriage to a general of the Mexican revolution. by one of the most outstanding writers of the new feminist Mexican literature, it is at once a haunting novel of one woman's life and a powerful account of post-revolutionary Mexico from a female perspective.

A raw and realistic story that connects four characters whose lives are affected by the dark world of drug trafficking. From the Colombian jungle to Miami, passing through Bogotá and Mexico, the plot shows how cocaine impacts everything from production to consumption. An intense series that reveals crime never brings favorable consequences.

First of two films that make up the collaborative film "Los Bienamados" (The Beloved, 1965). It narrates the encounters and misunderstandings of a pair of lovers during the years, from their adolescence to maturity.

Family honor, greed, machismo, homophobia, and dreams collide in a small Mexican town.

In the Mexican-Guatemalan border, young teenage lovers, Sabina and Jovany, both Hondurans, accidentally meet again after some years without seeing each other. She plans to get to the United States and dreams about being a great singer; he commits all the required atrocities to be accepted by the gang: la Mara Salvatrucha. Sabina and Jovany crashed with the most adverse conditions at the border like white slavery, the Mexican and American migratory agents Burrona and Patrick, the brothel matron Doña Lita, Don Nico the Mexican Consul in Tecún Umán, the drug trafficking networks, the army and la Mara Salvatrucha.

When four women move into an old house left by one woman's aunt, strange things begin to happen. Bizarre voices, visions of ghosts, and mysterious noises lead them to discover the darkest powers of evil and a horror and agony beyond terror.

After being released from jail, "Tarzan" Lira seeks to rebuild his life as a bank employee. Unfortunately, it might not be as easy as he thinks.

In Vera Cruz in the 1940s, Nacho, an Indian, waits tables at Don Lázaro's café at Hotel Ofélia. He falls for Lola, an opium-addicted, alcoholic whore who's hopelessly in love with Gardenia Wilson, a masked wrestler who slept with her once but knows she's unbalanced. Don Lázaro warns Nacho about Lola, and Nacho knows his love will be unrequited, but he'll do anything, regardless of how degrading, to be near her. Lola, for her part, can be sadistic. Republican exiles who are regulars at the café encourage Lola's desire to assassinate Franco. Nacho in turn mixes this political mirage with his fascination with the plot of "The Mikado." Where do fantasies and obsessions lead?

Tres Mujeres is a Mexican telenovela produced by Roberto Hernández Vázquez for Televisa and originally broadcast on Canal de las Estrellas from March 22, 1999, to April 14, 2000. Created by Martha Carrillo and Cristina García, with adaptation by Ximena Suárez, the telenovela stars Erika Buenfil, Karyme Lozano, Norma Herrera, Alexis Ayala, Jorge Salinas, and Pedro Armendáriz Jr. Due to its enormous popularity, the series was extended to 280 episodes. The story follows three women from different generations whose lives become intertwined through love, family conflicts, and personal struggles. As Bárbara, Fátima, and Greta face betrayal, ambition, heartbreak, and unexpected challenges, they must find the strength to overcome adversity while searching for happiness, forgiveness, and true love.

Michael ‘Jay’ Cochran has just left the Navy after 12 years and he's not quite sure what he's going to do, except that he knows he wants a holiday. He decides to visit Tiburon Mendez, a powerful but shady Mexican businessman who he once flew to Alaska for a hunting trip. Arriving at the Mendez mansion in Mexico, he is immediately surprised by the beauty and youth of Mendez’s wife, Miryea.

A very humble boy longs conditions make their first communion, but circumstances do not allow it until, after a tragic accident, Paco Malgesto and a group of people who help make his dream.

Housewife-angst is making the Missus crazy, so when her husband loses his job, they switch roles.

Motherhood-and-martyrdom melodrama.