Life Sentence

Triángulo is a Mexican telenovela produced by Ernesto Alonso for Televisa and originally broadcast on Canal de las Estrellas from August 3 to November 20, 1992. Created by María Zarattini and adapted by Irma Ramos, the telenovela stars Daniela Castro and Eduardo Palomo. The story follows Sara Granados, a kind-hearted young woman who is constantly mistreated by her stepmother and stepsister. After being deceived by the ambitious David and becoming pregnant, Sara finds support in his brother Iván, who falls in love with her. As David returns determined to reclaim her, the three become entangled in a love triangle marked by family conflicts, betrayal, and the search for happiness.

After a lavish dinner party, the guests find themselves unable to depart... and, over the next few days, all of their elaborate societal pretenses and façades deteriorate as they are reduced to living like animals.

The film tells the story of the Boteros, a middle-class Mexican family struggling against poverty after their father's death. Ignacia (Egurrola) is the Boteros mother, a desperate woman who chooses to sacrifice the destiny of her three older children, in order to protect Gabriel (Laguardia) the youngest one. She believes Gabriel will climb the social structure and bring back the lost fortune to the family. But destiny has other plans for the Boteros and tragedy will overcome eventually. Based on the novel of Nobel Prize winner Naguib Mahfouz.

The story begins in a small town in rural Mexico, home to Maria López—a humble, dreamy young woman of indigenous descent—who decides to leave her village for Mexico City in search of work and a better life. Upon arriving in the capital, she begins working as a domestic helper in mansions across wealthy neighborhoods, using her earnings to pay for sewing classes. At one of these homes, she meets Juan Carlos del Villar, a playboy who seduces and wins her over.

A disciplined and sexually driven man forces his family to stay isolated in their home in order to protect them from the “evil nature” of human beings.

Family honor, greed, machismo, homophobia, and dreams collide in a small Mexican town.

La sonrisa del diablo is a Mexican telenovela produced by Ernesto Alonso for Televisa and originally broadcast on Canal de las Estrellas from February 24 to July 31, 1992. It is the second adaptation of the 1970 telenovela of the same name, originally created by Luisa Xamar, and was adapted by Fernanda Villeli and Marcia Yance. The story follows Déborah San Román, a beautiful and ambitious young woman who stops at nothing to achieve wealth and power. After marrying a wealthy widower while secretly maintaining a relationship with her unscrupulous lover, she manipulates and betrays everyone around her. As her web of lies and crimes grows, love, honesty, and justice begin to threaten her ruthless ambitions.

After the death of his son, Javier hopes that restoring his family's abandoned ranch will allow him and his wife Mariana, who attempted suicide, a new beginning, but his grandmother refuses.

In Vera Cruz in the 1940s, Nacho, an Indian, waits tables at Don Lázaro's café at Hotel Ofélia. He falls for Lola, an opium-addicted, alcoholic whore who's hopelessly in love with Gardenia Wilson, a masked wrestler who slept with her once but knows she's unbalanced. Don Lázaro warns Nacho about Lola, and Nacho knows his love will be unrequited, but he'll do anything, regardless of how degrading, to be near her. Lola, for her part, can be sadistic. Republican exiles who are regulars at the café encourage Lola's desire to assassinate Franco. Nacho in turn mixes this political mirage with his fascination with the plot of "The Mikado." Where do fantasies and obsessions lead?

Driven by desire and desperate for self-love, Coral and Nicolás will abandon their past lives in a journey surrounded by murder.

Dulce Desafío is a Mexican telenovela starring Adela Noriega and Eduardo Yáñez.

Betty is visited by a strange salesman the day she is going away on a trip. He stays in the house as a series of bizarre events occur with his arrival.

Mexico City. Every day, Beatriz is insulted and humiliated by her jealous husband, but she does not flee his side because they have created a codependency and, at least for her, she would not conceive of her life any other way: by dint of feeling humiliated, she feels desired and desirable.

Mama has four daughters in their late teens. some of them might be more interested in careers than husbands, but she's hoping she'll find a highly suitable young man for each of them. If there are any out there that meet her standards.

Two wrestlers decide to go to a hotel in order to meet two prostitutes.