Samson and Delilah

Barbara Fiske, a beautiful girl of social standing, is about to be married to Lloyd Van Courtland. On the eve of their marriage, she foolishly pays a visit to a colorful steamship captain aboard his ship.

This unusual melodrama with comic touches was based on Octavus Roy Cohen's novel The Iron Chance. Alan Beckwith (Rod La Rocque) is a war hero who is very much down on his luck. He makes a deal with big-time bootlegger Andrew North (Gustave von Seyffertitz) -- if North will give him a large sum of money, Beckwith will kill himself at the end of a year's time. He is to marry a girl of North's choosing and take out an insurance policy naming her as beneficiary; North will collect from the widow. The plot thickens when Beckwith and Beverly (Marguerite De La Motte), the girl North has him marry, actually fall in love. Beverly's brother, Johnny (Ray Hallor), teams up with Beckwith to steal one of North's cargos of rum. North and his men catch them and things look bad until revenue officers -- called on by Beverly -- show up. The North gang is rounded up and Beckwith looks forward to a long life with his wife.

A hack screenwriter writes a screenplay for a former silent film star who has faded into Hollywood obscurity.

Escaping death, a Hebrew infant is raised in a royal household to become a prince. Upon discovery of his true heritage, Moses embarks on a personal quest to reclaim his destiny as the leader and liberator of the Hebrew people.

The residents of a small town are excited when a flaming meteor lands in the hills, until they discover it is the first of many transport devices from Mars bringing an army of invaders invincible to any man-made weapon, even the atomic bomb.

One of the last bills signed by President Lincoln authorizes pushing the Union Pacific Railroad across the wilderness to California. But financial opportunist Asa Barrows hopes to profit from obstructing it. Chief troubleshooter Jeff Butler has his hands full fighting Barrows' agent, gambler Sid Campeau; Campeau's partner Dick Allen is Jeff's war buddy and rival suitor for engineer's daughter Molly Monahan. Who will survive the effort to push the railroad through at any cost?

Mary Maddock works as a seamstress to bring home money while her husband Steve, unemployed, has no real prospects of earning money. Mary's employers, are trying to strike an oil related business deal with a rich man by the name of Nelson Rogers. The deal does not seem to be on the table, as Mr. Rogers is leaving town shortly and does not have the time to work out the details of such a deal. In an order to entice him to stay, Mrs. Mallory - wife of Mr. Mallory who is proposing the business deal - convinces Mary to be her guest at a dinner party with the intent of making Mr. Rogers fall for her and thus stay long enough for Mr. Mallory to make him agree to a business deal.

England, 1763. After being convicted of a crime, the young and beautiful Abigail Hale agrees, to escape the gallows, to serve fourteen years as a slave in the colony of Virginia, whose inhabitants begin to hear and fear the sinister song of the threatening drums of war that resound in the wild Ohio valley.

During the War of 1812 against Britain: General Andrew Jackson has only 1,200 men left to defend New Orleans when he learns that a British fleet will arrive with 60 ships and 16,000 men to take the city. In this situation an island near the city becomes strategically important to both parties, but it's inhabited by the last big buccaneer: Jean Lafitte. Although Lafitte never attacks American ships, the governor hates him for selling merchandise without taxes - and is loved by the citizens for the same reason. When the big fight gets nearer, Lafitte is drawn between the fronts. His heart belongs to America, but his people urge him to join the party that's more likely to win.

Wild Bill Hickok, Calamity Jane, and Buffalo Bill go up against Indians and a gunrunner.

Dozens of star and character-actor cameos and a message about the Variety Club (a show-business charity) are woven into a framework about two hopeful young ladies who come to Hollywood, exchange identities, and cause comic confusion (with slapstick interludes) throughout the Paramount studio.

The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy of the commandments in modern life through a story set in San Francisco. Two brothers, rivals for the love of Mary, also come into conflict when John discovers Dan used shoddy materials to construct a cathedral.

Texas Ranger Dusty Rivers ("Isn't that a contradiction in terms?", another character asks him) travels to Canada in the 1880s in search of Jacques Corbeau, who is wanted for murder. He wanders into the midst of the Riel Rebellion, in which Métis (people of French and Native heritage) and Natives want a separate nation. Dusty falls for nurse April Logan, who is also loved by Mountie Jim Brett. April's brother is involved with Courbeau's daughter Louvette, which leads to trouble during the battles between the rebels and the Mounties. Through it all Dusty is determined to bring Corbeau back to Texas (and April, too, if he can manage it.)

The Florida Keys in 1840, where the implacable hurricanes of the Caribbean scream, where the salvagers of Key West, like the intrepid and beautiful Loxi Claiborne and her crew, reap, aboard frail schooners, the harvest of the wild wind, facing the shark teeth of the reefs to rescue the sailors and the cargo from the shipwrecks caused by the scavengers of the sea.

A Roman soldier becomes torn between his love for a Christian woman and his loyalty to Emperor Nero.

The King of Kings is the Greatest Story Ever Told as only Cecil B. DeMille could tell it. In 1927, working with one of the biggest budgets in Hollywood history, DeMille spun the life and Passion of Christ into a silent-era blockbuster. Featuring text drawn directly from the Bible, a cast of thousands, and the great showman’s singular cinematic bag of tricks, The King of Kings is at once spectacular and deeply reverent—part Gospel, part Technicolor epic.