Zu jeder Stunde

Former East German engineer Erich Becker had been lured to West Germany by promises of a high reward. Now residing in Stockholm, he is recalled to serve as a spy in the East. He is to convince Dr. Jadenburg to flee from the GDR with the help of his daughter Hanna, who works for the West. While travelling on the train with Hanna, he is told that he is also to murder another agent who betrayed and now works for the Stasi. The traitor is revealed to be a former friend of Becker, Harry Korb.

A Saturday evening dance in the village pub is interrupted when the barn of local farmer Paul Gäbler catches on fire. The farmer himself is soon found – hanged. Sawmill owner Züllich claims that Gäbler committed suicide because he was forced to join an agricultural production cooperative, but others are convinced Gäbler was murdered. Officers Schneider and Anders must navigate their way through a complex maze of personal and political motivations in order to reconstruct the crime.

At the VII Party Congress of the SED, a delegate tells a reporter his life story: 18-year-old returning soldier Georg Lendau ends up in a small village in 1945. He is starving and sick. Mayor Kallam helps. Later, they meet again; Kallam is now the director of a heavy engineering company. He gives Georg, who is a lathe operator, work. But Kallam has more plans for him and wants to send him to university. Georg refuses. An extra shift, which he only did so that he could buy his future wife wedding shoes, brings him into conflict with backward colleagues - and the realization that you first have to work better if you want to live better. He followed this insight with action, becoming a master craftsman, comrade and student.

Jürgen Fohrmann works as a hauer underground. In the course of the coal crisis, his mine closes - he loses the work. In this mood, his wife's prosperity thinking gets on his nerves - his marriage threatens to break. The dismissed coal buddy applys, first becomes an auxiliary worker, but then receives a job in an automated operation of the electrical industry and believes to have socially risen through this "clean work". Fohrmann quickly realizes that wearing a "white coat" is only seemingly better than the arduous work in the pit and understands that he can no longer stay out of the work struggles of the buddies.

A film gala featuring a colorfully mixed program of musical numbers, along with the most popular artists of the GDR music, film and television scenes. The majority of the show is comprised of music performances, which are visually altered or transformed. Cabaret-style written contributions and one acts round out the program. Before each performance, the artists involved are seen in an everyday situation in their life.

A warship returning from a training exercise was tasked with apprehending an unknown schooner that had violated GDR territorial waters. Although nothing illegal was found during the search of the ship, the ship's commander Fischer was suspicious of the owner of the schooner, Arendt, a former lieutenant of a Nazi coastal battery. Fischer's doubts were confirmed when a diver came aboard the schooner and photographed a military object underwater. The investigation showed that the detained schooner was on a sabotage mission, and the "activities" of Arendt, a former Gestapo Obersturmführer, were also revealed.

The electrician Peter Drews is a brigadier at a Baltic Sea dockyard. His men are among the most reliable and diligent workers at the dockyard. Their motivation, however, increasingly suffers from Peter’s narcissism and imperiousness. Even his girlfriend Brigitte who is also a member of the brigade finds it increasingly difficult to accept his behavior. One day, Peter decides that the entire group must enter the navy - just because he has received his conscription call. While four men follow Peter into the navy, Brigitte, who has broken up with Peter, takes over the control of the brigade. During the work at the ship on which Peter is based at she meets the charming lieutenant Asmus.

While Dresden is in ruins in the immediate aftermath of the Second World War, over two thousand paintings by artists including Rembrandt, Raphael, Rubens, Giorgione, and Vermeer have disappeared from the city’s Old Masters Picture Gallery. Red Army captain Leonov and his soldiers are ordered to recover the lost paintings.

Carolin lives in the East and works in a West Berlin bar. After the building of the wall she tries to persuade Georg, a soldier of the border regiment, to let her cross over. He falls in love with her and defends her against a West German pimp with a punch to the jaw.

Stasi agent Alexander Berg has to uncover a plot of sabotage.

This East German movie was co-produced with studios in Hungary and Yugoslavia, with many interesting location shots (border checkpoint to West Berlin, the Gellert bath in Budapest, and more). The plot is about French drug dealers, who obtain heroin somewhere in the Middle East, and smuggle it in several steps to East Berlin, and from there to France (or so it appears), killing when necessary. The hero is an officer of East German customs, who with detective work, some masquerade, and occasional violent action ultimately unravels the whole network, of course with the support of the local customs departments.

Electrician Liercke from the service combine is on his way to a customer. He is accompanied by his secretary, Anna Naß, who uses a stopwatch to record every movement of the foreman, with the corresponding travel surcharges and complications (broken doorbell - knocking like this). The tenant, who has repaired the damage himself, is prepared to pay the job costs, but not the sums that the secretary has calculated for the individual activities of the electrician before the actual work. When the customer asks to see the price list, he is told: "It's still being printed!" He hands Mr. Liercke 2.22 marks in coins. The missing 20 mark bill "will also be printed first".

Psichinski rings Mr. Semmler's doorbell and alerts him to strange noises in the attic. Together they sneak upstairs and discover a full-grown horse, which they report to the police officer. He triggers the alarm. The fire department and several workmen marvel at the event and ponder how it could have gotten there in its full size. The return transport requires structural measures and reconstruction work. After completion, Psischinski's house resembles a "jewel box". Later, the policeman asks Psischinski how he "managed" the matter and learns that he had brought a foal there 1½ years ago in order to draw the attention of the public, especially the tradesmen, at the appropriate time so that work that was difficult to carry out could finally be completed. Shaking his head, the official, who also owns a house, leaves the property with the comment: "You should have a horse!"