The Bride & I

hong kong romance

Pairs of best college friends, Shen Jung (Brigitte Lin) and Li Lun-mei (Chelsia Chan); Chen Cheng-hsiung (Chin Han) and Fang Juei (Alan Tam) meet at the tennis courts. Fang Juei likes the ebullient Li Lun-mei, but after hearing the contemplative Cheng-hsiung at a school concert, is smitten by his talents and looks. However, as fate would have it, Cheng-hsiung is after the studious and gentler Shen Jung.

Forbidden Imperial Tales is a Taiwan History movie

Taiwanese romance film released to commemorate the 9th anniversary of First Films' founding.

This film depicts the conflict between the West and Eastern culture, the Northern and Southern ways of life and the traditional and modern concepts. It consists of six stories.

An early Brigitte Lin Romance.

Story of a US-educated scientist who returned to China, and suffered during the years of the Cultural Revolution.

Set in Shanghai in the 1940s. Story of a ballroom girl Jolie Chan who falls in love with a student and becomes pregnant, but the student's family force her to have an abortion.

Jointly and respectively directed by King Hu, Lee Hsing, and Pai Ching-Jui, three major Taiwan directors of the 1970s, this film consist of three shorts with the same cast of two actors and one actress, who through reincarnation meet in three different times.

Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.

Taiwanese drama film directed by Pai Ching-jui.

Pai Ching-jui traveled to Italy in 1960 and enrolled in the prestigious Centro Sperimentale di Cinematografia in Rome in 1962, becoming the first Chinese student ever admitted to the institution. He graduated in 1963 with an experimental short film, Un Amore (鐘情者痴), which he wrote and directed himself — a playful work staging a "love scene" between an actor and a camera. He remains the first Taiwanese filmmaker to have studied cinema in Italy.

The story of Lonely Seventeen centers on Tan-mei, a seventeen-year-old high school girl who comes from a wealthy family. The film begins with Tan-mei inviting her cousin, who is also her sister’s fiancé, Feng Tse (Ke Jun-Xiong), to come over to her place on a rainy night. However, Feng Tse secretly visits his mistress first and gets seriously wounded after a fight with the woman. When he tries to make a second stop at Tan-mei’s place, he loses control of his car and is killed in a car accident. After the death of Feng Tse, Tan-mei and the mistress start to behave strangely, and both of them are sent to the same mental health institute after their emotional breakdown.

Classic slapstick comedy set in a Taiwanese apartment building.

Kuai Chi, the conductor of a women’s western music band, alertly keeps her distance from men around her. Nonetheless, she eventually succumbs to the charms of A-lang and falls pregnant; she then breaks off her engagement and embezzles money so she can elope with A-lang. Unfortunately, A-lang fails in everything he does, and Kuai Chi persuades him to move and start a new life. However, A-lang has become addicted to excitement…

Zhi Xiang, new to Rome, resented his brother Zhi Yuan's arrangements and grew close to the Gao family. Zhi Yuan, once a singer, now worked as a porter after a skiing accident ruined his voice. Zhi Xiang, burdened by debts, considered quitting school, but Zhi Yuan urged him to keep studying. Zhi Xiang met Zhu Dan Li, a wealthy girl, and spent time with her despite his financial struggles. She insisted on accompanying him, but he refused to skip classes. Zhu Dan Li later returned to Rome, and Zhi Xiang, unable to arrange anything for her, realized his limitations. Zhi Xiang, immersed in art in Switzerland, forgot his studies. Zhi Yuan, thinking Zhi Xiang was in love with Yi Hua, tried to guide him. Zhi Xiang returned to Rome after feeling guilty, but his art failed. Zhi Yuan fell ill from overwork and was hospitalized. Zhi Xiang took his brother’s job. Eventually, Zhi Yuan recovered, married Yi Hua, and they prepared to return home.