Cleopatra

This unusual melodrama with comic touches was based on Octavus Roy Cohen's novel The Iron Chance. Alan Beckwith (Rod La Rocque) is a war hero who is very much down on his luck. He makes a deal with big-time bootlegger Andrew North (Gustave von Seyffertitz) -- if North will give him a large sum of money, Beckwith will kill himself at the end of a year's time. He is to marry a girl of North's choosing and take out an insurance policy naming her as beneficiary; North will collect from the widow. The plot thickens when Beckwith and Beverly (Marguerite De La Motte), the girl North has him marry, actually fall in love. Beverly's brother, Johnny (Ray Hallor), teams up with Beckwith to steal one of North's cargos of rum. North and his men catch them and things look bad until revenue officers -- called on by Beverly -- show up. The North gang is rounded up and Beckwith looks forward to a long life with his wife.

A hack screenwriter writes a screenplay for a former silent film star who has faded into Hollywood obscurity.

Escaping death, a Hebrew infant is raised in a royal household to become a prince. Upon discovery of his true heritage, Moses embarks on a personal quest to reclaim his destiny as the leader and liberator of the Hebrew people.

The residents of a small town are excited when a flaming meteor lands in the hills, until they discover it is the first of many transport devices from Mars bringing an army of invaders invincible to any man-made weapon, even the atomic bomb.

One of the last bills signed by President Lincoln authorizes pushing the Union Pacific Railroad across the wilderness to California. But financial opportunist Asa Barrows hopes to profit from obstructing it. Chief troubleshooter Jeff Butler has his hands full fighting Barrows' agent, gambler Sid Campeau; Campeau's partner Dick Allen is Jeff's war buddy and rival suitor for engineer's daughter Molly Monahan. Who will survive the effort to push the railroad through at any cost?

When strongman Samson rejects the love of the beautiful Philistine woman Delilah, she seeks vengeance that brings horrible consequences they both regret.

England, 1763. After being convicted of a crime, the young and beautiful Abigail Hale agrees, to escape the gallows, to serve fourteen years as a slave in the colony of Virginia, whose inhabitants begin to hear and fear the sinister song of the threatening drums of war that resound in the wild Ohio valley.

During the War of 1812 against Britain: General Andrew Jackson has only 1,200 men left to defend New Orleans when he learns that a British fleet will arrive with 60 ships and 16,000 men to take the city. In this situation an island near the city becomes strategically important to both parties, but it's inhabited by the last big buccaneer: Jean Lafitte. Although Lafitte never attacks American ships, the governor hates him for selling merchandise without taxes - and is loved by the citizens for the same reason. When the big fight gets nearer, Lafitte is drawn between the fronts. His heart belongs to America, but his people urge him to join the party that's more likely to win.

During the Russian Revolution Princess Vera, though betrothed to Prince Dimitri, is attracted to the peasant Feodor.

Wild Bill Hickok, Calamity Jane, and Buffalo Bill go up against Indians and a gunrunner.

The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy of the commandments in modern life through a story set in San Francisco. Two brothers, rivals for the love of Mary, also come into conflict when John discovers Dan used shoddy materials to construct a cathedral.

Dozens of star and character-actor cameos and a message about the Variety Club (a show-business charity) are woven into a framework about two hopeful young ladies who come to Hollywood, exchange identities, and cause comic confusion (with slapstick interludes) throughout the Paramount studio.

The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.

A Roman soldier becomes torn between his love for a Christian woman and his loyalty to Emperor Nero.

Charles Murdock neglects his fat and lazy wife for another woman; When his other love interest becomes involved in a murder, he leaves for Paris.

Peter Potter Jr. returns to claim his father's gold, which is nowhere to be found.